gemini54 thumbnail
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Posted: 6 years ago
#1
I loved Thursday's episode.

The underlying theme of the episode I thought was RESPECT.

Shakuni teaching his nephew how to be disrespectful towards his wife and maybe woman in general.

Duryodhan who is influenced by his mama goes to Bhanumathi's room trying to force her. Enters Karna loved the scene and the dialogues.

One which, resonated with me is No means "NO such a powerful message seems valid for the current times where people all around the world need to understand that this word has no ifs or buts, no ambiguity but just means NO.

Loved Karna's talk to Duryodhana about winning with Love and took that same message to Shakuni when he says Might does not characterize force.

I may have missed some of the nuances but I think this was the essence.

Duryodhana Respects his friend as he tells Bhanumathi, Karna is his conscience, as he guides him and stops him from making mistakes. This Respect for the words of his friend makes him leave Bhanumathi and does not listen to shakuni's machinations.

Uruvi is seeing another facet of Karna and her Respect for this man grows, she wonders was I wrong in judging him and so when she slashes him and he falls down she feels she has wronged him in some way and apologizes.

Bhanumathi did I see a tinge of Respect in her eyes for Karna ..maybe this is a beginning of a beautiful friendship too.

Closing with a quote by Dalai Lama, which I thought, was apt for the relationship between Karna and Duryodhana

"When you practice gratefulness, there is a sense of respect towards others."

One practices Gratefulness and another in turn respects.

I am going to let the prolific writers of this forum to expand upon all the nuances that I may have missed.
I love reading all the varied thoughts in this forum to the funny take of Jamy, to the deep thinking of Shyamala Aunty, Najma, Ritu, Gargi, Fairy and the rest in this forum.

Thoughts welcome

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Hevati thumbnail
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Posted: 6 years ago
#2
I really enjoy reading everyone s analysis ! Kudos to you all ! Taking time to reply cause I feel we need to get the forum more active !
The only thing I didnt get / like was the transition from the conversation to Urvi & Bhanu escaping ! Urvi seemed so in awe of Karn and i felt Bhanu was relieved Duryodhan changed his mind , was kind of surprised after such a solid convo they just jumped into trying to escape - looking at the precap I thought Karn would convice Duryodhan about staying away from Bhanu all the while when Bhanu & Urvi oblivious to this convo would be plotting to escape ! Maybe I was so convinced this is how it ll play out I was a tad dissappointed
Am I the only one pained that Urvi didnt lose it when Karn was losing consciousness ! Yea she said it lasts for a few and he ll be ok but common its Karn and what was Karn really trying to acheive there holding on to the saree pallu
Excited for tomorrow , he looked so serious walking away from the dungeon , poor Urvi
sashashyam thumbnail
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Posted: 6 years ago
#3
My dear Sabita,

What I liked the most about this post is not what the characters did or did not do, but the clever way in which you have brought every action of theirs round to your leit motif, Respect. It works very well.👏

Duryodhana reminds me of a thali ka baingan. You know what that is, right? It rolls from one side to another depending on the tilt.

His mamashree will soon work to regain lost ground, for his nephew's basic nature is aggressive, grasping and dom inating, and Karna cannot be around all the time.

I wonder what they will show this trio doing during the Lakshagrih plot. I have never seen Karna try to stop that, but this one may, and fail.

As for Karna's pravachan, the one slated for last night - they seem to have a quota of one pravachan per episode😉 - it was impeccable in its logic and eloquence. So the thali ka baingan rolled to his side.

However, I found the na ka matlab na rather too contemporary - it was a blatant attempt by the CVs to show how with it and hep they are, they have even seen Pink!😉

I noted that even after Duryodhana had given Bhanumati that vachan, Karna did not move from there. Maybe he was ensuring that there was no moral slippage on the part of his shishya.😉

Apni Uruvi is of course more and more lattoo with her boy wonder.

