Roohon ki baatein: The voices were softer than at any other time in such scenes shown later, and Jalal's was almost unrecognizably gentle. His Jodha, without the Begum, pleased me inordinately, as also that, in a charming contrast with his irritating habit later, he does not add Jodha Begum in every sentence he utters, as if he was in danger of forgetting her name!😉
Now where do you suppose this scene in Hamara maqbara ,as Jodha puts it, is situated? The opening line, by Jalal, is Tum yahan kya kar rahi ho, Jodha?, and she responds Aapko dekhne aayi hoon! Which would put it at Sikandra, Akbar's mausoleum, which seems to be in remarkably good shape, and not in Jodha's 1 km or so away.
There is a lovely, throwaway line from Jalal next, Tum to khudh ko aaine mein dekh rahi ho! It has deep, romantic implications, for she has come to see him, but now she looks in her mirror. Where she sees, not herself, but him, for he is part of her, indeed more. He is woven into the warp and woof of her being, and as Harry Potter when he looks into the Mirror of Erised, Jodha looks into her aaina, and she sees her heart's deepest desire, Jalal. It is an intensely moving line, but I wonder how many who watched it really grasped its true significance.
shyamala, how beautifully you have written rooh ki baatien..the beauty of that scene is, even though it is not akbar's tomb from inside it looks like salim chishti's dargah as akbar's kabar is made of white marbel and majestically stands in the middle of the huge tomb, the beauty is that it is history and it happened app 450 years ago..here is a shahenshah and a km away is his wife resting who was also the mother of his heir, and as per many they did share a special bond...now that feel and that nostalgia is enough to make one have goose bumps!..and then on top of that rajat's romantic soft voice and when he says tum to aaine main khud ko dekh rahi ho and how beautifully you explained the depth of that line which was enough to move me to tears...
aaj tak koi bhi ishq ki gehraaiyon ko samajh nahin paya hai..jab koi insaan apne aap ko parm aatma ko samarpan kar deta hai to wo mastaana ho jaata hai aur issi deewangi ko ishq kehte hain...and here when jodha looks in the mirror she is not looking at herself she is looking at her param aatma, her owner to whom she has submitted herself...
Edited by ghalibmirza - 9 years ago