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vinnie-thepooh thumbnail
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Posted: 19 years ago
#31

Pankaj Udhas mainly sings Ghazal music in Hindi.

Homepage : http://www.pankajudhas.com/
Description: Pankaj Udhas Albums Pankaj Udhas Songs
If you have more information about this singer, or something is wrong ( formatting ) please let us know on our message boards.

Pankaj Udhas is one of the first singers to put his feet into Ghazal music. His silky voice has a special charm that enchants the listeners when he sings some simple tune of love. Being a young and successful musician, he contemplated the psychology of aspiring ghazal singers, and started a talent search show on the T.V., Aadaab Arz Hai to offer a platform to young ghazal singers all over the globe.


Pankaj Udhas was born at Jedpur, where he did his schooling at Vidya Vihar School. After coming to Mumbai, he studied at Wilson College and at Xavier's. His father, a Central Government employee, is known for playing the dilruba.

Pankaj needed no initiation into the world of music. He became aware of his singing skills right when he was less than five years old and gave his first performance in 1962 when he was all of eight years. The time he appeared on the ghazal scene, the masses had started to lose interest in this form of singing. His arrival not only brought ghazals back from dead but also made people have another thought about ghazals. His beautiful voice, combined with good lyrics and melodious music is capable of making anyone fall in love, with ghazals, again and again.
vinnie-thepooh thumbnail
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Posted: 19 years ago
#32

RAJKUMAR RIZWI

Rajkumar, the world-renowned ghazal singer/composer from Bombay, India represents one of the most profound vocal talents on the Indian cultural scene today. He has taken the music world by storm, setting new standards for the ghazal, India's most popular musical form.

Rajkumar grew up singing under the tutelage of his father Ustad Noor Mohammed in the desert land of Rajasthan.

It was here that he learnt the niceties of the Kalavant Gharana, which included a family of singers, composers and raga creators who performed for the royal courts. Later, Rajkumar learned to play the sitar form Ustad Jamaluddin Bharatiya, a disciple of Pandit Ravi Shankar. His musical affections, however, lay with the romantic couplets, ghazals.

Rajkumar showed sparks of brilliance in handling this most popular form of vocal music with sensitivity. His style has retained its classical timbre, and over the years his fan following has increased, while his tantalizing romantic ghazals have become more and more popular. He made his first trip abroad as part of the Indian delegation to Hong Kong in 1969. Since then he has travelled extensively in the U.S.A., Canada, all over Europe and the far east and has performed on many stages and television programs. He has also been the recipient of many prestigious awards.

His latest CD Aaina-E-Zindagi bears testimony to the depths of Rajkumar's virtuosity. He spends major portion of his time giving perofromance all over the world and conductiong workshops for aspiring artists at Disha Arts Academy in Toronto, Canada.

vinnie-thepooh thumbnail
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Posted: 19 years ago
#33
Here is A Classic one penned by Great Ghalib and sung by almost all
Ghazal singers......

Aah ko chahiyey, ik umar asar honay tak,
Kaun jeeta hai, teri zulf kay sar honey tak !

[A curse needs a life-time to have its effect,
Who is going to live until your hair-locks get untangled !]
('hair-locks getting untangled' also means 'love having success')

Aashqi sabr talab, aur tamanna betaab,
Dil ka kya rang karoon, khoon-e-jigr honay tak !
Aah ko chahiyey ik umar....................

[Romance is satisfied, and wishes are anxious,
What is going to be my condition till love succeeds !]

Hamnay maana, ki tagaful na karogay lekin,
Khaak ho jaayengay hum, tumko khabar honay tak !
Aah ko chahiyey ik umar....................

[I agree that you won't hesitate/delay but,
I will be destroyed till you get the news about my condition !]

Gam-e-hasti ka 'Asad' kis-say ho, juzz-marg ilaaj
Shama har rang mein jalti hai, sahar honay tak !
Aah ko chahiyey ik umar....................

[What is the cure for life except the death, 'Asad',
In all conditions, candle keeps on burning till dawn !]

