Anandi's journey to Shiv ,DS, jagat and BV - Page 4

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sarandha thumbnail
Posted: 13 years ago
#31
@

As usual anjana u've hit the nail on the head where the question of TRPs etc is concerned . The way TRPs are run , some of our not watching the shows is not going to have much impact - and ballots, voting etc come with all the pressures of populism and catering to stereotypes which become part of a mainstream public discourse which we often accept as popular opinion without questioning . Often reality is far more complex and surprising and people are able to relate to more radical, progressive scripts far more than we think.
Internet has also provided a way of registering our opinions in ways other than questionable TRPs and it was my growing disgust with serials - which i might not watch but whose images i could not escape - also watching people spend hours on these often not because they like them but because they have no alternatives - i find reactions to k serials by even their most avid watchers are far more mixed, jaded and far less credulous than we believe. Still they are a part of a larger discourse which comes to shape public morality . Hence sometimes more progressive discussions - even if by a minority - do atleast register a difference of opinion in public spaces. And some writers of more nuanced serials like BV often pick up the cues from these too as u say 😊
elasingh thumbnail
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Posted: 13 years ago
#32
For me the best female leqd was Suhana from Sasural genda fool. I loved her .
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Posted: 13 years ago
#33

Originally posted by: AnjanaYYZ

Aparna


- I don't know your level of knowledge about the Indian Television Industry...I don't want to presume either way. I learnt a little bit during my campaign against NDTV Imagine a few years back. This forum has people like Jyoti (one of the global moderators), who genuinely know a lot more.

- Anyway NDTV Imagine is now suing the TRP people for their ineptitude. I don't know what exactly the allegations. I certainly have no access to the court papers...then again i have not tried to track it down.

- However, on this I do agree with NDTV Imagine. India's TRP system is a JOKE. In a country of Billion plus their representative sample is 5000 - 6000 householdsđŸ€” Those 5000 households impact AD revenues of TV Channels and in turn production houses...actors, directors, etc.

- On a more personal level you may turn of your television set when don't appreciate the content... but, do you matter in India? NOT unless you are one of the 5000 chosen households restricted to a few metros in India.

- Lastly while my knowledge of statics is admittedly shallow (one of my less stellar subjects in undergrad) but, I would not want to base my AD purchasing decision on such a small sample if I were an Indian Biz Executive...but, sadly I would have no other alternative.

- Even assuming TRPs r reliable... we ve chicken and egg story... whether people emulate the ideals depicted on screen or whether the screen reflects Indian reality.

Anjana - I do not know much about the workings of television industry.

But the serials which I liked watching like Phulwa and Muktibandhan were taken off air because of the low TRPs. I remember how they tried to change the story line to get the TRPs that did not work and they were pulled off.I did my bit of campaigning to get them retained but it didn't work.There were two serials which were different from the rest of the stuff that is being shown.
But people were not interested in watching them and so they were taken off.

I remember even the ad breaks were so short for these shows.I don't know what the proportion of the revenue earned by the ads constitutes in their total income.That's how I came to the conclusion that TRPs do matter.
Whether the TRPs is reliable tool or not is another question altogether.But at present is there an alternative way assessing viewer pattern?
You are right the sample size for calculations of TRPs is too small and I dont think it is representative sample. At least 30 - 40% of this one billion must be watching TV.So I do think it is too small a sample.They do have to come up with some other alternative way.But until then are stuck with TRPs. So TRPs are the deciding factors for them and for us I guess the content is the deciding factor.We are not part of the sample that is used to generate and caluculate TRPs So the only thing we can do is stop watching it if we do not like it.

lavy thumbnail
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Posted: 13 years ago
#34
I need to now divide my post into 2 parts. One for addressing A's journey and the other one for TRP.

BV is one of its kind. It deals with women in typical rural India where patriarchy is the norm and is accepted. Thats why we see a girl like A who is strong in any sense of the word tells her mum that she will not move out of her sasra and feels abhar to Shiv's family for allowing her to work. I can argue saying who are they to allow her to work? Again...She is bred, brought up in a different place and I have to understand and appreciate that.

I agree with the point that Adultery and Bal Vivah were mixed here. 6 months of youthful consummation of marriage will not amount for a strong marriage. I agree with that. The place where Jagya went wrong was in hiding the truth from A that he is falling in love with G.

They have made several points across - Bal Vivah's evils, adultery's consequences and heartaches, divorce, moving on in life, impact of insecurity in a married life, fate of a relationship framed with lies and so on. I wish they also show that the main reason for J being J, his selfish and arrogant and the world revolves around me attitude is because of this Patriarchal upbringing which he was subjected to and hope they show this is wrong.

