Blast from the Past Thread #25 Extn ** Khushi, I... ** P 119, Ep 274 - Page 58

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Posted: 11 years ago

Originally posted by: aarwen

Episode 265

"Shame to shame" said mamiji. Really what a shame that all this following of clues failed to generate suspense. A few days back while mamiji and Khushi had watched the security footage and mamiji's hand had involuntarily risen to console her dear Arnav bitwa's wife I had wanted more from the scene. But today when the gruff old mamiji suggested Khushi stay back in her maternity home I felt a stirring in my heart. This lady did know the usually bright chirpy girl was going crazy with worry. And why would she not know, since it was apparent to all that Khushi loved her Arnavji to distraction and was inconsolable without him. Furthermore mamiji was in on the inside story. Arnav bitwa was kidnapped. That she conveniently forgot all this when Khushi and Arnav returned and were blaming Shyam I cannot fathom why. very erratic storytelling dogged ipk after that wedding in the temple. as though it were such a snap on the dori that nothing could quite tie it back... pity. because there were many inspired moments despite that...

And so the episode moved on. Khushi stood with her back facing Rocky. Rocky was delightfully unruly goon like with the paan shop owner. Khushi turned and her eyes registered the scorpion tattoo. She followed him at a distance I personally thought was foolishly and dangerously too close. Even then I was pretty sure nothing important would happen. After all nothing major had happened yet, so it did not seem probable that our heroine would find her hero. Right then in edged Rocky from behind with a menacing look metal rod. Bamm! And a blood curdling cry.

Completely random screen space for Payal. 😆 maybe sanaya needed a break... what was that whole payal in restaurant thing? one of the mysteries of our universe.


Fade out and Khushi wakes up. Her head hurting. The light bulb, the warehouse all uncannily similar to where ASR is held hostage, but I remembering thinking this is just a red herring. yeah, there had been enough in the show, and that intercutting to surprise seemed to be a style. She is in a completely different place. Don't get your hopes high. They cannot meet yet. Then comes that ventilator. On the other side is ASR sitting. Am still worried though. What if they don't get to know how close they really are? His head lolling to the side, exhausted stance, eyes unfocused. He is somehow holding on. Suddenly a familiar gust of soothing wind and he sits up straight. She stills on the other side of the wall too. Rabba ve happily chimes in.. Both drawn to what lies beyond the wall. They have felt each other's presence. Utterly improbable, but their heart knows that the one it beats for is somewhere close. It does not seem unbelievable. It does not seem corny. All it shows is how magically compelling it is to watch their love story. And I shake my head and think, could it have been any other way.. what a moment and yes could have been so corny... used the same word when i wrote... so much could have been corny, i mean er rabba vey... catch fall... hamari dhadkane... yet it was never that, not once...

They cannot be kept apart for long. Love was always destines to find its own way. If I could compose music, pen down poetry, paint a picture or even borrow verse from Shakespeare I would still not be able to fully capture how ethereal the scene felt. 👏 👏

Tenderly with so much love Arnav's shaky hand reaches out to touch the wall. He can't comprehend what it is that is calling out to him. Khushi's hand is right there across the barrier ready to reach out to him. A beautiful riveting long drawn out breathless expectant moment of mehsoos. Memories.. The first time his senses were thrown in disarray seeing her in red.. His color on her.. They lay entwined in a swirl of colors.. He had fallen and taken her with him.. Fallen.. In love? Holding her dainty foot and putting on her ma's Payal.. An intimate man woman moment.. Whom do you give such a right to? He had wanted to take care of her. She had run upto him and flung herself into his arms.


He stands up now. The feeling that she was somewhere near could no longer be ignored. How badly he had wanted to capture her inviting lips in his and maybe even do a lot more? How badly she wanted to experience what this man could make her feel? Both restless. Almost a sense of dance, where the dancers are trying to seek out each other, as on the opposite sides of that wall these two took complimenting steps exactly in sync. Not even sure what it is that they ache to find. The music picks tempo to match their movement.. enhances the escalating mood.. She closes her eyes and whispered "Arnavji".. A prayer that carried to him.. beautiful line... and prayer i did feel too. Drum beats, was it, that kicked in? His gut feeling was correct. She is right here.. "Khushi?" ..

Our clever ASR finally comprehends. She is across the wall. His fist hit the wall in impatience. He has to get to her. As always brilliant body language of Barun. And while ASR shows urgency Khushi shows another wonderful emotion.. Relief.. She lets go.. Ipk understood emotions perfectly. She has kept her worry in check because there was a much more vital task to take care of. Find Arnavji. Now that she has found him she allows herself to break down in relief. Sinks to the floor. And Khushi sobs sweetly flinging herself against the wall. beautiful writing and yes, that relief, flooding her...


Resourceful as always he has figured out they can talk through the thankfully well placed ventilator. What is in his voice.. "Khushi.." breathlessness.. Worry.. Relief.. Love.. The high pitched rabba ve as she finally climbs up and they see each other was one of the two things that felt out of place to me. The second being the apparent set of wrong hands on either side. okay, i liked that burst of rabba vey, and thought of it as her reaction... her burst of relief, joy whatever on seeing him... i have to say i liked it... but the wrong hands... so so painful, wish i could not think of it and be above such things.

