FF:The Foreign Self PartX - XIII - Page 8

For some reason, so many of you preffered to pm the poems to me!
For my own convenience, I am posting them all here on the thread. Unless you specify otherwise, i am also including the name of the contributor.
And my thanks to all those of you who actually bothered!
I really appreciate it!
Love Armana

Poems sent by 'Stranger': she wishes to remain anonymous.

When we two are parted
Lord Byron

When we two parted
In silence and tears,
Half broken-hearted,
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sank chill on my brow
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o'er me
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:
Long, long shall I rue thee
Too deeply to tell.

In secret we met
In silence I grieve
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.

When we two are parted
Lord Byron

Because She Would Ask Me Why I Loved Her
a poem by Christopher Brennan

questioning would make us wise
No eyes would ever gaze in eyes;
If all our tale were told in speech
No mouths would wander each to each.

Were spirits free from mortal mesh
And love not bound in hearts of flesh
No aching breasts would yearn to meet
And find their ecstasy complete.

For who is there that lives and knows
The secret powers by which he grows?
Were knowledge all, what were our need
To thrill and faint and sweetly bleed?.

Then seek not, sweet, the "If" and "Why"
I love you now until I die.
For I must love because I live
And life in me is what you give.

Poems sent by Divan

TO A PAINTER by W.Wordsworth

ALL praise the Likeness by thy skill portrayed;
But 'tis a fruitless task to paint for me,
Who, yielding not to changes Time has made,
By the habitual light of memory see
Eyes unbedimmed, see bloom that cannot fade,
And smiles that from their birth-place ne'er shall flee
Into the land where ghosts and phantoms be;
And, seeing this, own nothing in its stead.
Couldst thou go back into far-distant years,
Or share with me, fond thought! that inward eye, &n bsp; 10
Then, and then only, Painter! could thy Art
The visual powers of Nature satisfy,
Which hold, whate'er to common sight appears,
Their sovereign empire in a faithful heart.
&nbs p; &n bsp; &nbs p; &n bsp; 1841.


LOVE LIES BLEEDING

YOU call it, "Love lies bleeding,"--so you may,
Though the red Flower, not prostrate, only droops,
As we have seen it here from day to day,
From month to month, life passing not away:
A flower how rich in sadness! Even thus stoops,
(Sentient by Grecian sculpture's marvellous power)
Thus leans, with hanging brow and body bent
Earthward in uncomplaining languishment
The dying Gladiator. So, sad Flower!
('Ti s Fancy guides me willing to be led, &nbs p;&n bsp; &nbs p; 10
Though by a slender thread,)
So drooped Adonis bathed in sanguine dew
Of his death-wound, when he from innocent air
The gentlest breath of resignation drew;
While Venus in a passion of despair
Rent, weeping over him, her golden hair
Spangled with drops of that celestial shower.
She suffered, as Immortals sometimes do;
But pangs more lasting far, 'that' Lover knew
Who first, weighed down by scorn, in some lone bower 20
Did press this semblance of unpitied smart
Into the service of his constant heart,
His own dejection, downcast Flower! could share
With thine, and gave the mournful name which thou wilt ever
bear.
&nbs p; &n bsp; &nbs p; &n bsp; 1845.




FAREWELL LINES by W.Wordsworth

"HIGH bliss is only for a higher state,"
But, surely, if severe afflictions borne
With patience merit the reward of peace,
Peace ye deserve; and may the solid good,
Sought by a wise though late exchange, and here
With bounteous hand beneath a cottage-roof
To you accorded, never be withdrawn,
Nor for the world's best promises renounced.
Most soothing was it for a welcome Friend,
Fres h from the crowded city, to behold &nbs p; &n bsp; 10
That lonely union, privacy so deep,
Such calm employments, such entire content.
So when the rain is over, the storm laid,
A pair of herons oft-times have I seen,
Upon a rocky islet, side by side,
Drying their feathers in the sun, at ease;
And so, when night with grateful gloom had fallen,
Two glow-worms in such nearness that they shared,
As seemed, their soft self-satisfying light,
Each with the other, on the dewy ground, &nb sp; & nbsp; 20
Where He that made them blesses their repose.--
When wandering among lakes and hills I note,
Once more, those creatures thus by nature paired,
And guarded in their tranquil state of life,
Even, as your happy presence to my mind
Their union brought, will they repay the debt,
And send a thankful spirit back to you,
With hope that we, dear Friends! shall meet again.
&nbs p; &n bsp; &nbs p; &n bsp; 1842.