They have tried to show modern independent women in the framework of their rural viewpoint. The Matriarch here is a very strong willed lady, Sumitra and Gehna are very strong women in their own right, Bhagwati was amazing too and ofcourse we have A. For all her insecurities, Gauri is also independent and good at her work.

I also like the fact that this show does not employ heavy theatrics. A girl lighting her mum's pyre would be made in to a very big drama scene. A did it as a matter of fact. Accepting a divorcee as their DIL, even if it is a progressive Indian family will have drama ( lets leave the immature sanchi drama out of this...well in real life too we have dumbheads like her who cant let go of their brother) , here it was beautifully designed and executed over coffee table conversation. How awesome was that! My cousin conveyed to his family about his decision to marry a divorcee with a child and this was how the talk happened in my family too and it was great to see a such a well written etched scene.

The natural progression of a A from a thoroughly depressed soul to a fine leader was also portrayed effectively and it shows that women really do not need scumbag husbands to achieve a rightful place in Society.

We only hope that the CVs understand the gold mine they have in hand to take the story forward and to teach a subtle lesson to all those throngs of rural and urban women in the Society who are ardent viewers.






Edited by lavy - 13 years ago
lavy thumbnail
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Posted: 13 years ago
#35
Now for TRPs. I really think TRPs are a skewed game here.

How can Diya aur Baati hum even get that high a TRP? I did try to read the summary and watch the summary update of the serial after looking at its TRP. I really could not watch it. It was so dumb and illogical. So, I have long stopped believing in TRPs.

Sasural Genda Phool was ok. The mother of all serials Kyunki and Kahaani were also not bearable. I used to watch select scenes in those serials because of the amazing performances of S Irani, A Mehta and S Tanwar. Otherwise those serials were just duds.

I adored Ravi Rai's serials. Sailaab, Sparsh, Thoda hai thode ki zaroorai hai and Imtihaan. Now...those were serials.
lavy thumbnail
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Posted: 13 years ago
#36
Oops...Forgot to add this.

Anandi and Shiv. Am sure Anandi is attracted to Shiv at a subconscious level. Thats why she used to have a hard mask around her and kept biting his head off because somewhere she was scared of him.

He has made her feel things which were long dead inside her, he has shown her her feminine side which she had locked up after years of disgust and loneliness. She has made her feel like a Women and she does not like it too much. He invaded her dreams which were her own private space...why wont she be scared?

The day she accepts this attraction, she will find solace.

Edited by lavy - 13 years ago
sarandha thumbnail
Posted: 13 years ago
#37
yeah i agree . There was a point of time when k serials had come to rule the roost in a way that you go to any urban middle class family , it would be almost the same story - people glued to the screen by a kind of repelled fascination for the bizarre sagas unfolding in front of them...and slowly surreal women so well described by rohini just taking over the small screen ...i think things are changing a little slowly with a new set of dramas including BV which are able to generate more TRPs also...

Since we are reminiscing , my favourites go back to almost dd metro times ...grew up with buniyaad, humlog, yeh jo hai zindagi etc which are brillliant compared to today's standards ...but then there were many others- both progressive and light hearted - kashti, dard, kshitij ke us aur, thoda sa aasman, tanha, kashish, kabhi kabhi...a far more complex one on adultery called hasratein ...even comedies like dekh bhai dekh, zamana badal gaya hai, offbeat ones like himalaya darshan ...i dont know when the tide changed and we were swamped by long soaps and ekta kapoor brands in our living rooms...
rohini55 thumbnail
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Posted: 13 years ago
#38
@lavy, am glad you touched on some of the points I made. The serials you mentioned, Sailaab, Sparsh and Thoda hai were beautiful.
Wasn't Sparsh the serial where the male lead has an incompatible wife and falls in love with another woman who was engaged at that point?. How subtly and realistically they protrayed the changing emotions of the characters?. I also loved Hasratein -- do you remember it? -- where again the male leads falls for another woman, his colleague who turns out to be a woman o substance. In all these serials, our sympathies were with the so-called "other" woman. That tells you something about how much Hindi serials have regressed. There was no judgment about the second woman, no calling of names, no labelling her a mistress etc in those days. The TV audience was more mature, it would seem.
The stereotypes have got so hardened over the years. The good, ghungat wearing -- in itself not at all bad -- bahu as against the career woman. In its own way, BV has tried to break these hidebound traditions. Anandi as a surpanch, her intelligence , her compassion and her ability to convince with argument are rare wonderful qualitites that I have not spotted in other serial heroines. The typical working girl will work in order to earn for her family. She will give it all up once she is married. Most of female leads do not have independent careers. In fact am appalled that young, urban married girls -- as in behna, punar vivah etc -- are shown without any career goals. It is like a virtue to be tied to the kitchen. In PV, the younger DIL who wants to work is demonised. I don't remember the kitchen playing such an important role in the earlier serials.
Certainly, TV was better off when TRPs didn't rule and decide every dramatic move.. In BV itself, my most cherished moments are the conversations. Between Anandi and Shiv, Between Shiv and Sumitra. Between Shiv and his family. These are all reasoned, intelligent conversations which you can relate to while also touching you at an emotional level. In fact, truth to tell, I didnt like the excessive drama of the sagai. Gia's dance, Jug"s arrival ruined it for me. I'd been happier if the families had sat down to dinner and had proper conversations. Sigh !!
AnjanaYYZ thumbnail
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Posted: 13 years ago
#39
@Lavy - love your posts and agree with all of them. Will reply to your PM later.