Their fingers are entwined through the grill. His face has immeasurable peace in its expression. He is so happy to see her. I detect a dash of pride as well at his jhalli girl's ingenuity. He is grateful he gets to see her. And paramount he is delighted to see her display of love towards him. Because isn't this whole scene simply about that wondrous feeling called love? sigh.

She is smiling too. The imminent danger forgotten as they revel in the miracle. "Aakhir humne aapko dhoondh hi liya.." .. Words that tell him how much she has been through.. He nods.. "Dhoondh liya tumne".. Barun's rendition of Arnav has brought tears to my eyes time and again. All that his expressions convey if I sit to write this take might not ever end.. teehee, mine almost did not end. What has she really found? Colors in the dull life of the haunted shadows of ASR? Laughter in a broken boy who had forgotten to smile? Faith in the deep crevices of the sardonic man's tender heart? Love, when he thought he was incapable of experiencing this gift? Or breath in a man who had forgotten how alive he could feel? core of this episode in a way... that finding... or so i thought. She clutches onto his hands brings her face closer. On holi she had displayed this same love and he had been touched beyond belief then too, but now after he has admitted his love for her when he had not expected her to be in front of him here she stood clearly very much in love with him too. He savours the feeling..

She loses control and behaves like a girl wanting reassurance.. He gladly takes over the mantle of the in control male.. "Khushi.. Shhh.. I am okay".. And now that I have seen you my darling and can feel all your love and care, how in the world can I be anything but okay?.. Are what his laconic words feel like to me.. He wants to break the grill to come to the other side. . She catches hold of his fingers even more desperately.. He had let go those very fingers at the airport, but today she can no longer bear even the slightest distance. His face shows the delight he feels. How do you tell a person you love him without uttering the words? You hold on to his fingers more firmly than ever and let your eyes and streaming tears do all the talking.. He understands. He is calm and indulgent.. Talks to her like you would to a child.. She brings out the same feeling of care and protectiveness in him.. Of course she also brings out other extremely grown up related feelings in him too, as we will soon get to witness and swoon over..


"Hum ye sab discuss ker lenge baad main.. phele mujhe ye grill torni hogi" .. He wants to break the grill.. she tries to help.. And why is it that even this slightly male dominant air that Arnav has of doing it himself and sending Khushi down, lest she hurt herself, feel this attractive? he was always male, taking control, but never macho... somehow tender, somehow just right, man woman in the whole thing... was it barun, was it direction, was it what.

Quite independent minded I am, still completely smitten by this chivalrous protective Arnav. When her eyes couldn't see him there is an beguiling moment of innocent panic.. "Arnavji?" .. He seems to be bewitched by his wife showing all her love. so lovely it was to watch that. Looking at the number of times I seem to mention this I guess this is what enchants me most today. His happiness at her openly unguarded display of love. The makers of the show almost consistently and unfailingly accurately understood this emotion and the actors portrayed it to perfection.

Into the frame creeps Rocky's arm to make this lovers meeting even more captivating. He is serving her good food, did you notice? He lets slip in a thick accented voice, he had hit her. Poor guy has just signed his near death sentence. ASR doesn't take kindly to people laying a finger on his wife. "Usne maara tumhe?" The rage and helplessness portrayed as ASR tightens his grip on the grill, his entire body convulsing forward. She doesn't care. All she can think of is it led her here.. to him.. He can't let it go this easily.. "usne tumhe maa..".. The lips purse.. he can't even bear to utter those words out loud.. How dare someone hit his Khushi.. "tumhe kuch ho jata toh?" .. How many times has he shouted these words before.. All the while his body seems to thrash out with the pent up anger, frustration.. And she smiles almost at peace through her tears.. "What's so funny? Muskura kyu rahi ho?" .. Here he is completely freaking out in anxiety and this jhalli girl smiles.. What the.. This intermingling of English words and Hindi in ASR's dialogue add so much to the character for me.. He is worried and less in control.. So naturally more English comes out in his thoughts.. Stylish classy this man thinks in English. You just know it.. I have seen a lot of actors try to mimic this English speaking modern air and not get it right while Barun with his slightly ajeeb accent fits in perfectly into character. He moulds it in such a way that it is impossible for me to now see a havard returned progressive intelligent character on screen without comparing him to Arnav Singh Raizada.


"Itne din jo ho gaye aapki daat sune".. She has missed his anger, that is also an essential definitive part of who he is. She has missed him so much. Khushi can't controlled the laughter any longer, while words desert him. Perhaps there is nothing left to say at this moment. His fingers again find hers. Who cares if the world is coming to end.. Who cares if their lives are in danger.. Who cares of anything.. The present is now.. And in this now they have just lived an eternity. They have each other. Safe in their sight. And sure it would have been even better if he could engulf her in his longing arms. Certainly it would have made her feel safer if she could feel his protective arms around her, but the touch of fingers and sight of the face they and with them we have been starving to get a glimpse of is enough to not want anything else.

