Jaanisaar- Reviews

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Posted: 10 years ago
#1
Muzaffar Ali, who made the first Umrao Jaan starring Rekha, has directed this film. It is a small independent film, so it has not received much publicity. It releases tomorrow (7th August).
CAST: Imran Abbas, Pernia Qureshi, Muzaffar Ali, Carl Wharton, Beena Kak, Dalip Tahil

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TOI Review
STORY: Love in times of war. Set in pre-independent India, the film captures the love story of a king and a courtesan, in the backdrop of a revolution looming against the British.

REVIEW: 'Inspired by true events', Jaanisaar begins with Naseeruddin Shah's voice over telling us how the British had initially thought it was impossible to capture the then wealthy India because of its rich heritage and culture. If they were to do so, they had to kill this very 'tehzeeb' which made us invincible.
Cut to 1876, we are then introduced to Raja Ameer Haider (Imran Abbas), who has been raised by the British as their own, since his late parents were loyal to the company. Naive and vulnerable, the king respects the British until a local courtesan Noor (Pernia Qureshi) makes him question his views. Romance blossoms but 'fight for self-respect and freedom' takes precedence over everything else as the lovers grapple with their life-altering past.

What could have probably worked solely as a period love story keeps meandering into randomness as Muzaffar Ali tries hard to turn it into a revolutionary tale. Patriotism and fight against injustice do not fit into the overall scheme of things, leading to an uninspiring film that struggles to make sense.

Speaking of history or the beauty of the bygone era, sadly his film seems as jaded as an abandoned, dilapidated palace, which is way past its glory. Unhurried pace mediocre dialogues, poor acting and lack of a credible story makes it a tedious watch. While songs are generally woven around a story, here the story comes across as a filler, which is hugely disappointing.

Pernia Qureshi dances well but fails to do justice to her exotic role as an actor. Imran Abbas is relatively superior.

If you are the kind, who is besotted with India's past and the beauty of Lucknowi culture, you won't mind watching this one, solely for the stunning costumes and classical music. Otherwise, it's a case of cinematic self-indulgence that doesn't deserve to be compared to Ali's masterpiece Umrao Jaan (1981). Poetic injustice!

http://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/Jaanisaar/movie-review/48379840.cms



Edited by CarrotCake - 10 years ago

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Posted: 10 years ago
#2
TFS...did they release any trailer for this movie?
263437 thumbnail
Posted: 10 years ago
#3

Originally posted by: blue-ice

TFS...did they release any trailer for this movie?


Yes, here it is:
[YOUTUBE]http://www.youtube.com/watch?v=k961ViZtzWU[/YOUTUBE]
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Posted: 10 years ago
#4
can't imagine watching a movie with pernia in it
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Posted: 10 years ago
#5

http://www.livemint.com/Leisure/h7onef5094OV0vSChxUUUN/Film-Review-Jaanisaar.html

Film Review: Jaanisaar

Muzaffar Ali's costume drama set 20 years after the 1857 war of independence, is riddled with problems.


Muzaffar Ali's last feature film as director was the 1981 classic Umrao Jaan. Thirty-four years later, he returns with another costume drama set 20 years after the first war of independence in 1857.

The film opens with Lord Macaulay's 1834 address to the British parliament. From there, we cut to scenes of a gravedigger, a young boy being mentored by Queen Victoria, a girl being trained in combat one minute and popping up at a kotha (brothel) the next. Suddenly, the boy has grown up. Still an Indian prince by birth, but an Englishman by training. Raja Ameer Haider (Imran Abbas Naqvi ) returns to the opulence of his royal life in Awadh, where he instantly falls in love with the courtesan Noor (Pernia Qureshi).

But the English colonizers represented by the woman-beating Lord Cavendish (Carl Wharton) have different plans. Divide and rule, collect taxes, burn the crop and grow opium and let the natives starve. By and by, Haider sees the evil ways of the foreign oppressors and, propelled by his love for Noor and the discovery of his past, becomes ajaanisaar (one who sacrifices his life for a purpose). While this might sound plausible, the narrative jumps around in such an incoherent way that it takes the best part of 2 hours before one comprehends the plot.

Jaanisaar is a catalogue of problems, not least the messed-up script, which carries five writer credits. Add to this a wooden lead actor and a debutant who spends most of her time posing like a teapot"propping up the swathes of brocade she's draped in.

For all the seemingly authentic locations, the painted backdrops make certain scenes look like a school play. Most surprising are the dance sequences. They do not do justice to Birju Maharaj and Kumudini Lakhia, the celebrated dancers credited with the choreography, in no small measure owing to the complete miscasting of Qureshi. Besides being co-writer, producer, director, composer, Ali also takes on an acting role"as the epitome of a jaanisaar and the aforementioned gravedigger.

If there is anything you take away from this over-styled indulgence, it's the showcase for the beautiful craftsmanship of Indian weavers, embroiderers and Meera and Muzaffar Ali's design house, Kotwara, accessorized with rich jewels from the Amrapali brand.

Jaanisaar released in theatres on Friday.

Udita Jhunjhunwala




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