A Pretty Woman

I.

That fawn-skin-dappled hair of hers,
And the blue eye
Dear and dewy,
And that infantine fresh air of hers!

II.

To think men cannot take you, Sweet,
And enfold you,
Ay, and hold you,
And so keep you what they make you, Sweet!

III

You like us for a glance, you know---
For a word's sake
Or a sword's sake,
All's the same, whate'er the chance, you know.

IV.

And in turn we make you ours, we say---
You and youth too,
Eyes and mouth too,
All the face composed of flowers, we say.

V.

All's our own, to make the most of, Sweet---
Sing and say for,
Watch and pray for,
Keep a secret or go boast of, Sweet!

VI.

But for loving, why, you would not, Sweet,
Though we prayed you,
Paid you, brayed you
in a mortar---for you could not, Sweet!

VII.

So, we leave the sweet face fondly there:
Be its beauty
Its sole duty!
Let all hope of grace beyond, lie there!

VIII.

And while the face lies quiet there,
Who shall wonder
That I ponder
A conclusion? I will try it there.

IX.

As,---why must one, for the love foregone,
Scout mere liking?
Thunder-striking
Earth,---the heaven, we looked above for, gone!

X.

Why, with beauty, needs there money be,
Love with liking?
Crush the fly-king
In his gauze, because no honey-bee?

XI.

May not liking be so simple-sweet,
If love grew there
'Twould undo there
All that breaks the cheek to dimples sweet?

XII.

Is the creature too imperfect,
Would you mend it
And so end it?
Since not all addition perfects aye!

XIII.

Or is it of its kind, perhaps,
Just perfection---
Whence, rejection
Of a grace not to its mind, perhaps?

XIV.

Shall we burn up, tread that face at once
Into tinder,
And so hinder
Sparks from kindling all the place at once?

XV.

Or else kiss away one's soul on her?
Your love-fancies!
---A sick man sees
Truer, when his hot eyes roll on her!

XVI.

Thus the craftsman thinks to grace the rose,---
Plucks a mould-flower
For his gold flower,
Uses fine things that efface the rose:

XVII.

Rosy rubies make its cup more rose,
Precious metals
Ape the petals,---
Last, some old king locks it up, morose!

XVIII.

Then how grace a rose? I know a way!
Leave it, rather.
Must you gather?
Smell, kiss, wear it---at last, throw away!

Robert Browning


The Lost Mistress

I.

All's over, then: does truth sound bitter
As one at first believes?
Hark, 'tis the sparrows' good-night twitter
About your cottage eaves!

II.

And the leaf-buds on the vine are woolly,
I noticed that, to-day;
One day more bursts them open fully
---You know the red turns grey.

III.

To-morrow we meet the same then, dearest?
May I take your hand in mine?
Mere friends are we,---well, friends the merest
Keep much that I resign:

IV.

For each glance of the eye so bright and black,
Though I keep with heart's endeavour,---
Your voice, when you wish the snowdrops back,
Though it stay in my soul for ever!---

V.

Yet I will but say what mere friends say,
Or only a thought stronger;
I will hold your hand but as long as all may,
Or so very little longer!

Robert Browning


You'll Love Me Yet

You'll love me yet!—and I can tarry
Your love's protracted growing:
June reared that bunch of flowers you carry
From seeds of April's sowing.

