Arshi ji! A work-in-progress response from you, that too seen on a Monday... Trust me, usse bhi bada suhaga 😳
I fully concur with all the points you have posted, Kumud's anger is really a "veneer" because Saras is her 'crutch' - seeing him gives her strength, focus and as well, at times an outlet for her frustrations. And yes, she stood her own in front of Pramad, even when essentially 'confessing', she did not at all come across as 'culprit', she was forthright and assertive - she exerted haqq over the story of SC and spelled out a hadd to Pramad, as well, by abruptly walking off with his booze, cutting off the 'tale' and leaving him 'thirsty' for more, in both respects. Admirable when you think of it solely in terms of the strides Kumud is making. Not 'headway', but.
And YET... For me the scene was still out-of-kilter. Like all the notes were playing in harmony except one. And that lone 'discord' was driving me loco. So I went back right to where the foundation for the 'reveal' was first laid and followed the thread of 'questions, insults, and insinuations' to its culmination with Kumud's story in the last. I've given this some thought and believe, I have found the 'malefactor'. Please indulge 😳:
One: The foundation sequence 'Umess telling Pramad' we were not privy to. But Pramad comes armed with weapons-grade info and utters the fateful name 'Saraswatichandra'. Who is he?
Two: The second time he throws that name at her is when she 'imposes' blue on him. He taunts her, again, who is Saraswatichandra, where is he etc and she dangles him a carrot. She will answer. BAM! And right there his tune changes. From wanting to know about her 'lover'... He feigns shock at being the luckiest man ever who will now hear about his "wife's truth" (key-frickin'-word-here). Expectations shift for the viewer (for me at least, it did).
Three: When Kumud again reminds him "aap MERE baare mein kuch jaan na chahate thhe" (another shift), Pramad maintains that tune, he will now hear "Kumud's past", about his "Patni ki prem kahaani"... But the saga turns out to be about mother-son, instead. Neither a love-story, nor Kumud's truth, per se. And in the last of the penultimate epi, Pramad's expression was clearly 'bored' while in the beginning of the last, he 'appeared riveted' and ostensibly forgot all about wanting to hear about his 'wife's love story'. Started making other plans (for Navin)... That was what was not sitting right with me.
Arshi, I believe we are seeing a change of 'tracks'... CV's had two options they were toying with: Pramad's reform, Saras-Kumud expose. Hgg Bhai's words resonate here... Till the penultimate epi, they were undecided and hedging bets. They even gave Jennifer and Aanshul contrary lines, they might have even shot two 'reveal' sequences... Because the two bits in the last two epi's for me, did not align, in terms of actors execution, particularly Aanshul's... Bored to riveted? Unless he was trolling Kumud, it seemed a 'mix-and-match' in the last moment because someone had finally decided which route to take. So yes, Kumud told, but Kumud was also made to hide. The 'essence' of the reveal itself was altered. Hopefully this week will present things with clarity, but I'm pretty certain a 'shifting of gears' has already occured =)
Edited by IdiotViewer - 11 years ago