Loved the quote from HHDL. I had the privilege of looking after him for four years - 1988-1992 - when I was the head of a Division in the Ministry of External Affairs that dealt with, inter alia, Tibetan Affairs. I used to see him off at the airport whenever he went abroad, and receive him when he returned. I remember that December 1989 night when he returned after getting the Nobel Peace Prize, and the Tibetans lined the route out of the airport for 4 kms. with their kids to receive his blessings. It was utterly heartwarming.


Shyamala Aunty


Edited by sashashyam - 6 years ago
Soul_Stirrer thumbnail
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Posted: 6 years ago
#4
Your analysis is on point.
I also agree with Hevati that the escape plan didn't fit in after Karn's lesson on consent. Also with the veil on Uruvi, we don't really get to see the impact of his words on her. That was a little bit where I felt a bit disoriented.


S Aunty again pointed out an important thing which I felt but didn't know how to word ki Karn's speech was too contemporary. Until he was talking of dharma and a woman's wifely duties it seemed okay but the no means no was thrown more at Uruvi's crush to materialize than at Duryodhan who clearly has no understanding of the concept😆 it's a shame that Karn and Uruvi cannot be at all times in their bedroom to check up on Bhanu 😆

- Aileen😳
Edited by Soul_Stirrer - 6 years ago
Brahmaputra thumbnail
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Posted: 6 years ago
#5
Karna's take on marital relation didn't appear contemporary to me. Arthashastra repeatedly mentions that a man must not have s*x with a woman without her consent. Whether every man practised it or not is a different thing. But the idea is not contemporary. Na ka matlab was na!
sashashyam thumbnail
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Posted: 6 years ago
#6
We studied the Arthashastra during our IFS training, but we focussed on politics and strategy and administration, and we never encountered these sage admonitions.

However, my point would still stand, which is that when they wrote that line, the CVs were not thinking of the Arthashastra, and thus of reinforcing traditional precepts. They would not expect their average viewer to know about this citation from the Arthashastra either.

But they would have expected that the average viewer would have watched Pink, and would then relate to the line and find it appealing.


Originally posted by: Brahmaputra

Karna's take on marital relation didn't appear contemporary to me. Arthashastra repeatedly mentions that a man must not have s*x with a woman without her consent. Whether every man practised it or not is a different thing. But the idea is not contemporary. Na ka matlab was na!

Edited by sashashyam - 6 years ago
Brahmaputra thumbnail
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Posted: 6 years ago
#7
What I meant was the idea was not contemporary.
Soul_Stirrer thumbnail
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Posted: 6 years ago
#8

Originally posted by: Brahmaputra

What I meant was the idea was not contemporary.


When Kunti explains Uruvi about how the world is run by men and the rules are decided by men, she agrees to whatever points Uruvi makes about having own choice to choose Swayam ka Var.

It is all there. Everyone intuitively knows it. It is just how Karn says it seems more contemporary which is not bad either.


SweetRogue thumbnail
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Posted: 6 years ago
#9
Swayamvars were actually misnomers in my opinion. Look at the well known Swayamvars. Sita's and Draupadi's were a competition, effectively taking away or at least limiting the woman's agency of choice. And the ones which actually stayed true to the concept quickly turned into disasters e.g. Amba Ambika Ambalika's Swayamvara or Kalinga princess' (Popularly known as Bhanumati) sawayamvara. The only Swayamvara where the woman made a choice of her own and others didn't blow a fuse seems to be Kunti's, at least in my knowledge.
Soul_Stirrer thumbnail
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Posted: 6 years ago
#10

Originally posted by: SweetRogue

Swayamvars were actually misnomers in my opinion. Look at the well known Swayamvars. Sita's and Draupadi's were a competition, effectively taking away or at least limiting the woman's agency of choice. And the ones which actually stayed true to the concept quickly turned into disasters e.g. Amba Ambika Ambalika's Swayamvara or Kalinga princess' (Popularly known as Bhanumati) sawayamvara. The only Swayamvara where the woman made a choice of her own and others didn't blow a fuse seems to be Kunti's, at least in my knowledge.


and Uruvi's😳

(though a fuse will blow there too but at least it will remain, also it is fictional so what you say about swayamvar being misnomer is true.)

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