Sushant Singh Rajput - Shuddh Desi Romance - Page 33

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Yahoo Movies Review: Shuddh Desi Romance

By Rummana Ahmed | Movie Reviews - Fri 6 Sep, 2013 4:21 PM IST

Shuddh Desi Romance: The filmCast: Sushant Singh Rajput, Parineeti Chopra, Vaani Kapoor, Rishi Kapoor

Direction: Maneesh Sharma

Rating: ***

Big fat Indian weddings make for a colourful backdrop and Bollywood loves using it to render its many love stories. Maneesh Sharma uses the same flashy canvas to mock the vibrant faade it manages to create.

Modern relationships are caught in transition - some are being redefined, traditional mindsets are being challenged, the man-woman equation has many new aspects to it. Societal pressure sometimes try to thwart this change, the expectation that everyone has to be happily married by a certain age puts immense pressure on individuals and their families and Indian weddings are sometimes used to veil the changing dynamics of relationships.

Maneesh Sharma tries to address the various nuances of love and commitment. He does raise some valid points but his treatment remains superfluous at best. It's as if the filmmakers were scared to take a strong stand, afraid that it will ruffle the feathers of the gatekeepers of our conscientious Indian society and they would bar their young children from watching this movie. A section of the society is bound to feel that a film that makes no bones about pre-marital sex and live-in relationship is bound to have an adverse effect on the impressionable youth of this country. We did much rather live in denial than accept the very apparent changes.

Shuddh Desi Romance' gives us some memorable characters and they remain with us long after we have walked out of the theatre.
Raghu (Sushant Singh Rajput) is quick to run away from his wedding, quick to fall in love soon after and quick to even recover from a heartbreak. We know so many men like that - confused, impulsive and irresponsible. Is his character flawed? Not really, merely unsure of what he really wants from life.

Raghu Ram follows his heart but when he realizes that it has misled him, he is ready to listen to his head instead and set right the mistake he made before. If the heart was wrong then the head has got to be right. A lot of modern marriages thus, end up being a decision of mind over heart.
Sushant's character is the anti-thesis of the one he played in Kai Po Che'. Raghu (Sushant) has no focus, he is charming and yet, annoying because he has no real personality.

Gayatri (Parineeti Chopra) is the cool babe; she smokes, is unabashed about her previous boyfriends and makes no big deal about her live-in partner. And yet, that's only a front; she is as insecure in her relationship, as any other person. She is scared that the person she loves will judge her by her past. And she did rather run away from impending heartbreak than appear vulnerable.

Tara (Vaani Kapoor) is immensely likeable and creates quite an impression in her debut film. There is no high drama/melodrama accompanying her emotional trajectory. I especially love the look of pure pleasure on her face when she explains how revenge is immensely gratifying for the ego. She also makes a valid point - when you are flirting with someone who had previously dumped you, you are never sure whether you are enjoying the revenge more or whether you are actually slipping away again.

The thing is, the film forays into an unexplored grey area in most romantic relationships but it doesn't really delve deeper. The protagonists never seem completely convinced about their feelings and may be that was intentional. How sure are we really of our emotions in a relationship? They tend to change over time. But then are modern relationships bereft of any kind of responsibility? Surely there has to be some accountability somewhere.

Also, there was much talk about the 27 kisses in the film but honestly, there wasn't the chemical spark that you would expect from such a bold, young love story.
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The Earnest Actor

| Updated: Sep 08 2013, 12:02 IST
Sushant Singh Rajput


Sushant Singh Rajput is a promising newcomer in bollywood

The word "earnest" often comes up in conversations about Sushant Singh Rajput; it is used to describe his on-screen performances or to explain his strengths. Perhaps, it's the actor's earnestness that has landed him roles in coveted movies such as Rajkumar Hirani's Peekay and Dibakar Banerjee's Detective Byomkesh Bakshy, in which he plays the titular role.

