Ophelia thumbnail
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Posted: 17 years ago
#1
This thread is meant for all music enthusiasts and IF SRGMP's contestants in particular. We may run into such terms as octaves, pitch, rising notes etc. especially in the feedback thread and be unsure of their exact defintions. Hope this thread brings clarity to such terms as understanding their meanings maybe a vital aspect of bringing improvement in future singing or on the discussion of music itself.

Listed below are the definitions of the most common musical terms along with their hindi synonyms and/or translations (i.e. that is)


scale- (Italian scala=ladder), the arrangement, by rising or falling
sequence of pitches/tones i.e. sa re ga ma pa da ni sa or do re mi fa sol la ti do


pitch- The frequency (loudness) of sound arranged by scale. A musical composition contains both distinguishable high pitches of higher frequency (sa,re,ga,ma) and low pitches of lower frequency (pa,da,ni,sa) *can be used interchangebly with tone*


melody- the prominent repetitive musical sequences within a piece of music such as the chorus or mukra


note/ sur/ swar- a sign or reference used in music to represent the relative
duration and pitch of a sound


tone- a single sound that is distinct and identifiable by a unique frequency/ pitch, numerous tones are employed to create a scale within a compostion *can be used interchangeably with pitch*


octave- the eighth tone of an ascending or descending diatonic (made up of eight tones) scale i.e. sa in the indian diatonic scale of sa re ga ma pa da ni sa


rising notes/aroh- ascending scale of pitches/tones


falling notes/ avroh- descending scale of pitches/tones


tempo/ laya- the pace of beats in a composition, for most compositions a bpm or beats per minute count is indicated at the top of the piece.


gaat
- an instrumental composition that is often improvised (especially played with the tabla) as to allow corresponding improvisation in voice.

stai-
Sometimes called asthai. It is the opening part of a composition or bandish ( 😉why not take this opportunity to advertise my gharana😆)

Edited by Megha25 - 17 years ago

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Indradhanush thumbnail
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Posted: 17 years ago
#2
Hi Megha

this is a cool thread and hope we all shall be benefited.
Ophelia thumbnail
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Posted: 17 years ago
#3

Originally posted by: Indradhanush

Hi Megha


this is a cool thread and hope we all shall be benefited.



Here's wishing the same and thank you 😊
bunbutt_too thumbnail
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Posted: 17 years ago
#4

Originally posted by: Megha25



Here's wishing the same and thank you 😊

Thanks Megha25ji, lekin it will be more effective if you include the Hindi terms like surr, taal, lai, gaat etc in the list next to their Western equivalents. Just my two cents.😉
Ophelia thumbnail
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Posted: 17 years ago
#5

Originally posted by: bunbutt_too

Thanks Megha25ji, lekin it will be more effective if you include the Hindi terms like surr, taal, lai, gaat etc in the list next to their Western equivalents. Just my two cents.😉



Sure I will take your two cents into consideration and try to do so 😊. But for some terms like sur there are no direct english translations.


Edited by Megha25 - 17 years ago
gopalbhai thumbnail
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Posted: 17 years ago
#6
I would like explanation of certain terms like Talaffuz, Throw & Sur which we come across quite often in judges comments.
Indradhanush thumbnail
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Posted: 17 years ago
#7
But for some terms like sur there are no direct english translations.


sur=note 😃
Indradhanush thumbnail
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Posted: 17 years ago
#8

Falsetto singing may be defined as singing beyond upper normal range (normally one octave up) in a false voice (though it can be done in normal/ low notes as well). It is surprising to know that actually it is a Western concept, in early days churches didn't allow females to participate in singing hence they had castrated males singing in false voices hence called falsetto.
In Hindi music this was started by Kishore da. Actually Kishoreda's elder brother Anoop kumar had a great collection of Western classicals & songs, one day while entering the home he was angered when he heard someone singing in falsetto thinking that Kishore da is playing his records, but he was surprised to find that Kishore da was singing in falsetto voice.
S D Burman da used to call it gala tod ke gana & introduced it into Bollywood.
All of you must have heard the song Chala jata hoon by Kishoreda from Mere Jeevan saathi ( RD Burman), it is amazing to note how Kishoreda throws his voice up in antaara using falsetto.

In antaara of kajra re from Babli aur Bunty Alisha has used falsetto to increase her upper range.


In current singers Sonu Nigam has a fancy for it, he has used it in O mama from RHTDM, he uses it quite often otherwie as well.

Bee Gees use it in staying alive etc.

Indradhanush thumbnail
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Posted: 17 years ago
#9

Originally posted by: gopalbhai

I would like explanation of certain terms like Talaffuz, Throw & Sur which we come across quite often in judges comments.

talaffuz is Pronunciation , this is more applicable in singing where urdu is used like Bollywood lyrics, because many great lyricists have been great shayars like Mazrooh saab, Javed Akhtar etc.
Javed saab will give a better definition though...😆
Indradhanush thumbnail
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Posted: 17 years ago
#10
Throw is like awaz khol kar gana ya gale ko kholna. Putting force behind words.
Edited by Indradhanush - 17 years ago

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