I plant a heartful now: some seed
At least is sure to strike,
And yield—what you'll not pluck indeed,
Not love, but, may be, like!

You'll look at least on love's remains,
A grave's one violet:
Your look?—that pays a thousand pains.
What's death?—You'll love me yet!

Robert Browning

SHE WALKS IN BEAUTY

by: George Gordon (Lord) Byron (1788-1824)

HE walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellow'd to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impair'd the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!



WHEN WE TWO PARTED

by: George Gordon (Lord) Byron (1788-1824)

HEN we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sunk chill on my brow--
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o'er me--
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:
Lond, long shall I rue thee,
Too deeply to tell.

I secret we met--
I silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.




Samuel Taylor Coleridge

Love


ALL thoughts, all passions, all delights,
Whatever stirs this mortal frame,
All are but ministers of Love,
And feed his sacred flame.

Oft in my waking dreams do I
Live o'er again that happy hour,
When midway on the mount I lay,
Beside the ruin'd tower.

The moonshine, stealing o'er the scene,
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!

She lean'd against the armed man,
The statue of the armed Knight;
She stood and listen'd to my lay,
Amid the lingering light.

Few sorrows hath she of her own,
My hope! my joy! my Genevieve!
She loves me best whene'er I sing
The songs that make her grieve.

I play'd a soft and doleful air;
I sang an old and moving story—
An old rude song, that suited well
That ruin wild and hoary.

She listen'd with a flitting blush,
With downcast eyes and modest grace;
For well she knew I could not choose
But gaze upon her face.

I told her of the Knight that wore
Upon his shield a burning brand;
And that for ten long years he woo'd
The Lady of the Land.

I told her how he pined: and ah!
The deep, the low, the pleading tone
With which I sang another's love,
Interpreted my own.

She listen'd with a flitting blush,
With downcast eyes, and modest grace;
And she forgave me, that I gazed
Too fondly on her face!

But when I told the cruel scorn
That crazed that bold and lovely Knight,
And that he cross'd the mountain-woods,
Nor rested day nor night;

That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
In green and sunny glade—

There came and look'd him in the face
An angel beautiful and bright;
And that he knew it was a Fiend,
This miserable Knight!

And that, unknowing what he did,
He leap'd amid a murderous band,
And saved from outrage worse than death
The Lady of the Land;—

And how she wept and clasp'd his knees;
And how she tended him in vain—
And ever strove to expiate
The scorn that crazed his brain;—

And that she nursed him in a cave;
And how his madness went away,
When on the yellow forest leaves
A dying man he lay;—

His dying words—but when I reach'd
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturb'd her soul with pity!

All impulses of soul and sense
Had thrill'd my guileless Genevieve;
The music and the doleful tale,
The rich and balmy eve;

And hopes, and fears that kindle hope,
An undistinguishable throng,
And gentle wishes long subdued,
Subdued and cherish'd long!

She wept with pity and delight,
She blush'd with love and virgin shame;
And like the murmur of a dream,
I heard her breathe my name.

Her bosom heaved—she stepp'd aside,
As conscious of my look she stept—
Then suddenly, with timorous eye
She fled to me and wept.

She half enclosed me with her arms,
She press'd me with a meek embrace;
And bending back her head, look'd up,
And gazed upon my face.

'Twas partly love, and partly fear,
And partly 'twas a bashful art,
That I might rather feel, than see.
The swelling of her heart.

I calm'd her fears, and she was calm,
And told her love with virgin pride;
And so I won my Genevieve,
My bright and beauteous Bride.

My favorite, Armana, is a love song and I find it one of the most beautifully expressive ones, that I've ever heard. The original singing is by Jim Croce, but I looooove the Roger Whittaker rendition. Thanks for letting me share it ! 😃

Time in a Bottle
If I could save time in a bottle
The first thing that Id like to do
Is to save every day
Till eternity passes away
Just to spend them with you

If I could make days last forever
If words could make wishes come true
Id save every day like a treasure and then,
Again, I would spend them with you

But there never seems to be enough time
To do the things you want to do
Once you find them
Ive looked around enough to know
That youre the one I want to go
Through time with

If I had a box just for wishes
And dreams that had never come true
The box would be empty
Except for the memory
Of how they were answered by you

But there never seems to be enough time
To do the things you want to do
Once you find them
Ive looked around enough to know
That youre the one I want to go
Through time with
~ Jim Croce

This one was sent by Sheena_Row.

