RAID ---- BO & Review THREAD + Ajay Devgan ROCKS !!! - Page 17

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Navyya thumbnail
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Posted: 7 years ago
Loved it ... Ajay was outstanding and so was the entire cast ... hope it does great at the BO...it deserves 100%..
Nikhil718 thumbnail
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Posted: 7 years ago

Originally posted by: NavyaKavya30

Loved it ... Ajay was outstanding and so was the entire cast ... hope it does great at the BO...it deserves 100%..



You're the second person after me to write a review. Glad you enjoyed it.

My review is on another page. Feel free to read it which is quite long with spoilers.

http://www.india-forums.com/forum_posts.asp?TID=4956427&TPN=21&#p146487643

#AjayDevganFan
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Posted: 7 years ago

#Raid is a superbly made film based on a never done before concept. And great to see @ajaydevgn Sir in his intense avatar, always been an admirer of that!

10:53 AM - 16 Mar 2018
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Posted: 7 years ago
Reviews and reports by Bollywood trade analyst Komal Nahta

RAID

(This review may contain spoilers as the story has been mentioned in great detail here)

T-Series Films and Panorama Studios' Raid (UA), based on a true story, is about an honest income-tax officer and his most challenging raid.

Amay Patnaik (Ajay Devgan) is an income-tax officer with cent per cent integrity. He doesn't accept bribes and even refuses to accept gifts as, according to him, a gift by a member of the public to a government servant like him is akin to a bribe. Amay has just recently been posted in Lucknow and the year is 1981. He and wife Malini (Ileana D'cruz) have moved in into their modest house and have just about settled there.

One day, Amay receives a phone call from an unknown caller who informs him about black money in the local MP, Rameshwar Singh's (Saurabh Shukla) house. Rameshwar Singh wields so much power that the people of Lucknow call him Tauji and almost worship him. Amay does his homework and, after being convinced about the tip-off that the informer has given him, raids the house of Tauji following authorisation by the D.I. Commissioner (Udayvir Singh). Amay, his team of assistants and a number of police officers reach Tauji's mansion and, much to the shock of Tauji and his large extended family, begin the raid after completing the formalities and explaining the family members the rules to be followed by themselves (income-tax department officers) and by the family members. Tauji and his family members try their level best to browbeat Amay and drive him away by threatening him of dire consequences but Amay doesn't budge.

After many hours of search, Amay and his team get nothing of the Rs. 420 crore of black money believed to be hidden in the house and other places. Just as it begins to appear that Amay's mission was going to yield nothing and that Tauji would, therefore, seek revenge by ruining his career, Amay tastes some success. He then starts getting more and more lucky as he unearths more and more black money, gold bars, items of jewellery and other riches from the most unlikely places in the mansion.

The raid continues over a few days and Amay finally unearths the entire estimated amount of unaccounted wealth. Somehow, Tauji gets the feeling that it is a member of his own family who has spilled the beans and thereby aided Amay. Tauji being Tauji, he uses all the contacts at his command to stop the raid. He even offers to pay Amay huge amounts by way of bribe. When nothing works, Tauji attacks Amay's wife, Malini. As a last resort, Tauji musters the support of the people of Lucknow, who are his blind supporters. These supporters come to Tauji's mansion in large numbers, armed with weapons, to prevent Amay and his team from taking the seized amount of wealth to the government treasury. It is now the question of Amay's duty versus the lives of Amay and his team mates.

What happens thereafter? Does Amay succeed in his mission? Does he survive the raid? Are his team members and he himself able to escape from the mansion? Is the seized amount deposited in the government treasury? Who was the informer? Was there a member of Tauji's family, who had leaked information to Amay while the raid was underway?

Ritesh Shah's story, based on a true-life incident about the longest-running income-tax raid till 1981, is about bravery, honesty and integrity of the highest order and hence inspires patriotic feelings among the audience as it talks about the selflessness of government servants in the line of duty. The story is novel as one has not seen a film about income-tax raids and honest income-tax officers thus far. Although the story is about one incident, it has a lot of turns and twists and hence keeps the audience engrossed and engaged. Ritesh Shah has established the characters of the drama so succinctly that his genius in that department needs to be lauded.

The screenplay, also penned by Ritesh Shah, is lovely. Although it is the story of an upright and serious kind of income-tax officer, Shah has laced it with so much humour that the screenplay offers many fun moments to the viewers, often making them smile and even laugh but without robbing the drama of the seriousness of the mission. Very intelligently, he has made the humour often emanate from the weird behaviour of the characters rather than infusing a separate or forced track of comedy into the drama. The first half has several light moments whereas the post-interval portion, also replete with humour, has a lot of drama. The dramatic portions are often thrilling too. The pace does dip at a couple of places mostly when there's a song included but that's not much of a problem if only because the songs are lyrically meaningful. Overall, like the story, the screenplay is also interesting and entertaining.

Ritesh Shah's dialogues are excellent and punch-packed. Several of them are clapworthy. Special mention must be made of the dialogues written for the scenes of confrontation between Amay and Tauji.