A slight calming down as they get to gratefully drink in each other's presence. The frayed rope is put to use and the piano notes woo us further. He decides to ask the most important question.. "Khushi tumhe pata tha main koi musibat mein hun.. Kaise?".. In flashes those words.."Khushi I love you".. Her quiet eyes find his.. And though I do think Sanaya might have given an even better take throughout the 20 odd minutes if Barun was actually in front of her, the episode was nevertheless close to perfect.



lovely and insightful and lilting and so full of longing that take of yours... i got into 265 mood again and went with the flow.

what an episode... well minus a few uh huhs. how to capture all you feel as you watch. how hard, like asr, i try to find gaps in ipk and turn away saying, nah, nothing in it, just a serial, but no, it has this... and no matter how many times i see it, i can';t stop feeling touched... moved.

khsuhi's relief... loved your taking note of it specifically. jave chatted above in blue... but really this episode had you and me in a complete other world, didn't it. will someone tell barun sobti and sanaya irani that nothing they did in this serial, was insignificant or silly... it gives life force back at times.

and please someone cast them together and maybe do a season two or a fresh new tale of that feeling they can explore with khatarnak effect even when they don't shoot together.


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Posted: 11 years ago

Originally posted by: indi52

episode 265

the breath was always key, at the core of story. saansey ruk jaygi, hamari dhadkane ek ho jaati hai, acidity, dhakdhak. there were many ways the breath came and gave life to story.

and then there was gust of wind, smoothly breezing in, wrapping around two strangers who would be lovers one day, sometimes it lifted a veil and stroked against a man's face leaving a touch behind, at others it came and left in a quick swirl, or it came and stayed and breathed as if waiting for them to see something, to realise something. that day in berserai, way back in episode thirty something, they spoke not a word to each other, he tried, she rushed away, but for long moments, gust of wind stayed and murmured, a bated urgency in it.

i wonder was the wind as if a symbol of breath too? that of the skies, the heavens, the universe itself? i am letting myself go a bit into this ornament that decorated the love story... a simple sound handled with finesse and complete imagination... something that might have become utterly corny like many other things in the tale, but somehow didn't.

it's always been in the air... and it has been different, given a sign when they have sensed and felt each other, been attracted, taken note of the other, longed. in that first rabba vey, it was the wind that rushed in first, later when he thought she had left for lucknow but she hadn't, it was again there the moment she walked in with the sweets for anjali's anniversary... and later still on a day the electricity went, he walked into the house and felt her presence thanks to that susarrating sound of a breeze.

and today after many days of not seeing one another, of constantly wanting to see the other, of fearing yet loving fearlessly, of suffering yet loving with pure joy, they are on either side of a wall...

we could all see it was a cardboard structure... it shook every time barun or sanaya touched it. sometimes it just moved on its own, perhaps even the gust of wind too much to bear. the otherwise realistic set was suddenly reduced to what it was... a tacky tv serial set... where possibly the funds were already on the wane.

and yet, it really didn't matter.

what i saw was so beautiful, that's what counted.

the writing of this meeting was done with great care and empathy with very specific asr khushi notes in it; the direction was intricate; lighting, editing, sound... everywhere there was the creative person's interest and effort showing. and oh the acting. without a word, with minimum gestures, how two actors made me believe yes, it is possible to feel the other even through a thick impenetrable wall.


two people deeply involved do probably sense each other... i at least think so. and there is a coming together of prana, breath maybe in them too. khushi and asr have spent many months together, seeing, hearing, feeling things, over time perhaps a sixth sense about each other has grown. no, not perhaps, it has... and kidnap was the ideal time to explore it.

in the godown, she awakens, "
yeh kaisi jagah hai, hum yahan kaise pahunche?" what sort of a place is this, how did i get here? then she seems to recall that rocky hit her. she looks around flustered, disoriented... tense.

rocky with his scorpion tattoo was reminiscent, for me, of shakaal with his odd shoe size in yaadon ki baraat... an obvious little giveaway that leads the protagonist to some major find/truth. filmi, hindi filmi, but it brought her here to this wall.

beautiful first shot of him, mysterious, fleeting, he sits on the other side... then a closing up and a good look at the captive.

he was flopped against the wall, perhaps a wave of hopelessness washing over him when he heard it... the gust came from nowhere and halted him in his tracks, eyes registered it... something, what was that... out there.

and an instant or less later, her head stopped moving jaggedly, her thoughts changed track , she had heard it too... it touched her...

piano notes trilled in...a feeling you have felt looking into each other's eyes, facing each other, it perhaps finds ways to imprint itself in you and you begin to sense the other even when that one is not right before you.

there was energy and movement in the frame at once, his eyes darted, no lack of focus, worry, fear, nothing in it anymore; only a search... perhaps a lick of hope.

hey hey.

she turned her head... focus coming into her eyes too... behind her maybe there was something?

his head turned toward the same wall between them... sensing. yes a cardboard wall that shook, but the density and of expression...
she looked at the wall in wonder... what was behind it, why did it call her...

he turned further, his ears straining it seemed to catch a clue, something... what was there...

and the next level of longing... of sensing, a hand came up. touch. her fingers traced a path up the wall, searching.

the sense of sound is the last to go i hear, is it the first to be alerted?... do we "hear" our instinct?

he moved in to touch the wall too...

and as she felt him through that wall, her memories unshackled... a cascade released that they both felt and touch and immersed in. a moment of pure connection between two people who were connected in ways even they had no idea of...