Aah ko chahiyey, ik umar asar honay tak,
Kaun jeeta hai, teri zulf kay sar honey tak !!!
vinnie-thepooh thumbnail
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Posted: 19 years ago
#34
Mirza Ghalib [1796-1869]

ghalib...
Mirza Asadullah Khan "Ghalib" is one of the best of the Urdu poets. He led a revolution in Urdu poetry with his words. According to the critic Aal Ahemd Sarvar "Ghalib gave brain to our poetry which was till then dominated by the people of heart."
Ghalib used to have takhallus (pen name) of 'Asad' but he listened to this sher

Asad us jafaa par butoN say wafaa ki
me-ray sher shabaash rahmat kHuda ki

He said whose sher is this should get lots of rahmat of God but if it is mine then lots of laanat on me, and he changed his takhallus to 'ghalib'.


the beginning...
He was born in 1796 in Akbarabad (present Agra). His father Abdullah Beg Khan and Uncle Nasrullah Beg Khan were in the Army. Mirza Ghalib become orphaned when he was just 5 years old. He lived with his uncle for 4 years, when his uncle too died.

He started saying sher in Agra itself. He married the daughter of Nawab Ilahi Baksh 'Maaroof' and therefore moved to Delhi. In Delhi he devoted his full concentration to poetry. Soon he mastered the Persian language. So that no one should call him be-ustad ( without a teacher) he fabricated a story that he had an Iranian teacher Abdul-samad live in house for two years to teach him Farsi. Ghalib was always proud of his Farsi poetry but he is known more by his Urdu prose and poetry.

life...
He always lived his life lacking money. After 1857 the support from the Royal durbar stopped. The pension from the British Govt. was stopped because he was suspected of supporitn the rebels. He even traveled to Calcutta to restart the pension but to no avail.
He went to the Nawab of Rampur, who promised him Rupees 200 if he lived in Rampur and Rs. 100 if he lived anywhere else. His pension was resumed 3 years after that, but all that money was used up for paying old debts. Ghalib died in 1869.

letters...
Not only Urdu poetry but the prose is also indebted to Mirza Ghalib. His letters gave foundation to the easy and popular Urdu. Before Ghalib, letter writing in Urdu was highly ornamental. He made his letters "talking" by using words and sentences as if he is talking to the reader. According to him
"sau kos say ba-zabaan-e-qalam baateiN kiya karo aur hijr meiN visaal kay ma-zay liya karo"
[ from hundred of miles talk with the tongue of the pen and enjoy the joy of meeting even when you are separated]
His letters were very informal, some times he will just write the name of the person and start the letter. He himself was very humerous and also made his letter very interesting. He said
"maiN koshish karta hooN keH koi aisi baat likhooN jo pa-Rhay kHoosh ho jaaye"
[ I want to write the lines that whoever reads those should enjoy it]
When the third wife of one of his friends died, he wrote...
"Allah allah aik woH log haiN jo teen teen dafaH iss qaid say chhooT chu-kaiN haiN aur aik hum haiN keH aik ag-lay pachas baras say jo phaNsi ka phaNda ga-lay meiN paRha hai to naH phaNda hi TuT-ta hai naH dum hi nikalta hai"
[Allah Allah, there are some among us who have been freed from the prison three times and I have for the past 50 years this rope around my neck neither this rope breaks nor it takes my life]
Some scholars says that Ghalib would have the same place in Urdu litterature even only on the basis of his letters.

poetry...

In Urdu ghazals, along with the love and beauty Ghalib added all the facets of life. Because of him the canvas of Urdu ghazal became very extended.

Since Ghalib was very occuppied with Persian , his earlier shers used difficult words and his flights of imagination was such that...
"yaa to aap sam-jhay yaa kHuda sam-jhay"
[ either you (Ghalib) understand or the God understand]

Ghalib was not a philospher but he questioned things around him.
jub keH tujh bin nahiN koi maujood
phir yeH hungaamaH ai kHuda kya hai
[ when there is no one besides you;
then oh God why is this pandemonium]

One also find naughtiness in his writings, he makes fun of every thing and evreybody including himself.
jiss meiN laakhoN baras ki hooreiN hoN
aisi jannat ka kya ka-ray koi
[ when the women are million years old
what i will do with that paradise]

But Ghalib's sher not only have immediate effect on the heart but it makes you think too.
aah ko chahiye aik umr asar ho-nay tak
kaun jeeta hai teri zulf kay sar ho-nay tak.

hum nay mana keH tagHaful naH karo-gay lekin
kHaak ho jaaayeN-gay tum ko kHabar ho-nay tak.