Ajay Devgan is first-rate in the role of Amay Patnaik. He does a fantastic job of the upright income-tax officer, never once faltering or going over board. He makes the character be lievable and makes it very inspiratio nal too. His understated performance only adds to the strength of the char acter without tiring the viewers. Ileana D'cruz looks pretty and makes her mark as Amay's understanding wife, Malini. She has limited scenes but, nevertheless, leaves a fine impression. Saurabh Shukla plays the role of Tauji to perfection. He gives the char acter so many shades that his perfor mance would remain etched in peo ple's memory for a long time. His arro gance, frustration, helplessness, con fusion all these are portrayed by him so wonderfully that the audience would admire him! Amit Sial lends excellent support as Amay's aide, Lallan. Amit Bimrot leaves a wonderful mark in the role of Satish, another aide of Amay. As Mukta, one of the leading mem bers of the raiding team, Gayathiri is simply lovely. Sheeba Chadha is won derfully restrained as Prabha Devi. Saanand Verma makes his presence felt as Suraj Singh. Sulagna Panigrahi is terrific as Tara. Geeta Agarwal's natural performance as Reema evokes laughter. Ravi Khanwilkar is good as Rakesh Singh. Pushpa Joshi deserv es distinction marks for her performance as Dadi. Her acting and her dia logues are so extraordinary that they often bring the house down with laugh- ter! Devas Dixit has his moments as Shashi Singh. Pravin Singh Sisodia is alright as Anubhav Singh. Saurabhi Singh (as Jaya) and Simran Nisha (as Sushma) are effective. Udayvir Singh leaves a fine mark as the D.I. Commi ssioner. Flora Jacob (as the prime minister) and Anil Rastogi (as the fin ance minister) make their presence amply felt. Prakash Bajpai (as Ramu Kaka), Manju Shukla (as Kaki), Pan kaj Dixit (as PAC commandant), Ram Raksha Singh (as PAC inspector), Akashdeep Pandey (as Amay's driver), R.C. Pathak (as the chief minister), Kader Sheikh (as the chief minister's P.A.), Ikram Khan (as the prime minister's P.A.), and the rest of the artistes provide good support.

Raj Kumar Gupta's direction is superb. He has handled the subject with the sensitivity it deserves. His narrative style is easy-going and con sistent. Music (Amit Trivedi; songs re created by Tanishk Bagchi) is fair. Lyrics (by Manoj Muntashir and Ind raneel) are meaningful. Raju Khan's choreography is functional. Amit Trive di's background music is lovely. Alph onse Roy does a fine job of the cine matography. R.P. Yadav's action and stunt scenes are adequately thrilling. Production designing (Rita Ghosh) and art direction (Madhumita Sen and Rajesh Choudhury) are of a good standard. Bodhaditya Banerjee's edit ing is sharp.

On the whole, Raid is a box-office winner all the way. It has entertainment and a patriotic feel about it, which will be loved by the audience of multiplexes and single-screen cinemas alike.

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Posted: 7 years ago

Raid Movie Review: Ajay Devgn's Brooding Presence Makes This Riveting Fare

Raid movie review: Together, Ajay Devgn and Saurabh Shukla give Raid its heft

Entertainment | Saibal Chatterjee | Updated: March 16, 2018 14:41 IST
Raid Movie Review: Ajay Devgn's Brooding Presence Makes This Riveting Fare

Raid Movie Review: Ajay Devgn gives Raid its heft (courtesy RaidTheFilm)

Cast: Ajay Devgn, Ileana D'Cruz, Saurabh Shukla

Director: Raj Kumar Gupta

Rating: 3.5 Stars (Out of 5)

Five years after the misfiring Ghanchakkar, a film that went round in circles with no apparent purpose, director Raj Kumar Gupta regains some of his mojo in Raid, a gripping search-and-seizure procedural boosted by its focused intensity and the commendably restrained performances from Ajay Devgn and Saurabh Shukla. It hits the right buttons consistently and, barring the largely gratuitous background songs, does not stray from its chosen course.

Inspired by "true stories" surrounding an early 1980s tax raid on a powerful Uttar Pradesh political goon, the film has contemporary resonance because the broad themes that it touches upon are undeniably as relevant today as they were four decades ago. The nation and its people may, on the surface, seem to have moved on, but, at levels that matter, the rot has only worsened in alarmingly dangerous ways.

Raid, scripted by Ritesh Shah, tells the story of an income tax deputy commissioner, Amay Patnaik (Devgn), who lands in Lucknow with his wife Malini (Ileana D'Cruz) on his 49th transfer in seven years. He wastes no time in making his presence felt in UP's capital city. Acting on an anonymous telephonic tip-off, Patnaik, with a posse of policemen and tax officials, marches into the den of a dreaded, crooked politician Rameshwar Singh "Tauji" (Shukla) with a search-and-seizure warrant.
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Raid movie review: Ajay Devgn, Ileana in a still (courtesy YouTube)


What ensues from here onwards is a riveting battle of attrition between a power-crazed man convinced that he can get away with murder and an upright, intrepid government functionary wedded to his none-too-easy job and mindful of the rules of service that he must necessarily adhere to.

