Tanu weds Manu post all reviews here

And for some strange reason, Hindi cinema has often projected an NRI as a cool and hep dude, pretending to speak Hindi with an English accent. But that, in my opinion, is merely a faade. It's far from real.

Sure, there could be exceptions, but every NRI who arrives in India isn't wearing an Armani or Versace. Neither is he a die-hard romantic like Raj or Rahul.

Yet, the East-West love story remains a pet theme. Films like Purab Aur Paschim, Dilwale Dulhania Le Jayenge and Namastey London have explored this topic most convincingly. And of late, films carrying the scent of the soil are being attempted by our storytellers. Tanu Weds Manu, too, highlights this facet.

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The NRI in Tanu Weds Manu is docile, unassuming and soft-spoken, has no accent or attitude, believes in arranged marriages, relishes the evergreen songs of Mohammed Rafi - is old-fashioned literally.

The girl is the opposite. She's belligerent and dominating, smokes, drinks and uses expletives, has had many 'affairs', has her new boyfriend's name tattooed on her chest, is a straight-forward and fearless. This is their story!

Like his directorial debut Strangers, director Anand L Rai opts for unconventional and unpredictable situations in Tanu Weds Manu.

Of course, the fact that Tanu and Manu will tie the knot sooner or later is at the back of your mind, but you want to experience their journey - their voyage from strangers to lovers.

Tanu Weds Manu has some great moments, some standard ones, and some tedious ones as well, when you feel that the story is being stretched for no particular reason.

The drama tends to get heavy after a point and that takes a toll on the film. In fact, the writing gets shaky in the middle of the second hour, although the finale is well thought out and implemented. You may call it clichd or formulaic, but it works big time.

Meet Manu [R Madhavan], a seedha saadha doctor from London. Intelligent, temperate and from a respectable family, he is the perfect groom every parent wants for their daughter.

When he arrives in India, he realises that India has changed and so have the people. The Indian women in particular are more attracted towards the western lifestyle.

Family pressure leads him to Kanpur to meet Tanu [Kangna Ranaut], the quintessential small-town girl who has studied in Delhi.

Tanu is a smart, intelligent girl who will do everything that her parents disapprove. With a mind of her own and a love for rebellion, Tanu is dead against an arranged marriage.

But destiny has something totally different planned for these diametrically diverse personalities.

Although not similar to Jab We Met, Tanu Weds Manu conjures up memories of the Imtiaz Ali-directed film. The Punjabi setting and the rebellious girl are two prominent similarities that one recollects instantly.

Besides, in Hum Dil De Chuke Sanam, Pardes, Jab We Met as well as Tanu Weds Manu, the girl is in love with someone else and the protagonist helps them take the relationship forward.

But director Rai ensures that Tanu Weds Manu retains its individuality and doesn't come across as a clone of those immensely likable films. In fact, his handling of several light moments as well as dramatic ones is exemplary.

The soundtrack takes you by surprise. It is earthy and charming. Sadi Galiand Jugni are two tracks that act as pillars and would help attract moviegoers to cineplexes.

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Also, the popular track of yesteryears, Kajra Mohabbat Wala, is well integrated in the narrative.

Chirantan Das' cinematography captures the lush locales of North India well.

Even though Madhavan enacts the role of an NRI, he doesn't come across as a stereotypical phoren returned desi. He is real, restrained, yet forceful.

To essay a character in such an understated manner is a challenge for any actor and he does it with complete understanding of the character.

Unlike her past films, Kangna plays a part that has a zest for life, and is bold and fun-loving at the same time. She's audacious, but lovable. Nonetheless, she needs to work on her diction.

Jimmy Sheirgill springs a pleasant surprise. Known for portraying soft roles, this one comes as a complete shocker. Though his role isn't well etched out, he leaves a solid impression in the latter reels.

Ravi Kissen is wasted. What is he doing in this film? Deepak Dobriyal is superb yet again. This dynamic actor is under-utilised in our films.

Rajendra Gupta, K K Raina, Navni Parihaar and Deepti Mishra are effective. Eijaz Khan and Swara Bhaskar are wonderful.

On the whole, Tanu Weds Manu is a feel-good, light-hearted entertainer with the right dose of humour, drama and romance, besides a popular musical score and some smart dialogue that act as toppings.

If you like simple, uncomplicated films that tug at your heartstrings, then chances are that you might just like this sweet little rom-com.

Rating: 3.5 stars

https://www.sify.com/movies/bollywood/review.php?id=14963688&ctid=5&cid=2425

Film: Tanu Weds Manu
Director: Anand Rai
Story: Himanshu Sharma
Cast: Kangana Ranaut, Madhavan, Deepak Dobriyal and Sawara Bhaskar

Madhavan is immensely attractive as the silently suffering spectator of his own life. He chooses not to play Manoj Sharma as a deep brooding enigma, instead he's brave enough to play the quiet Manu as an ordinary, uncomplicated, caring guy who borders on shallow and still makes him interesting. He's fast becoming one of the most underrated actors we have. I can't think of a single film (even a bad one) I've not liked Maddy in. The ensemble of characters more than hit the right notes whether it's the mother's screeching superficiality or Deepak Dobriyal's (brilliant in Omkara) aggressive loyalty. Eijaz Khan makes such a handsome and boisterous sardar you want to invite him to your next party.

That brings me to Sawara Bhaskar (where has she been hiding?), who plays Tanu's Bihari best friend from college. She is fierce in the most affable way. Just from her twang and inflection you have a complete sense of her upbringing. The problem is the better she plays her part the worse she makes swollen lips Kangana look. What happened to this national award winning actress? Her Tanu is shrill, loud and fake. It's sad because it's an author backed role and should've been within easy reach of the talented Miss Ranaut. Perhaps, the role of the nonconformist small town girl is too close to who Kangana is in real life and the actor in her needed to feel like she was acting. Wish she hadn't tried so hard because she ends up looking like she is in an entirely different film from everyone else.

Since the high-pitched Kangana is in every other frame of the movie I'm hard pressed to recommend it in spite of liking and being entertained by it. I'm giving it 2 and a half stars.

Rating **1/2

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