| THE AVIATOR (Miramax) | |
| FINDING NEVERLAND (Miramax) | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | MILLION DOLLAR BABY (Warner Bros.) |
| RAY (Universal Pictures) | |
| SIDEWAYS (Fox Searchlight) |
| Achievement in Directing |
| Martin Scorsese for THE AVIATOR (Miramax) | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | Clint Eastwood for MILLION DOLLAR BABY (Warner Bros.) |
| Taylor Hackford for RAY (Universal Pictures) | |
| Alexander Payne for SIDEWAYS (Fox Searchlight) | |
| Mike Leigh for VERA DRAKE (Fine Line Features) |
| Best Actor |
| Don Cheadle for HOTEL RWANDA (United Artists) | |
| Johnny Depp for FINDING NEVERLAND (Miramax) | |
| Leonardo DiCaprio for THE AVIATOR (Miramax) | |
| Clint Eastwood for MILLION DOLLAR BABY (Warner Bros.) | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | Jamie Foxx for RAY (Universal Pictures) (jamie did the best speech) |
| Best Original Screenplay |
| THE AVIATOR (Miramax) by John Logan | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | ETERNAL SUNSHINE OF THE SPOTLESS MIND (Focus Features) by Charlie Kaufman, Michel Gondry, Pierre Bismuth |
| HOTEL RWANDA (United Artists) by Terry George, Keir Pearson | |
| THE INCREDIBLES (Disney/Pixar) by Brad Bird | |
| VERA DRAKE (Fine Line Features) by Mike Leigh |
| Best Foreign-Language Film |
| AS IT IS IN HEAVEN - Sweden | |
| THE CHORUS - France | |
| DOWNFALL - Germany | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | THE SEA INSIDE - Spain |
| YESTERDAY - South Africa |
| Best Actress |
| Annette Bening - BEING JULIA (Sony Pictures Classics) | |
| Catalina Sandino Moreno - MARIA FULL OF GRACE (Fine Line Features) | |
| Imelda Staunton - VERA DRAKE (Fine Line Features) | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | Hilary Swank for MILLION DOLLAR BABY (Warner Bros.) |
| Kate Winslet for ETERNAL SUNSHINE OF THE SPOTLESS MIND (Focus Features) |
| Best Original Song |
| "Accidentally In Love" from SHREK 2 (Dreamworks SKG) | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | "Al Otro Lado Del Ro" from THE MOTORCYCLE DIARIES (Focus Features) |
| "Believe" from THE POLAR EXPRESS (Warner Bros.) | |
| "Learn To Be Lonely" from ANDREW LLOYD WEBBER'S THE PHANTOM OF THE OPERA (Warner Bros.) | |
| "Look To Your Path (Vois Sur Ton Chemin)" from THE CHORUS (Miramax) |
| Best Original Score |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | Jan A.P. Kaczmarek for FINDING NEVERLAND (Miramax) |
| John Williams for HARRY POTTER AND THE PRISONER OF AZKABAN (Warner Bros.) | |
| Thomas Newman for LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS (Paramount Pictures) | |
| John Debney for THE PASSION OF THE CHRIST (Newmarket Film Group) | |
| James Newton Howard for THE VILLAGE (Touchstone Pictures) |
| Best Documentary Short |
| AUTISM IS A WORLD | |
| THE CHILDREN OF LENINGRADSKY | |
| HARDWOOD | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | MIGHTY TIMES: THE CHILDREN'S MARCH |
| SISTER ROSE'S PASSION |
| Achievement in Sound Editing |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | THE INCREDIBLES (Disney/Pixar) |
| THE POLAR EXPRESS (Warner Bros.) | |
| SPIDER-MAN 2 (Columbia Pictures) |
| Achievement in Sound Mixing |
| THE AVIATOR (Miramax) | |
| THE INCREDIBLES (Disney/Pixar) | |
| THE POLAR EXPRESS (Warner Bros.) | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | RAY (Universal Pictures) |
| SPIDER-MAN 2 (Columbia Pictures) |
| Achievement in Cinematography |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | THE AVIATOR (Miramax) |