The film's action is principally confined to one house occupied by a large joint family presided over by the ruthlessly domineering Rameshwar. His hold over his brood is emphasized in the course of two protracted dining table sequences that lay out the relational dynamics between him and his brothers, sisters and ageing mother. Both scenes are wonderfully written and perfectly placed in the flow of the narrative.

In a way, Raid is a classic cop and robber yarn. But it is set apart from the norms of the genre just a tad because the man leading the crusade against the bad guy isn't a beefed-up action hero in uniform. Neither is his antagonist a scowling, snarling, sadistic law-breaker. He is simply a man with a bloated sense of self-importance, one who has gotten so accustomed to a culture of impunity that he is baffled by the temerity of the taxman.
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Raid movie review: Ajay Devgn in a still (courtesy YouTube)


After his bluff and bluster comes to naught, Rameshwar Singh hurls a challenge at Patnaik: let me loose and see what I can do. The income tax officer takes his word for it and lets him go even as the raid continues. Rameshwar turns to everybody - the state chief minister, the Union finance minister and even the then Prime Minister (a lady, obviously Indira Gandhi, but the actor's face is never revealed) - with an appeal to have the tax recovery operation called off. His entreaties yield little as Patnaik stands his ground and deflects all pressure.

When somebody describes the protagonist as a fearless officer who doesn't kowtow even to the Prime Minister - she, on her part, is heard saying later that the country needs more officers like Patnaik - how one wishes that we actually had more of this man's ilk in times when all major institutions in this country are being brazenly manipulated and compromised.

Pitched as a tribute to unsung officers who keep the wheels of the economy running despite the scourge of widespread corruption, Raid probes the price one has to pay for being honest in a system that entices many, and browbeats some, into opting for the line of least resistance and putting self-preservation ahead of duty.
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Raid movie review: Ajay Devgn in a still (courtesy YouTube)

The passing allusion (in a dinnertime conversation between Patnaik and his wife) to Munshi Premchand's short story Namak Ka Daroga lends the current and ever-relevant tale its timelessness, a pointer that the issue has been alive forever and isn't going away anytime soon.

In one scene, the hero says to Rameshwar that it isn't the poor who are to blame for the poverty that they are condemned to; the dishonest rich who corner most of the wealth generated in the country are the culprits. At another point in the film, the corrupt MLA, seeking help from political higher-ups, draws the chief minister's attention to the funds that he put into the party coffers at election time. 1981 and 2018 - same difference!

Raid obviously alludes to an array of economic offences - black money, sales tax and excise duty evasion, money laundering, hawala rackets. None of these has been weeded out. If anything, they have only assumed new forms, just as corruption, as a whole, has.

Raid isn't without its share of flaws. While Ritesh Shah's screenplay and dialogues are first-rate, it is hard to fathom why the film needed to use Punjabi lyrics for a couple of its background songs or draw attention to the courage of the hero through the means of a corny number that goes Mar bhi gayaa agar/marne ka darr nahi. Amay Patnaik does enough through the 128-minute film not to require this sort of unsubtle musical underscoring of his defining trait.

Devgn's brooding presence, which shores up film, is reminiscent of the actor's Najaayaz and Zakhm> days. Shukla is brilliant as the cynical politician who does not abandon his defiant stance even when the chips are hopelessly down. Together, the two actors give Raid its heft.
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Posted: 7 years ago

Vinod Kapri Retweeted Vinod Kapri

And do watch #Raid for the amazing writing of @writish .. har bar ball boundary ke par !!!

Vinod Kapri added,

Vinod KapriVerified account @vinodkapri
Hearing only great things about #Raid. Going to watch tonight. Best wishes @ajaydevgn
3:05 PM - 16 Mar 2018
Nikhil718 thumbnail
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Posted: 7 years ago

Originally posted by: Laviee

Best of luck to the whole team..will defo go for this one.Its no surprise that Ajay is being praised immensely or is outshining everyone..he excels in such movies Noone can match his intensity in this genre..rem Gangajal Apahara n all..the ultimate baap of all..really happy for him.



He's the baap of intense movies

#AjayDevganFan
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Posted: 7 years ago

Originally posted by: Nikhil718



He's the baap of intense movies

#AjayDevganFan

Agree with both of you👏
Nikhil718 thumbnail
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Posted: 7 years ago
I'm so exhusted after watching this FANTASTIC movie in cinema. I rushed home just post my review on this thread which is on the first page i edit.

Ekdum Jhakaas is one word to describe RAID and the performances from Ajay Devgan & Saurabh

Link for my review

http://www.india-forums.com/forum_posts.asp?TID=4956427
Nikhil718 thumbnail
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Posted: 7 years ago

Some roles are just tailor made for @ajaydevgn No one can play such engaging characters onscreen like he does #RAID

4:55 PM - 16 Mar 2018

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