Fireflies

By Rabindranath Tagore

I touch God in my song
(You can ignore the first three lines if you want)
as hill touches the far-away sea
with its waterfall.

The butterfly counts not months but moments,
and has time enough.

Let my love, like sunlight, surround you
and give you illumined freedom.

Love remains a secret even when spoken,
for only a lover truly knows that he is loved.

Emancipation from the bondage of the soil
is no freedom for the tree.

In love I pay my endless debt to thee
for what thou art.

Originally posted by: fsam

Dear Armana

Since Lord Byron's She walks in beauty is posted. Here is another one, I like, which I also think suits your J/B:

Alexander Pushkin

Wondrous Moment

The wondrous moment of our meeting . . .
I well remember you appear
Before me like a vision fleeting,
A beauty's angel pure and clear.

In hopeless ennui surrounding
The worldly bustle, to my ear
For long your tender voice kept sounding,
For long in dreams came features dear.

Time passed. Unruly storms confounded
Old dreams, and I from year to year
Forgot how tender you had sounded,
Your heavenly features once so dear.

My backwoods days dragged slow and quiet—
Dull fence around, dark vault above—
Devoid of God and uninspired,
Devoid of tears, of fire, of love.

Sleep from my soul began retreating,
And here you once again appear
Before me like a vision fleeting,
A beauty's angel pure and clear.

In ecstasy the heart is beating,
Old joys for it anew revive;
Inspired and God-filled, it is greeting
The fire, and tears, and love alive.

oh wow farah, what a gorgeous choice!! i studied this poem for GCSE English Lit and it has been a favourite ever since - thanks for sending me back down memory lane!! 😃

This one was sent by mahimn. The poest, on the orkut community, chooses to reman anonymous.

The snow, so peaceful and serene,
caressed by the soft moonlight,
gave magical feelings to the night.
The soft blue glow,
the lovers' words that then did flow,
their lips closer and closer
until, locked in the throes
of a passionate embrace,
he decided to express his feelings,
to keep her safe.
He whispered softly,
his words like music to her ears,

"I Love You,"
and her response the same,
heard like the gentle breeze,
"And I, love you, forever."
That was the night they promised
to be together through everything,
each to care for the other when old and gray
A lovers' pact
the most likely to last.

Thank you for the wonderful poems you all sent.
Reading some was a trip down memory lane and some were delightful new introductions.
Part XII is up on the first page.
Happy reading
Armana

armana...this was a beautidul update...absolutely loved it...cannot wait for when the realization hits him...
Rivs

Great part Armana,
i hope that Jai will soon find out the Bani is his Angel whom he had met in the Chapel, waiting for the fireworks of when Bani comes to the Walia Mansion.
Kripa.

Armana,

Fortunate are the disciples from the lessons learned and blessed are the teachers for lessons imparted to the disciples.

Loved what Mr.Winston had to say and also loved the patience and care with which Jai imparted the wisdom to his nephew and brother.

Reminds me of the innumerous phone calls and (reminds me of the cell phone bills, too) my son used to make to his first girlfriend and sleep with his cell phone next to his ear still connected, neither he nor she wanted to hang up the phone first! 😆

Beautifully written! You introduce a new dimension to Jai's character, not just the angry, confused lover but also a caring brother/uncle!!

You have aptly described his feelings to be with Bani, Maasi's attitude towards the living arrangements and his own cynical distrust of women and their innate nesting tendencies.

Good job, Armana - also I like the poem you chose by Teasdale - Love her poetry -
👏