That earnestness comes through when we meet him at the YRF office. In a display of courtesy that is rare in the industry, Rajput refuses a snack offered to him, as the guest seated across the table has declined one. "I am, anyway, supposed to lose weight for my next film. You're helping me in that," says the soft-spoken actor.

The other opinion, says a prominent industry member, is that the 27-year-old is "too young to be interesting". The actor, in fact, admits to being "boring" and "predictable". But his journey from Delhi College of Engineering to Bollywood is nevertheless intriguing.

Born into a middle-class household in Delhi, Rajput was fascinated by Bollywood, but never aspired to be a part of it. With four elder sisters, he was over-protected and grew up to be a shy and introvert boy, with very few friends. Influenced by his academically-inclined siblings, he chose to study engineering. "But there are so few girls in engineering colleges that I thought Shiamak Davar's dance classes would give me an opportunity to interact with some," says Rajput in jest, only to add on a serious (or earnest) note, "Dancing made me realise that I need not speak to express myself."

Rajput then began exploring the performing arts. He joined the Barry John Acting Studio, even as he continued to dance as part of Davar's company. But he also skipped most of the lectures, he tells us " choosing instead to devour paranthas at Delhi's famous Moolchand paranthawala or at the dhabhas in Murthal, a small town in Haryana.

The days he spent in college, Rajput says, also inspired his performance in Abhishek Kapoor's Kai Po Che, his debut film. His Ishaan, an amateur cricketer in Ahmedabad, refuses to

follow a calculated path to success and instead chooses to coach a Muslim cricketing prodigy even at the height of communal tension in Gujarat. "The bond Ishaan shares with his friends somewhere drew from my equation with friends. I could connect with the character who is driven by selfless passion for the game and his friends," Rajput says.

In 2005, Rajput dropped out of college and moved to Mumbai, where he joined Nadira Babbar's theatre production company, Ekjute. "I had to start somewhere and theatre felt like a good place to do so," he says.

Television followed theatre soon enough. A Balaji Telefilms employee, impressed by his performance in a play titled Pukar, invited him to audition for the role of Manav, a self-respecting mechanic in Pavitra Rishta on Zee TV.

His stint in television not only trained him to act before the camera, it also whetted his appetite for more. "After four years of playing Manav, I wasn't learning anything new in terms of acting. I quit at a time the show was about to take a leap, and decided to wait till something good came my way," he says.

The opportunity presented itself sooner than he had thought, in the form of an audition for Kai Po Che. "When I had signed on Kai Po Che, I was called to audition for Peekay. It's all fallen into place on its own," he says. Not one to attribute much to luck, Rajput believes hard work always pays off. While thousands of others who are still struggling for a break in Bollywood may disagree, Rajput says he was equally happy and satisfied when he was doing theatre. "Yes, I was travelling in a rickshaw back then and I have a fancy SUV now, which is great, but I get as excited to play an interesting character in a film as I used to when I would prepare for a theatre performance," he says.

The actor credits his stint in theatre for learning the techniques of acting. "One may believe that theatre needs spontaneity but in truth, it demands that an actor perform a scene repeatedly

with the same intensity and freshness each time. As jaded as I may sound, it taught me the importance of researching the character, so that I can look for the stimulus when I need it," he says.

Jaded or not, Rajput is currently being viewed as a rising star in Bollywood. His moving and honest performance in Kai Po Che proved that he can carry a film on his shoulders, becoming Banerjee's choice for playing the iconic character from Bengali literature, detective Byomkesh Bakshi.

"We needed a young star with a growing following, but who is not yet overexposed," says Banerjee, explaining his choice of Rajput for the role. "Sushant has that very exciting mix of vulnerability and intensity which I think will add a lot to my Byomkesh "who is fresh out of college and on his first case " and fighting all the issues that a man of 23 faces when he comes out in the world."