@Aparna - I watched bits of Phulwa and Mukti Bandhan...particularly liked the complexities of the later. But, in the later there was nobody I could really root for not even Vaibhavi...hahaha if u r not sure whom which girl deserves the lead dude then its deffo not a show for the masses. Phulwa turned itself into a confused mess in chase of TRPs... it went from the story of an coming of an age of a hard done by girl dacoit to daman of the Thakur cum Sasur...with somewhat cliched romance btwn chorr-police. So, I guess despite my liking for both concepts, I grasp why they did not garner TRPs...flawed as the system is.

***************************
Since we are airing flaws - one thing that irritates me immensely these days is the CLICHED characterizations of male protagonists on Indian Tele. Where are the Intelligent Dudes? There's like maybe 3 (Viren of Behna, Shiv, Rishi of Hitler Didi). No offense to fans of Suraj the Halwai, Manav the Former Mechanic or Arnav & Ram the Business Tycoons... but, boy are they stupid. The female leads of those shows get berated left -right-centre including by these "heroes" and these duds take forever to figure out what's happening right under their noses...not to mention they are too wrapped up in their egos to give a crap often times Sandhya solves all of Suraj's problem...how long have they been married? He doesn't even know about her IPS dreamsđŸ€Ș I cringe whenever I have the misfortune to watch. Yes. Sooraj is panchvi pass or something...but, that to me does not explain the intelligence deficit or y Manav & Arnav are such MCPs 😡

Which is why I am concerned about their current portrayal of Jugya in BV... GIMME A BREAK...He's an adult who dug his own break... he's way more culpable than Gauri... not her victim.
Edited by AnjanaYYZ - 13 years ago
rusha4003 thumbnail
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Posted: 13 years ago
#40

Originally posted by: sarandha

Lastly anandi's behaviour ' I agree a lot of it is natural ' fb's when ceremonies that she underwent earlier are repeated , her jadedness , her feeling low and her fear of going thru it all again . But I still think that they could have send these signals more clearly ' because a lot of people have taken them as proof of the fact that she still hasn't moved on ' which is inconsistent with the strong character she's shown to be who as rohini wrote, gave that calm ,beautiful parting speech on her divorce to jagiya about her having moved on , who tore him apart for coming with bhabut on her mother's death ' but who tearfully cries and says she'll try and forget jagiya to bhairon , even her fb's ' I agree with ankit who said its natural to think of earlier times when the same thing happened to you , I don't agree that those memories would not be tempered by abuses and trauma of that relationship which surely foregrounds those associations 'u cannot think of them in isolation when u revisit them because how u associate with them ' how painful or bittersweet they are is constantly negotiated by the reality of present. And it has been seven years now after merely 6 months of adult courtship after all!

However I feel there is also another explanation of her being curt with shiv at times ' this is an anandi who's been traditionally brought up in ways that they still have a powerful impact on her pshyche , its also an anandi attracted to shiv , and also an anadi who's been deeply hurt in the past ' the contradictions within her due to all these things ' an attraction battling with the impact of tradition with the fear of rejection ' are making her behave in these ways. However I feel her deepening admiration of shiv, her inherent ability to appreciate others and be strong in dealing with adversities, her attraction for shiv ' will all lead her to realize that he's a soulmate in the true sense for her ' with some help and understanding and unconditional love from shiv. I just wish CV writer develop this romance in a way that it also becomes the pinnacle of anandi's journey of self realization, acceptance and acknowledgement of her individuality, her sexuality and her being .


Sarandha ... absolutely wonderful post 👏! It was a pleasure reading it. I found myself nodding at almost everything you's written.

About the last 2 paras ... I am one of the ppl here who could not understand why A
was having those FBs of J ... you've put across your view excellently ... far more better than what I tried to put forth here.. probably I came across as someone not capable of understanding the aim of the CVs here. 😆

About the last para ... thank you so much for writing that so lucidly ... I admit that I also was quite upset at how A treats Shiv ... you explanation opened out a whole new vista to me. And I find it very logical and in line with A's char now !

Thank once again for this brilliant post ... 👏

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