The regret of lifting songs in the past stops me from enjoying success today: Pritam.
Pritam, 42, has so much work on his plate that he has not taken a break for the longest time. He is emotional and is always seeking love and recognition more than money. While he has given a lot to the 100 Hindi films he has given music to, 'Barfi' has given him a lot. His music in 'Yeh Jawaani Hai Deewani' became a blockbuster and his two songs from 'Once Upon A Time in Mumbai Dobaara' have entered the Mirchi Top 20 charts. He talks to TOI about his irritation with himself on being absent-minded, his unduly long depressive phases and what makes him a male chauvinist. Excerpts:
There was a time a few years back, when you were virtually branded a lifter. Did that affect you? In the beginning, I was immature and was not being advised correctly. I was listening to briefs blindly and did not have time to think. If a director would give me a tune, I would adapt it. I am a big RD Burman fan and used to feel that it is normal for all big directors to copy. Nobody was there to advise me about the changing world. I thought it was normal and everybody did it. I was also amongst the first to give credits and recreate songs, for instanceBheegi Bheegi was an adaptation of a Bengali folk song. The problem is you can't give credits without buying rights. Sometimes, the producer would promise that he would buy the rights and it had not been done. I regret it big time. That is something that does not allow me to enjoy my success today. It's like a ghost that is following you. At one time, I thought I will quit as anything I would do would be branded and there would always be this doubt whether it was copied even though it was original. After 2008, I consciously decided to not do it and, from then on, I have never done it. Professionally, I always felt low as I was not getting due respect, even though I was working so hard.
Edited by Wave. - 12 years ago
18