Originally posted by: aritha
beautiful mix as always opti. thank you.
Thank you Aritha.
im glad i didnt know of kayamath during its PIM track otherwise oh gosh i wudve cried my eyes out!!! its so disturbing , very intense but at the same time painfully beautiful.
Yes, I think we all went through excruciating pain along with Michi. I think I had made some of my most angry posts then -both angry at Prachi as well as at Milind.
shabbir is at his best in such intense scenes isnt it???? his acting is absolutely mindblowing. brings me shivers! cant get enuf of the guy....i dont think ill ever forget milind.
He was fabulous in those scenes. His dialogue delivery was also fairly good in most of the scenes - particularly in that bangle breaking scene - it was low, intense and spine chilling as Shabz put it.
im actually watching ur "sau dard " at the moment😳
Again?!
shabbir banked most of the scenes before leaving for turkey???wow 👏
Yes, he did - nearly three weeks of stuff.
@ sailat! u r very true. the story of kayamath is absolutely wonderful. there is ample scope to do amazing things with a story line and the characters like that but the creatives proved to be so thick headed.
They had everything going for them, a great cast, a great theme by excessively focusing on Michi union and separation. I think after the PIM track they just did not have reason enough for separating Michi for when Prachi went to the extent she did for Milind and his family honour during the PIM track, he just did not have any cause to suspect her after that. So they came up with stupid stuff like PA track (that virtually killed all scope for Shabbo to emote and made Prachi give her perennially constipated expressions) and the incomprehensible leap track. It was hard to digest that Prachi who put her marriage and Milind's well-being above all else in all the pervious tracks would continue to fake being another man's wife and that too in the presence of her husband who was hurting so badly. It was even more difficult to accept that Milind will give up on his wife and go hide on top of the bus after those powerful dialogues in the garden confrontation scene.
i believe even the leap track, though its origin is pointless, it cudve been moulded in a way which wudve kept viewers gluded.
angry frustrated milind and helpless weak prachi...just like the old days...
I really thought they will come up with something refreshing and interesting after the garden confrontation scene where Milind vows to oust Panchi from Prachi's body. I thought that he will come up with ways which will remove the blinkers off Prachi's eyes and make her see where her true duty lies. They made it out to be duty versus love and since Prachi always put duty before love they tried to justify Prachi's behaviour during the leap track. But it was'nt duty versus love it was duty+love on the one side (Milind) versus false sense of duty on the other (D-family). If they had got Milind to make her see the difference and got Prachi begging for forgiveness, we could have digested that crap. Instead we find that Proteek and Mother matron teaching Prachi her duty (that too after the girl does the unforgivable act of trying to commit suicide after warning her hubby from it).
wudve been awesome but ARGH i really dont get why the creatives cudnt think of anything else but that!!!! anything else other than that wudve been much much better!!!! that track ruined the essense of milind's character!!!!
They killed both Prachi and Milind with that horribly immoral track. Sick minds indeed.