Posted:
I get the feeling the creatives are a bit direction less and clueless as to how to project Raman and Ishita. That is why all these scenes of fractured hand ,doing surgery with one hand and Raman in the tow, Ishita all set to go for surgery without informing her people,Raman landing up there,Raman ending up clicking snaps of Ishita's funny behaviour instead of finding out why she hid the surgery from him.,Ruhi asking for Panjabi food,Raman challenging Ishita to make a Panjabi style dish,Suraj and Ashok wanting to sue and Ruin Ishita,Mihika doing a photo shoot and now Mihir and Mihika to marry soon.(Hope they inform Mihika's mother this time on time). Quite a jumble.And preceding all this jumble was Raman seeing Toshijee draping Ishita with a saree and getting the thrills,then tucking in the pleats himself,then pinning her Pallu,then getting pricked and Ishita putting his finger in her mouth and he following suit and then even after Ishita tells him no to he proceeds to find out what all this shake shake is about in Mihir's car. It seems everybody is riding a bumpy road in YHM - actors and creatives too. The best take would be to see Ishita for a moment weaken and bask on the glory of another man's attention.Afterall she is human too.That would make Raman come to his senses.If he does not claim his trophy in time he has nobody to blame if he looses it to another.But ofcourse the million dollar question is Raman really prepared for this.Is he prepared to make a lifelong commitment which a woman would expect from her husband in every sense of the word even though there's is a contract like marriage. Is he really wanting to cast out her past and his and unite with her for ever.Living together is one thing,being helpful is one thing,having a common cause like Ruhi ,family is one thing but commitment is quite different. May be both should think this out , not alone ---together.