Currently being managed by YRF's talent management arm, Rajput has also been ensured of being "projected right". "Sushant is someone who appeals to a cross-section of people. The youth love him for his dance skills that he displayed on reality show Jhalak Dikhhla Jaa, and housewives took to him back in his Pavitra Rishta days," says Ashish Patil, vice president (business & creative), YRF.

Although his dancing skills " which Rajput is confident of " are not being used in any of his current projects, his versatility, Patil believes, is on display in his new release, Maneesh Sharma-directed Shuddh Desi Romance. "I play a confused but earnest Raghu who is trying to differentiate between love and infatuation, the signs of which are often interchangeable," he explains. The film, he says, explores the modern Indian youth's take on relationships and the confusion between attraction and love.

While Rajput knows that it may not strike a chord with his fans from his television stint, who saw him as the aspirational hero, he isn't willing to choose projects based on box-office returns. "I am supposed to lose up to eight kilos for my role as Byomkesh, apart from tryingto understand the character " a thought that has me excited. If I have to lose out on this excitement, there's nothing left to being an actor for me. I could have continued to play Manav and earned good money anyway."


Edited by ummesulaiman - 11 years ago
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Shuddh Desi Romance Saturday Collection. Good Jump.

0
Posted by Kaalia You May Also Like News on: Sushant Singh Rajput at Sunday, September 08, 2013
Shudh Desi Romance has registered a growth of around 15-20% on average on Saturday from Friday. Film has collected a very well 7.7 crore nett on Saturday at box office as per estimates. Film started well on Friday and trend remain similar on Saturday as well.

SDR is performing exceptionally well in multiplexes. Youth are loving this film and coming in numbers to theaters nearby. Film should show escalation in collections on Sunday also because of Holiday. Expect SDR to collect around 22-23 crore nett in its opening weekend, which will be fantastic number considering film release size and face value. SDR has in it everything to be the next surprise hit of the year. Collections on Monday and Tuesday will throw some light on that.

Collection Breakup -

Friday - 6.4 crore nett.
Saturday - 7.7 crore nett (Estimates).

Total - 14.1 crore nett.
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Shuddh Desi Romance UP Zanjeer DOWN

Sunday 8th September 2013 13.30 IST

Boxofficeindia.Com Trade Network

Shuddh Desi Romance managed to show good growth on Saturday as it collected around 7.50 crore nett adding to the 6.25 crore nett on Friday taking its two day figure to 13.75 crore nett. The film is faring best in Delhi NCR and Rajasthan while business in Maharashtra, CP Berar and Nizam is not so strong. The film will put up a healthy weekend.

Zanjeer dropped on day two as it collected 2.75 crore nett compared to 3.25 crore nett on Friday. The two day total is 6 crore nett and there is not much hope for the film. The film saw big drops in the single screen areas where opening was slightly better, the multiplexes could not really drop much as start was so low. The Telugu version of the film also dropped on its second day.

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Shuddh Desi Romance Doing Well In Overseas | Box Office Collections

It seems that the videsi...we mean the overseas audiences are liking YRF's newly released venture Shuddh Desi Romance, that got released on 6th September. This Sushant Singh, Parineeti Chopra and Vaani Kapoorstarrer made a total business of around 6 crores in 2 Days at the International Box Office market.

Sushant Singh Rajput And Vaani Kapoor in Shuddh Desi Romance Movie Stills

The film has worked big time in UAE-GCC, what with raking in around $ 432k on 1st Friday and 1st Saturday while in USA it collected $ 278k in 2 Days at the Overseas Box Office.

Shuddh Desi Romance collected approx 10.3k in U.K on 1st Friday and picked up on Day 2, collecting approx 28.8k taking its 2 Days U.K total to 39.1k.