is this love? is this the ideal we seek ? is there something biological here? or is it just plain fantasy that has no basis in what really happens? would we be fools to believe in such things...? yet haven't we felt things about those we connect to without there being a rational basis for it? and love, is it not inherently extra-logical... extra-rational? my favourite logical vulcan, spock, never quite understood it. in a way, my dear handsome asr was vulcanish... till it was time to be human and perfectly, headily utterly illogical.

the first memory: it's the first rabba ve...he looks stunned at her. is that when the absolute anchoring happened and that thread that started with a snap picked its first real perfect pearl?

back in the present: he brought his other hand up, wanting to feel her, touch her with all of him... always this need in him... where is she? is she here? there's only one person who makes him feel this way... no other. is she here? his fingers felt the wall almost full of wonder... hope, yes... only hope... and longing maybe. for many days he has sat in a dark room, bound... he has summoned his will, his courage to free his hands, he has worked his mind to think. but in his heart a yearning he has spoken of, khushi, i love you, and then has had to leave alone. but now perhaps that longing erupts... completely taking him away from every rational thought and flinging him into a torrent of hope. there was a sense of inevitability perhaps seeping into the darkness and now it seems shaken..

the next memory: colour. touch. feelings. on a rangoli they lie... what happens to our emotions when they fly around and settle here and there leaving colour, marking their place?

she stares at the wall in wonder. it seems to say something. she has not seen him for days, she has worried, fretted, dreamed, feared the worst... arnav ji is all her heart has focused on. nothing else. maybe that's why there was the sensitivity in her that was needed to feel the call...

a memory: and he touches her... she feels it on her ankle, a payal slipping on...

a funny sort of accepting in both that this is no coincidence or hallucination. she articulates it, "aise kyun lag raha hai jaise arnav ji yahin kahin hain?" why does it feel as though he is here somewhere?

his eyes say the same. a little lifting of lips as a memory overwhelms him... of picking her up and making her sit up on bed, taking care of her... ah nainital, so long ago, even before he had any idea this might be love, even when he was with another.

she seems to catch the drift of that same memory and recalls what came after. she had run to him in the hospital.

the feeling is to real, it seems to galvanize him, he gets up from the floor, and tries to reach up and look at the other side through the ventilator... a kiss by a poolside flashes through their minds...

hear, touch, want,... stages of connection.

her eyes grow keener, searching...

both are ready to move toward each other... here, right here.

from an inner space a leap is taken, a boundary scaled and a need lands on the hard harried floor of a warehouse.

both get up and look around for a way to reach something. a note of desperation. restless to find out if what they suspect is indeed true.

and it's time for the next sense. sound. to speak the word. on her lips, "arnav ji," with her eyes closed, as though it is a prayer... but then, isn't it? the lover's name in its purest most sacred call is a call to the eternal... to life itself, isn't it?

arnav ji.

we see him straight after that call. he has heard it... yes, he has... music takes note. an energy a racy urgency in it now, a dynamism, an excitement.. a sense of right here right now.

khushi?

one word... changes everything.

she is here.

his entire focus shifts... she is here. his head turns and this time unerringly it finds the ventilator that looks into the room abutting

he's at the wall again and a sotto voce, throbbing, "khushi!"

her eyes are still shut... then she hears it...eyes open wide.

she is here and in him a vigour fresh and ascendant... khushi!

he's trying to reach her, calling out, straining against the wall, possibly already thinking how to break it down...

khushi!

but she is almost hyperventilating... disbelieving... relief mixing with pent up emotions.

they stand on either side of a ridiculous cardboard wall calling out to each other as though an ocean separates them... just because of the power of acting, i am convinced it does.

"arnav ji, arnav ji!" a smile in her through the tears... "woh woh yahin hain!" he is here.

khushi!

khushi! he is beside himself with emotions of all sorts.. and oh the energy flowing rushing whirling into him... man taking command, taking charge. who cares who is the captive and who the captor... he is asr and his wife is on the other side of the wall and he is going to get her...

not for a second did i doubt he would. no matter what the needs of the narrative, he would get to her. defying the writers and directors, even channel if need be.

she cries clinging to the wall as he calls her, bangs the wall... like that phone is this wall to her, something that has her arnav ji... and he ready to scale it because it parts him from her.

"khushi, khsuhi, upar ki taraf dekho, ventilator hai..." look up, khushi, there's a ventilator above.

solutions he has looked for all his life, especially when emotions have overwhelmed him. now too. look for a way to solve this situation.

"haan hume dikhi... ek minute ek minute," yes, i have seen, one minute...

she feels the flow of life asserting instantly. there is a way to him... she will solve this problem too... khushi always took action as well, once she had focused on an issue.

he has found a chair and reached the ventilator looking down, "khushi" he calls.

and then the sweetest thing. "khushi dhyan.. dhyan se..." khsuhi, careful! tender urgent voice and like a blessing, ah a note of asr anger, clenched teeth too... "be care.. careful khushi...!"

where is dammit... when the dammit is here all is right with the world... such specific characterisation.


she looks up at the voice, then climbs up onto the box and her first sight of him in days... rabba vey had to burst forth, her heart... it's all her heart talking

and his.

brilliant use of rabba vey to say it all... it gushes forth... no soft trilling in...

a look, a smile, a tear... and a hand reaches the mesh in between, a need to touch, to feel assured, it is you, you are here.

his fingers rise to meet hers. there are doubles and fake walls, but there is a real feeling. and a song too.

as he touches her fingers, the girl to leave whom he only feels taqleef and who maybe for a short while he had feared he may not see, asr is simply moved to tears... this is khushi and he can touch her, see her, hear her.

the love of his life, someone he had never ever thought he would find, in fact how securely he had locked every door to that possibility, yet she had found her way. found her way to him... found him.

i can't believe it's you she wept, exhausted by the emotions of what seems like a lifetime.