daame hur mauj meiN hai hulqa-e-sad kaam nihaNg
dekheiN kya guz-ray hai qat-ray peH guhar ho-nay tak.



vinnie-thepooh thumbnail
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Posted: 19 years ago
#35
Mirza Ghalib
From Wikipedia, the free encyclopedia
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Mirza Ghalib (1797-1869), The greatest poet of UrduMirza Asadullah Khan (???? ??? ???? ??? ), pen-name Ghalib (????, ghalib) (27 December 1797 in Agra— 15 February 1869 in Delhi), was a renowned classical Urdu and Persian poet of India. He is considered to be the most dominating poet of the region since Kalidas.


Life
He was born on December 27, 1797 in Agra to parents with Turkish aristocratic ancestry. The death of his father and uncle during his youth left Ghalib with no male-dominant figures. He then moved to Delhi. (Although his house in Balli Maaran in the city is a national monument, it is not as well-kept as a national monument should be).

Ghalib's early education has always been a matter of confusion. There are no known records of his formal education, although it was known that his circle of friends in Delhi were some of the most intelligent minds of the time.

Around 1810, he was married into a family of nobles, at the age of thirteen. He had three or four children, none of whom survived (this pain has found its echo in some of Ghalib's ghazals). There are conflicting reports regarding his relationship with his wife. She was considered to be pious, conservative and God-fearing while Ghalib was carefree, unconventional without any scruples, and arguably not very religious, in the strict sense of the word.

Ghalib was very fond of drinking (in this respect, he himself admitted he was not quite a strict "Muslim") and gambling as well. Gambling used to be an offence in Delhi at that time and he was even apprehended once for having indulged in it in his own backyard. It is also believed that Ghalib had an affair with a courtesan who quite admired his poetry.

Ghalib never worked as such for a livelihood but lived on either state patronage, credit or generosity of his friends. His fame came to him posthumously. He had himself remarked during his lifetime that although his age ignored his greatness, it would be recognized by later generations. History has vindicated his claim. He also is arguably the most "written about" among Urdu poets.

He died on February 15, 1869 in Delhi.


Contemporaries and disciples
Ghalib's closest rival was poet Zauq, tutor of Bahadur Shah Zafar II, the then emperor of India with his seat in Delhi. There are some amusing anecdotes of the competition between Ghalib and Zauq and exchange of jibes between them. However, there was mutual respect for each other's talent. Both also admired and acknowledged the supremacy of Meer Taqi Meer, a towering figure of Urdu Poetry of 18th century. Another poet Momin, whose ghazals had a distinctly lyrical flavor, was also a famous contemporary of Ghalib. Maulana Hali is arguably the most famous student of Ghalib.


Ghalib's poetry
Although Ghalib wrote in Persian as well, he is more famous for his ghazals written in Urdu. It is believed he wrote most of his very popular ghazals by the age of nineteen. His ghazals, unlike those of Meer Taqi Meer, contain highly Persianized Urdu, and are therefore not easily understood or appreciated by a vast majority of people without some extra effort. Before Ghalib, ghazal was primarily an expression of anguished love but he expressed philosophy, the travails of life and many such subjects, thus vastly expanding the scope of ghazal. This, together with his many masterpieces, will forever remain his paramount contribution to Urdu Poetry and Literature.

In keeping with the conventions of the classical ghazal, in most of Ghalib's verses, the identity and the gender of the beloved is indeterminate. The beloved could be a beautiful woman, or a beautiful boy, or even God. As the renowned critic/poet/writer Shamsur Rahman Faruqui explains, since the convention of having the "idea" of a lover or beloved instead of an actual lover/beloved freed the poet-protagonist-lover from the demands of "realism", love poetry in Urdu from the last quarter of the seventeenth century onwards consists mostly of "poems about love" and not "love poems" in the Western sense of the term. Ghalib's poetry is a fine illustration of this. Ghalib also excels in deeply introspective and philosophical verses.

His letters also make for recommended reading but it is difficult to find these publications given their limited patronage.


His Takhallus
His original Takhallus (pen-name) was Asad. However, on realizing that there already was another Shayar by the name of Asad, he changed his name to Ghalib, which literally means a conqueror.



