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TOI Review
STORY: Love in times of war. Set in pre-independent India, the film captures the love story of a king and a courtesan, in the backdrop of a revolution looming against the British.
REVIEW: 'Inspired by true events', Jaanisaar begins with Naseeruddin Shah's voice over telling us how the British had initially thought it was impossible to capture the then wealthy India because of its rich heritage and culture. If they were to do so, they had to kill this very 'tehzeeb' which made us invincible.
What could have probably worked solely as a period love story keeps meandering into randomness as Muzaffar Ali tries hard to turn it into a revolutionary tale. Patriotism and fight against injustice do not fit into the overall scheme of things, leading to an uninspiring film that struggles to make sense.
Speaking of history or the beauty of the bygone era, sadly his film seems as jaded as an abandoned, dilapidated palace, which is way past its glory. Unhurried pace mediocre dialogues, poor acting and lack of a credible story makes it a tedious watch. While songs are generally woven around a story, here the story comes across as a filler, which is hugely disappointing.
Pernia Qureshi dances well but fails to do justice to her exotic role as an actor. Imran Abbas is relatively superior.
If you are the kind, who is besotted with India's past and the beauty of Lucknowi culture, you won't mind watching this one, solely for the stunning costumes and classical music. Otherwise, it's a case of cinematic self-indulgence that doesn't deserve to be compared to Ali's masterpiece Umrao Jaan (1981). Poetic injustice!
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