"khushi, main..." his voice was tender... what did he want to say?

"akhir humne aapko dhoond hi liya..." i did find you finally, she said jubilant and maybe still a little disbelieving.

he nods with the sweetest smile and then, "dhoond liya tumne." the delivery was outstanding i thought... crisp, cool and dense, with wonder and love in it.

she did find him despite all. and he loved her because she found him... him that had receded so deep within that nothing could reach... she did reach it.

magic moments between two lovers in a darkened miserable place where danger lurked yet was somehow made irrelevant... because dhoond liya tumne, because khushi, i love you... because of a wind you can feel and a song in your being.

she leaned closer as he looked at her as if recording her every little nuance and storing it in him.

she peered at him and a gaze that said she worried.

he reassured her, "khushi, i'm fine!"

"nahin!" her voice was not tender. it was irritated and full of angry love...

with a right she had never shown before, she stormed, you are not well, i knew you were in trouble. why did you lie to me on the phone?

he tried to handle it. "khushi, stop..."

"nahin! hum nahin rukenge..." she is not stopping, she is the aap shut up girl, she is not going to listen to you just because you are asr.

beautiful. normal rhythms of asr khushi surging in...

she is angry, he is trying to stop her. but she rants, i know you aren't ok so why are you lying to me...

how much love is there in every word, every look.

these two actors are not shooting together, yet the matching of emotions the perfect rally of words... not for a second falters.

"khushi, shh!" he knows she is concerned.. otherwise how dare anyone talk to asr like that...

"ok.. hum sab kuch discuss kar lenge..." we'll discuss everything.

i feel like giggling... how much this man abhors melodrama and high emotion. all the time trying to pull it down to a reasonable "normal" level.

of course, he had to fall for jhalli drama queen. life's law that is.

"pehle mujhe yeh grill todni hogi..." first i have to break thsi grill.

she grabs his hand, you are going nowhere, mister.

"khushi, tum chahti ho main tumhare paas aaon..." khushi, you want me to come to you? gently, softly, he asks rhetorically... she was only eight when her loved ones were suddenly gone... maybe he knows how vulnerable she is... a child within still hurting... like him.

he reasons with her...

she won't let go still... he will not shout today, instead, a hand comes up to join their clasped fingers, and, "khushi, main tumhare paas hi hoon, yahin pe." khushi, i am near you... here.

he has never ever spoken to her with his feelings so bare, though he has longed to, now that he has said what he has, that she is before him, the tenderness of the most angry i don't care man sees no need not to flow...

i love you says his every look, every word...

all he wants is her... nothing else.

when she tries to help him with the grill.. "khushi, no, don't! main kar loonga, tumhe lag jaygi.." i'll do it, you'll get hurt... i want to weep. the writing of asr in this different moment is flawless.

"khushi, i said neeche utro..." khushi, i said get down.

"nahin, hum yahan..." no, i here...

imaptient move of head, "khushi, go now..." a peek of asr anger, so natural and a beautiful detail.

"dhyan se! khushi, you ok?"

no doubt now who is in charge.

"arnav ji!" she panics when she can't see him for an instant.

"khushi, main yahin hoon, i'm right here"... the voice is sure, the look is full of softness.

"main yeh grill todkar uss taraf aa rahan hoon, okay?" i'll break this grill and come to the other side, okay?

"relax."

i pass out quietly at that relax, so so asr.

and there's an an interruption by rocky. when asr realises his girl was touched by the cretin, a sharp, "usne mara tumhe?" he hit you? the anger is here...

"ek tarah se accha hi hua warna hum aap tak kaise pahunch paatey..." in a way it was good, she said, how'd i have reached you otherwise.

he strains in anger.

and suddenly his concern for her makes him furious... he says paradoxically, what was the need for you to come here! how did you get here! "khushi tumhe... tumhe kuch ho jata toh." khushi, if something happened to you...

and we are on a road... at night when he had felt he might have lost her...

arnav singh raizada can bear everything but not losing khushi.

"itna bada risk leni ki kya zaroorat thi..?" what was the need to take such a big risk?

she is smiling, he is raging.

"khushi, what's so funny! muskara kyun rahi ho!" he is rough and angry.

"itne din jo ho gaye aapke daant sunke," it's been so many days since i heard your scolding.

joyous writing... stupendous acting.

kyun dard hai itna plays... she smiles at him as he looks on at her touching her fingers, giving in to that love. no one, he perhaps feels, loves him as much as this pagal of his. the one who puts mango juice in shoes, and sugar in petrol tanks, and who wants him to shout at her.

all the sadness and longing of the days gone by seep into the frame, as two lovers meet and unite, no matter there is a wall in between...

was this not true uniting too, a consummation? with both hands they grab each other. a rope is passed between the mesh by both as he devises a way to take out the grill.