Film, TV serial based on Ghalib
Indian Cinema has paid a tribute to the legendary poet through a film (in black and white) named "Mirza Ghalib" (made in 1954) in which Bharat Bhushan plays Ghalib and Suraiya his courtesan lover. The musical score of the film was by Ghulam Mohammed and his compositions of Ghalib's famous ghazals are likely to remain everlasting favorites among those who fancy such music.

Gulzar produced a TV serial titled "Mirza Ghalib". It was telecast on Doordarshan (the Indian National Channel) and was quite well-accepted and liked by viewers. Naseeruddin Shah played Ghalib in the serial.
Examples of Ghalib's work:

1. har ek baat pe kehte ho tum ke 'too kya hai' ?
tumheeN kaho ke yeh andaaz-e-guftgoo kya hai ?

[ guftgoo = conversation ]
2. na shole meiN yeh karishma na barq meiN yeh ada
koee batao ki woh shoKH-e-tund_KHoo kya hai ?

[ barq = lightning, tund = sharp/angry, KHoo = behavior ]
3. yeh rashk hai ki wo hota hai ham_suKHan tumse
wagarna KHauf-e-bad_aamozi-e-adoo kya hai ?

[ rashk = jealousy, ham_suKHan = to speak together/to agree,
KHauf = fear, bad = bad/wicked, aamozee = education/teaching,
adoo = enemy ]
4. chipak raha hai badan par lahoo se pairaahan
hamaaree jeb ko ab haajat-e-rafoo kya hai ?

[ pairaahan = shirt/robe/cloth, haajat = need/necessity,
rafoo = mending/darning ]
5. jalaa hai jicm jahaaN dil bhee jal gaya hoga
kuredate ho jo ab raakh, justjoo kya hai ?

[ justjoo = desire ]
6. ragoN meiN dauDte firne ke ham naheeN qaayal
jab aaNkh hee se na Tapka to fir lahoo kya hai ?

7. woh cheez jiske liye hamko ho bahisht azeez
siwaay baada-e-gul_faam-e-mushkaboo kya hai ?

[ bahisht (or bihisht, both are correct) = heaven, baada = wine,
gul_faam = delicate and fragrant like flowers, mushkaboo = like
the smell of musk ]
8. piyooN sharaab agar KHum bhee dekh looN do chaar
yeh sheesha-o-qadah-o-kooza-o-suboo kya hai ?

[ KHum = wine barrel, qadah = goblet, kooza/suboo = wine pitcher ]
9. rahee na taaqat-e-guftaar, aur agar ho bhee
to kis ummeed pe kahiye ke aarzoo kya hai ?

[ guftaar = speech/discourse ]
10. bana hai shaah ka musaahib, fire hai itaraata
wagarna shehar meiN 'GHalib' kee aabroo kya hai ?

[ musaahib = comrade/associate ]




Swar_Raj thumbnail
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Posted: 19 years ago
#36
was waiting you to write something for Mirga sahib.
I saw the movie long ago as a kid and then too just could not forget his wonderful ghazals. Talat ji 's voice added such magic to it that you can hear these ghazals..any time, anywhere 👏
vinnie-thepooh thumbnail
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Posted: 19 years ago
#37

Originally posted by: Swar_Raj

Vinnie you also write gzahals...wow what a artist we have. 👏 Thanks dear 😃

those were articles by uknown Author yaar😛

vinnie-thepooh thumbnail
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Posted: 19 years ago
#38

Originally posted by: Swar_Raj

was waiting you to write something for Mirga sahib.
I saw the movie long ago as a kid and then too just could not forget his wonderful ghazals. Talat ji 's voice added such magic to it that you can hear these ghazals..any time, anywhere 👏

I have seen this movie too and thats what inspired me to hear ghazals😊

vinnie-thepooh thumbnail
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Posted: 19 years ago
#39

Originally posted by: DAISYRABLE

Wow Vinnie...Nice compilation of articles on ghazal 👏 👏 👏 ...I didn't complete reading today..will surely come back again to read the rest..

no prob daisy read the whenever u r free😊

Summer3 thumbnail
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Posted: 16 years ago
#40
Thanks Vinnie-the pooh for such a lovely interesting thread and so much info.
Let me dedicate a nice Ghazal of appreciation
Nusrat - Usey Bhool Ja - The Best Ghazals
[YOUTUBE]http://www.youtube.com/watch?v=75T4oyBMtW4[/YOUTUBE]

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