When someone is at da peak of fame.... wateva way they sing is considered to be "in"
so nowadays nasal is in 😃
tomorrow, who knows wat will be in
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What makes good music?
Any sound or sounds in harmony is music. Good music is that which pleases your ear drums.What is good to me may not be intersting to you. I like any good music though I like tunes based on light classical music more, such as composed by the legend Naushad, Madan Mohan, Ghulam Haider (Pakeeza) Vasant Desai, SD, Roshan (Na to Kaarvaan ki Talash hai) Khayyam, Shanker Jaikishan, Lakshmikant Pyarelal to name a few from yester years.
At the same time I like any present day tunes that are soothing to the year Starting from A.R.Rahman to Adnan Sami. I give high marks to Ismail Darbar. I am also found of Gazals and Qawwalies
Rafi and Lata are my favorite playback singers. I also like Saigal, Pankaj Mallik, Mannadey, Aasha, Suman Kalyanpur. Among the newer singers, Sonu is my favorite I never liked Kumar Shanu, Among Gazal singers Jagjeetsing, MehediHasan, Ghulam Ali, Beghum Akhtar are the top. Mr Sareg is wrong in saying that Rafi and Kishore copied earlier. Rafi came in KL Saigal's era when Mukesh was following the footsteps of him. Rafi broke the trend and started his own unique style which is copied even today.(Sonu Nigam) This form of singing lasts longer as proven by history. Rafi had a Robust, Powerful melodius voice which suited all heroes. He was the most versatile of all male playback singers as he could sing hot numbers like Aaja Aaja mai hoon pyar tera, Lay gayi dil gudiya Japanki or Qawwalies like Parda hai parda, or bhajans like Man tadapat, or the first ever Indian Rapp 'Affoo Khuda' from Jab Jab phool Khile,or Gazals like Raha gardishon mein hardam from Do Badan. Mannadey had an upperhand in classical singing but his voice was not for heroes, Mukesh later on cultivated his own style which was unique and very melodius.The draw back was his voice did not suit hero's and had limited options. But whatever he sang were all master pieces and gems. Same goes with Talat. Kishore had his own style and never copied anybody, had a robust voice. During this time barring a few composers like RD the others(Bhappi Lahiri) were below standerd and the compositions were lacking in quality and melody. And thus suddenly listeners, to quench their thirst for good music leaned towards Ghazals and that is when Jagjitsingh, Anoop Jalota etc came to the rescue and became popular.