"you told me tumhe pata hai main musibat mein hoon... kaise..."

khushi, you said you knew i was in trouble... how.

khushi, i love you... she remembers.

that string between them held taut by him, there was always a tie, a dori, a rishta. great touch.

breath... the wind... khushi and asr to me were always about life. never death. to be immortalised they did not need to die like heer ranjha, romeo juliet, laila majnu... they were the lovers of our times who could rave rant fight scream misunderstand nahin understand and love deeply passionately imaginatively, emotionally, physically,
with telepathy, and in a way be in the moment and yet transcendethe nt.

👏👏
Yes, thats what exactly they are very contemporary, relatable..

this meeting between any two lovers would have been memorable. but this one was so truly khushi asr, including gussa and sanka.



asides
that setting up of a night away using mami ji and her sudden love... stay with your family to khushi... while a bit obvious, filled me with delight... the hugs are here and so is the hut.

what was that whole payal in a restaurant with coffee drinker about? was something considered then canned? or was it truly time pass... maybe a screen test for the guy... strange to say the least.



Lovely whirl "windy" ramble Indi.. into that truly consummating unison of these two..
That thing about wind being the breath of the cosmos.. quite a metaphysical thought.. very powerful..

Hope and despair ..rather despair and hope tahts what he embodied contrastingly in those few min.. he didn't look worn out actually initially but only as if reluctantly resigning to the state/ truth and the min he heard that "arnavji" (that indeed sounded a prayer where she would have normally said DM).. it was the ventilator infusing life... wonder if it was symbolic that mesh ventilator.. they both needing each other for that breath.. life..

The body doubles could ruin the physical beauty of the scene for me but ofcourse the impact was never let lost by the actors altho they were doing with the doubles.. and this is asr,, khushi ...it was almost breathtaking to see these two finally being able to be with each other how they have always longed to be.. loving caring.. could have had very diluted effect if not for that very much in character writing and acting..

that "dhoodh liya tumne".. he delivers that relief so well like that "ho gaya" from another time...Khushi's not letting him go was very touching so was his pain stuck face as if regretting it is this girl he deliberately misunderstood/ mistreated all these days..

a word about payal, yes something was indeed planned there and idea seemed dropped later on, if that was another babli, masala mama kind thank heavens that track was truncated. But that scene per se didn't bother.. payal iniitially being my most fav girl with her subtle yet strong personality .. and to hear notes of that love ballad "right here waititng for you"

lastly, that day in bersarai... was just an out of the world day.. they barely spoke .. yet so much was said/ conveyed..from her offhand "dekh kar nahi chel sakte.." to their picture perfect couple next to each other.. his futile attempts "khushi us din tumne jo.." must be the episode I watched the maximun of the 398..beautiful capture of the gust of wind staying and murmuring in your wrtitng... and yes that day on Anjali's anniversary.. or yes even when he stepped in seething looking blazing in that tilak and they both just froze by that gust of wind.. ..by now cliched but those lines seemed to be written just for these two..."Itni shidaat se main tumhe paane ki koshish ki hai, ki har zarre ne mujhe tumse milane ki saazish ki hai. Kehte hain ki ... Agar kisi cheez ko dil se chaaho to puri kayanat usey tumse milane ki koshish mein lag jaati hi"..and they found each other against all odds all these times. when this love story came to a screeching halt I was one of those who crazily believed.. rather wanted to believe.. in these lines..just once more.. that koshish.. saazish...

Enjoyed the read..comments turned out rather long... sorry!

Edited by Horizon - 11 years ago
indi52 thumbnail
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Posted: 11 years ago

Originally posted by: Horizon



Lovely whirl "windy" ramble Indi.. into that truly consummating unison of these two..
That thing about wind being the breath of the cosmos.. quite a metaphysical thought.. very powerful..

Hope and despair ..rather despair and hope tahts what he embodied contrastingly in those few min.. he didn't look worn out actually initially but only as if reluctantly resigning to the state/ truth and the min he heard that "arnavji" (that indeed sounded a prayer where she would have normally said DM).. it was the ventilator infusing life... wonder if it was symbolic that mesh ventilator.. they both needing each other for that breath.. life..

The body doubles could ruin the physical beauty of the scene for me but ofcourse the impact was never let lost by the actors altho they were doing with the doubles.. and this is asr,, khushi ...it was almost breathtaking to see these two finally being able to be with each other how they have always longed to be.. loving caring.. could have had very diluted effect if not for that very much in character writing and acting..

that "dhoodh liya tumne".. he delivers that relief so well like that "ho gaya" from another time...Khushi's not letting him go was very touching so was his pain stuck face as if regretting it is this girl he deliberately misunderstood/ mistreated all these days..

a word about payal, yes something was indeed planned there and idea seemed dropped later on, if that was another babli, masala mama kind thank heavens that track was truncated. But that scene per se didn't bother.. payal iniitially being my most fav girl with her subtle yet strong personality .. and to hear notes of that love ballad "right here waititng for you"

lastly, that day in bersarai... was just an out of the world day.. they barely spoke .. yet so much was said/ conveyed..from her offhand "dekh kar nahi chel sakte.." to their picture perfect couple next to each other.. his futile attempts "khushi us din tumne jo.." must be the episode I watched the maximun of the 398..beautiful capture of the gust of wind staying and murmuring in your wrtitng... and yes that day on Anjali's anniversary.. or yes even when he stepped in seething looking blazing in that tilak and they both just froze by that gust of wind.. ..by now cliched but those lines seemed to be written just for these two..."Itni shidaat se main tumhe paane ki koshish ki hai, ki har zarre ne mujhe tumse milane ki saazish ki hai. Kehte hain ki ... Agar kisi cheez ko dil se chaaho to puri kayanat usey tumse milane ki koshish mein lag jaati hi"..and they found each other against all odds all these times. when this love story came to a screeching halt I was one of those who crazily believed.. rather wanted to believe.. in these lines..just once more.. that koshish.. saazish...

