Hi All This is the mail I wrote to SRGMP organisers after getting suggestions from this forum.
Hello
I am one of the members of www.india-forums.com, a website which has been discussing Saregamapa Challenge 2005 for many months.
Saregamapa Challenge 2005 had a completely new format from the earlier years and was watched by far more people than ever before. It was exciting, inspiring, emotional, yet often unjust and irritating.
We would like to give ideas to the Saregamapa organisers to devise a new format whereby real talent gets rewarded and biases are reduced to a minimum. The winners of the challenge in 2006 should find the going even more tough and exacting.
Here are some of the ideas offered by members of the forum. For reading the complete discussion, please visit http://www.india-forums.com/forum_posts.asp?TID=200825.
1)A panel consisting of Shaan, Gajendra Singh and others could do the initial screening of candidates based on the cassette recordings sent by candidates. Let's say 50 are selected.
2) 5 gharanas should be set up and 10 candidates put in each gharana. Some choices for the mentors would be Jatin-Lalit, Shankar Mahadevan, A.R. Rahman, Ismail Darbar and Shiv-Hari, Aadesh Srivastav.
3) Out of the 50, we can filter the contestants and bring down the number to 10.
4) A panel of distinguished judges from the musical world should be appointed for judging. These judges should be given a good briefing about what judging is all about. A format should be made whereby a weighted ranking is given to various aspects of singing such as sur, taal, breathing, variation from original song, dance movements etc. The marks given by each judge should be shown on screen. Every aspect of singing must be given a weightage. Something like this:
Originality of voice: 5%
Ability to sing song close to original song:5%
Ability to sing in sur: 60%
Ability to sing in accordance with taal: 20%
Performance: 5%
Complexity of song: 5%
5) The formula suggested for marking is:
Judges - 60% weightage
Mentor's voting(except for candidates own mentor) - 20% weightage
Orchestra people voting - 10% weightage
Public Voting (needs rectification, like one sms per mobile no., one vote per landline no., NO VOTING THRU INTERNET.) - 10% weightage
6) Since the orchestra accompanying the singers will have a good idea of the singers who are singing off-key, their votes are important.
7) Over several weeks of singing, the candidates can be eliminated until one girl and one boy are left standing. So there should be two 1st prize winners.
8) In the current SRGMP format, too much importance was given to "performance". It is felt that moving or dancing at the same time as singing takes away some of the energy that the singers would have put into their singing. Nihira and Swananda, who are rated by many as the best female singers in the show, were not good dancers but rather made their voice do all the acrobatics.
9) Audio visuals have been a subject of some debate. Most people don't want to see something contrived like a contestant getting up from sleep, his/her dreams and things like that. These people are not good actors so everyone can make out they are faking it when they try to act. However, AVs where there is no acting such as shots of the contestants at home,their village/hometown, interviews of relatives etc, interviews of the public with regard to their favourite contestant etc are appreciated.
10) Some of the rounds suggested by members are:
round without any accompanying music where each contestant's voice will be heard without instrument-support.
round where the pitch of the song is changed by the instrumentalists and the singer has to sing in accordance with the pitch
classical round where only classical songs from films are sung (in fact a whole episode can be devoted to classical songs from films)
folk songs round
duet round
11) A lot of arbitrary things happened during SRGMP 2005, which should not have been allowed at all. For example, when one of the judges asked the mentors themselves to decide who should be the winner. That's how Aishwarya got ousted. The judge (was it Alka Yagnik) got away by passing on her responsiblity to mentors. Another time when one of the judges were unable to decide and said "hum in subko kal phir se sunenge". The judges must decide in whatever time they are allotted.
12) In the new SRGMP format, it must be clearly laid out what to do if there is a tie or if the judges are unable to decide who is the best.
13) If a contestant is not well, no retakes should be allowed. It's not fair. Everyone is going to have some problem or the other due to tension. It was not fair when Himani, who fainted in the middle of the show was given a second chance.
14) The surnames of contestants should not be revealed. I mean if we just know the contestants as Paresh or Vinit, we will never know which state they are from and partisan voting might be avoided to some extent.
15) Contestants should not be allowed to ask for votes from their respective states. In a country where regionalism sometimes borders on insanity, this is a dangerous practise.
16) However, voting analysis in the form of graphs showing zonal voting helps to know the mood of the national audience. This time they could include the pattern of voting of NRIs and Central India apart from North, South, East and West India.
I hope the ideas given will be useful in devising a new format for SRGMP Challenge 2006.
Sincerely
WELL DONE PUNJINI.............đ
GOOD JOB KEEP IT UP...........
GAJJI WILL SURE RESPOND TO UR E-MAIL......đ
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