| HOUSE OF FLYING DAGGERS (Sony Pictures Classics) | |
| THE PASSION OF THE CHRIST (Newmarket Film Group) | |
| ANDREW LLOYD WEBBER'S THE PHANTOM OF THE OPERA (Warner Bros.) | |
| A VERY LONG ENGAGEMENT (Warner Independent Pictures) |
| Best Animated Short Film |
| BIRTHDAY BOY | |
| GOPHER BROKE | |
| GUARD DOG | |
| LORENZO | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | RYAN |
| Best Live-Action Short Film |
| EVERYTHING IN THIS COUNTRY MUST | |
| LITTLE TERRORIST | |
| 7:35 IN THE MORNING | |
| TWO CARS, ONE NIGHT | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | WASP |
| Best Visual Effects |
| HARRY POTTER AND THE PRISONER OF AZKABAN (Warner Bros) | |
| I, ROBOT (20th Century Fox) | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | SPIDER-MAN 2 (Columbia Pictures) |
| Best Adapted Screenplay |
| BEFORE SUNSET (Warner Independent Pictures) by Richard Linklater, Kim Krizan, Julie Delpy, Ethan Hawke | |
| FINDING NEVERLAND (Miramax) by David Magee | |
| MILLION DOLLAR BABY (Warner Bros.) by Paul Haggis | |
| THE MOTORCYCLE DIARIES (Focus Features) by Jose Rivera | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | SIDEWAYS (Fox Searchlight) by Alexander Payne, Jim Taylor |
| Best Film Editing |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | THE AVIATOR (Miramax) |
| COLLATERAL | |
| FINDING NEVERLAND (Miramax) | |
| MILLION DOLLAR BABY (Warner Bros.) | |
| RAY (Universal Pictures) |
| Best Documentary Feature |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | BORN INTO BROTHELS (ThinkFilm) |
| THE STORY OF THE WEEPING CAMEL (ThinkFilm) | |
| SUPER SIZE ME (Roadside Attractions / Samuel Goldwyn Films) | |
| TUPAC: RESURRECTION (Paramount Pictures) | |
| TWIST OF FAITH |
| Best Supporting Actress |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | Cate Blanchett for THE AVIATOR (Miramax) |
| Laura Linney - KINSEY (Fox Searchlight Pictures) | |
| Virginia Madsen for SIDEWAYS (Fox Searchlight) | |
| Sophie Okonedo - HOTEL RWANDA (United Artists) | |
| Natalie Portman for CLOSER (Columbia Pictures) |
| Achievement in Costume Design |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | THE AVIATOR (Miramax) |
| FINDING NEVERLAND (Miramax) | |
| LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS (Paramount Pictures) | |
| RAY (Universal Pictures) | |
| TROY (Warner Bros.) |
| Achievement in Makeup |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS (Paramount Pictures) |
| THE PASSION OF THE CHRIST (Newmarket Film Group) | |
| THE SEA INSIDE (Fine Line Features) |
| Best Animated Feature Film |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | THE INCREDIBLES (Disney/Pixar) |
| SHARK TALE (Dreamworks SKG) | |
| SHREK 2 (Dreamworks SKG) |
| Best Supporting Actor |
| Alan Alda for THE AVIATOR (Miramax) | |
| Thomas Haden Church for SIDEWAYS (Fox Searchlight) | |
| Jamie Foxx for COLLATERAL (Dreamworks SKG) | |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | Morgan Freeman for MILLION DOLLAR BABY (Warner Bros.) |
| Clive Owen for CLOSER (Columbia Pictures) |
| Best Art Direction |
| A VERY LONG ENGAGEMENTA VERY LONG ENGAGEMENT | THE AVIATOR (Miramax) |
| FINDING NEVERLAND (Miramax) | |
| LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS (Paramount Pictures) | |
| ANDREW LLOYD WEBBER'S THE PHANTOM OF THE OPERA (Warner Bros.) | |
| A VERY LONG ENGAGEMENT (Warner Independent Pictures) |
p.s. i don't think the links work
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