Enjoyed the read..comments turned out rather long... sorry!



thanks, indu...

very windy this one he he. about that metaphysical thing... somehow always there i feel when a story steps out of a limit and tries to connect with the most endless space perhaps, our inner selves... i don't know... but that gust of wind sure did ave presence... and it breathed life energy desire so much into the lovers.

you liked bersarai? the other day i went to make caps and was completely blown away by how beautiful and intense the whole episode was... most of the time they were in each other's surroundings, and how the wind persisted, low and gushing as they looked at each other and dupatta blew and neither knew what had hit them really.

there was a sense of continuity in the love story part that was so very exciting. i am sure if we try to connect dots here not even once will we get a masala mama hiccup or a babli dead end...

i liked payal a lot. a lot. never could fathom why she had to be reduced to fuzz.

actually akash and anjali had loads in them...

dhoond liya tumne... again succinct writing by hitesh kewaliya or whoever put the dialogue right there right then.

thanks for going through the long one... and please i love your comments, may they grow longer.





Edited by indi52 - 11 years ago
DurgaS thumbnail
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Posted: 11 years ago

Disclaimer: Please do not copy my work anywhere. If you do, please give credit.

Thanks for the help, Faiqa. 😳
Episode 249 - 250
Saha na jaaye
Yun bigde halaat, sambhale na jaaye
Aapki berukhi, humse sahi na jaaye
Pehle bhi kahi thi kayi kadvi baatein
Begairat, bemuravvat humey kaha tha aapne
Taqleef thi tab, par chot aaj gehri hai khayi
Bewafai ka taana humse saha na jaaye
Betaab hain ke, ye maamla sulajh jaaye
Zabardasti ka dhaaga, humse na choda jaaye
Karen kya jo aapko, humpe yakeen ho
Yun dekha andekha karna, humse saha na jaaye
Translation:
So worsened has the situation, not able to manage
Your indifference, I am not able to bear
Earlier too had uttered many bitter words
Irresponsible, disrespectful, you had called me
Had difficulty then, but today it hurt deep
The fraudster taunt, I am not able to bear
Eager I am, that this matter gets solved
The forced thread I cannot leave
What should I do, that would make you believe me
Your ignoring my presence, I am not able to bear
Edited by DurgaS - 11 years ago
indi52 thumbnail
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Posted: 11 years ago

Originally posted by: DurgaS

Disclaimer: Please do not copy my work anywhere. If you do, please give credit.

Thanks for the help, Faiqa. 😳
Episode 249 - 250
Saha na jaaye
Yun bigde halaat, sambhale na jaaye
Aapki berukhi, humse sahi na jaaye
Pehle bhi kahi thi kayi kadvi baatein
Begairat, bemuravvat humey kaha tha aapne
Taqleef thi tab, par chot aaj gehri hai khayi
Bewafai ka taana humse saha na jaaye
Betaab hain ke, ye maamla sulajh jaaye
Zabardasti ka dhaaga, humse na choda jaaye
Karen kya jo aapko, humpe yakeen ho
Yun dekha andekha karna, humse saha na jaaye
Translation:
So worsened has the situation, not able to manage
Your indifference, I am not able to bear
Earlier too had uttered many bitter words
Irresponsible, disrespectful, you had called me
Had difficulty then, but today it hurt deep
The fraudster taunt, I am not able to bear
Eager I am, that this matter gets solved
The forced thread I cannot leave
What should I do, that would make you believe me
Your ignoring my presence, I am not able to bear



smashing edit, durga...
absolutely beautiful.

and the poem... you have taqleef becoming chot... exquisite. and then begairat, bemuravvat... i am leaping up and down sensing the pain and scattering but no idea what the words mean.. somehow that feels even better... yes yes i am that filmi kind, when a word suggests things and i have no idea what it means, something even more intense in it... spent most of my life not understanding a single word in those urdu filled hindi songs... shikanj, shiddat, arzoo...rehnuma, pardanasheen... h i could practically understand nothing and yet, how much i loved it all.

okay, i see they mean...irresponsible, disrespectful... but uff begairat, bemuravvat.

and after all this while he actually gave her something jo saha na jaaye.

cinthiann1758 thumbnail
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Posted: 11 years ago

Originally posted by: DurgaS

Disclaimer: Please do not copy my work anywhere. If you do, please give credit.