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Bollywood Hungama Interview 😃

Part 1

[YOUTUBE]http://www.youtube.com/watch?v=g63CEmoDEt0[/YOUTUBE]

Part 2

[YOUTUBE]http://www.youtube.com/watch?v=fAJ6omUY7qk[/YOUTUBE]

Part 3

[YOUTUBE]http://www.youtube.com/watch?v=9A2KreyAJSA[/YOUTUBE]


Part 4
[YOUTUBE]http://www.youtube.com/watch?v=fxvQIY7en4s[/YOUTUBE]
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Top Weekends 2013: Shuddh Desi Romance 10th

Monday 9th September 2013 13.30 IST

Boxofficeindia.Com Trade Network

Shuddh Desi Romance managed to get into the top ten weeeknds of the year in 10th place and the films above it are considerably bigger films. Below are the highest collecting weekends of the year.

1. Chennal Express - 87,00,00,000

2. Yeh Jawaani Hai Deewani -61,87,00,000

3. Race 2 - 48,17,00,000

4. Satyagraha - 33,86,00,000

5. Bhaag Milkha Bhaag - 31,16,00,000

6. Once Upon A Time In Mumbai Dobaara - 27,30,00,000

7. Himmatwala - 27,20,00,000

8. Shootout At Wadala - 25,63,00,000

9. Special 26 - 23,59,00,000

10. Shuddh Desi Romance - 22,25,00,000

Note - All the figures above are for the first three full day


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Decoding the success of 'SDR' and failure of 'Zanjeer'!

By Taran Adarsh, September 9, 2013 - 13:26 IST

Like I pointed out two weeks ago, 2013 is turning out to be the most lucrative and rewarding year for films that swim against the tide. Movies like TABLE NO. 21, ABCD - ANY BODY CAN DANCE, KAI PO CHE, MERE DAD KI MARUTI, JOLLY LLB, CHASHME BADDOOR, AASHIQUI-2, FUKREY, RAANJHANAA, BHAAG MILKHA BHAAG, B.A. PASS and MADRAS CAF won ample acclaim and admiration from the paying public. Now SHUDDH DESI ROMANCE joins this illustrious list, proving for the nth time that there's no stopping good content from leaving a mark.

Let's decode SHUDDH DESI ROMANCE first. A film that targets the youth, is made within a controlled budget, boasts of decent music, flouts the rules of the game [conventional masala], is garnished with light moments and marketed correctly can yield rich dividends. In fact, all these factors put together resulted in an impressive start for SHUDDH DESI ROMANCE in the domestic market. The word of mouth was super-strong, which resulted in the business growing steadfastly over the weekend.

Kudos to Aditya Chopra for backing the film and also to writer Jaideep Sahni and director Maneesh Sharma for pushing the envelope. This one's all set to be a universal success.

On the other hand, ZANJEER failed to take off, despite aggressive promotions and a formidable cast to lure the spectators. The question that crossed my mind several times over the weekend was, why was it a non-starter at the ticket window? How does one explain the viewers' indifference to this biggie? If, for instance, we claim that the audience isn't comfortable with the idea of remaking an Amitabh Bachchan film, how do we explain the phenomenal success of DON and AGNEEPATH, both Bachchan starrers?

While contemplating the above hypothesis, there is yet another claim that says while DON and AGNEEPATH featured bigger stars, ZANJEER features an actor [Ram Charan] who isn't well known in the Hindi belt. Almost 23 years ago [1990], Ram Charan's father Chiranjeevi made his debut in Hindi films with PRATIBANDH, which featured him in the role of a cop. That film, I distinctly recall, took a flying start at the BO and emerged a success. More recently, RAANJHANAA, which featured Dhanush, worked big time at the box-office, with the audience taking a big liking for the actor. Considering these facts, the claim of Ram Charan not being known in Bollywood and hence, ZANJEER not working well with the audience stands debunked. The failure of the Hindi version remains a mystery, frankly.

However, ZANJEER did attract a fair share of audience at single screens initially, but, overall, the performance remains disheartening. This one's an epic failure!

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During Engineering days...

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