Thanks for the help, Faiqa. 😳
Episode 249 - 250
Saha na jaaye
Yun bigde halaat, sambhale na jaaye
Aapki berukhi, humse sahi na jaaye
Pehle bhi kahi thi kayi kadvi baatein
Begairat, bemuravvat humey kaha tha aapne
Taqleef thi tab, par chot aaj gehri hai khayi
Bewafai ka taana humse saha na jaaye
Betaab hain ke, ye maamla sulajh jaaye
Zabardasti ka dhaaga, humse na choda jaaye
Karen kya jo aapko, humpe yakeen ho
Yun dekha andekha karna, humse saha na jaaye
Translation:
So worsened has the situation, not able to manage
Your indifference, I am not able to bear
Earlier too had uttered many bitter words
Irresponsible, disrespectful, you had called me
Had difficulty then, but today it hurt deep
The fraudster taunt, I am not able to bear
Eager I am, that this matter gets solved
The forced thread I cannot leave
What should I do, that would make you believe me
Your ignoring my presence, I am not able to bear


Durga I feel her pain. Brilliant! Just love your poems and how you recreate the scenes with your words in prose. Marvelous! You have me in tears!😭👏
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Posted: 11 years ago

Originally posted by: ArshiHamesha



DISCLAIMER:DON'T COPY MY WORKS AND CONCEPTS WITHOUT GIVING ME CREDIT

YOU HAVE SEEN MY HUMBLE SIDE. TRUST ME YOU WON'T LIKE THE OTHER...

Arshi's Index

Episode 259-260-261

"Deceptive Phantasm...of Life"

cr ou

"I am lost without you. I am soulless, a drifter without a home, a solitary bird in a flight to nowhere. I am all these things, and I am nothing at all in my life without you. I long for you to show me how to live again." ~~Nicholas Sparks~~👏


Life is a teacher , a guru...and all our lives we learn different lessons. The most important lesson, life teaches us is to fight through the tests that life gives us ..and you are an expert at that! not only physically but also with the experiences throughout the life. Among all the knowledge and the test one never forgets about LOVE... love that environs all these...and it is the biggest weapon or shield which guards us ,makes us feel secure ,feel ,and wanted..like Nani said "pyaar toh bade bade pahadon ko hila deta hai... yeh toh Chote hain."👏

Since the time they have come into each other lives they have been fighting this emotion "Love" as their love is in direct conflict with the lessons they have learnt in their lives👏...though this love was born out of their mutual hatred😡 ,they have realized that they are incomplete without each other...incomplete as two lonely souls calling to each other...through unspoken words that they understand ,the way they feel each other's pain ,tears...the way they try to shield each other from problems...This is the biggest weapon and shield they have for each other...LOVE...


but would both of them express this openly?..no absolutely not..the lessons that life taught them will not allow them to...but life's lessons has no meaning in times of desperation...So Arnav sensing her tears ...her pain on the phone ...wanted to just hold her but unable to do so.He couldn't control his feelings in front of her and uttered those words "I love u" which Khushi had been longing to hear...and how the mighty fall and how the heart has won this battle.Love that how the mighty ASR fell when it came to the reality he may not ever have the opportunity to tell her ever again. The unknown...frightening even for him.

Pause here:Just like she knows he can't say these words easily"itti aasani se nahin keh sakte..." ..he knew on the airport she can't accept easily"kyon fadak padta hai...kyuonle baat aapki hai..." ..."Ziddi jo ho" will come later but it seeps in here.,,,but she did just to make him relief from the pain he was going through as it was his mother's bday..a big loss of his life.Here comes "aap kya jane kisi keh cherey pe muskurahat lane ka sukh"...wish she knew that he was doing all along...to see her smile

Did Khushi only hear the three word spoken??...no not at all.she heard his emotional state behind it BRILLIANT!!!!and also the hint he threw behind it.what love makes u do..what love makes u understand...For him,She is a cheater, a home breaker but she is the one who had a power to tear his shell and he never could take her out of his heart since the day she fell in his arms or from the circle of this "Fadak padta hai"...And for her ..he is the one who snapped her dori of her dreams but filled every path of her with dreamy desires which she couldn't run away or deny from this Dhak Dhak effect...and now nothing matters among them ...just one thing stands out which they both yearn for each other and that is "Love..."👏👏👏Khushi and Arnav had, I think the word is "mehsoos" between them. They just knew, they felt each other, telepathically their heart and souls were connected.

Now on the other side ,Love also makes you forget some valuable life lessons learnt in one's life when there is a conflict of interest comes in between the lessons learnt with the perspective that love provides the fight in one's life becomes bigger.and that suits in Anjali's case who has refused to fight and believes her husband completely even after he has been caught at wrong places at wrong times...so her fairytale love for her husband and the love for her brother border on clinging.This is the difference between Khushi and Anjali...Khushi dreams about fantasy but Anjali lives in it.👏👏👏⭐️⭐️⭐️OMG, freaking brilliant Faiqa, brilliant! Love that so much and so true!!!

Khushi walks towards her room engulfing into the memories reeling and rearing up in her mind as her heart begins to process the true meaning of Arnav's love which was there all .She gets the answers of all the recent brewing questions of her mind which is understanding the each step of his move and today that revelation is leading her up to him who stays in her heart .While crossing that corridor...She gathers the scattered pearls and strings em together and forms a chain ...a closed loop of their moments which were bringing her closer to the facts , that everything among them always mattered no matter what...👏

She finally opens the door, the door that has been locked securely by the hatred , the door which had prevented her from glimpsing the truth, she opens the door and finds her Rajkumar within.and who informs her, the wind chime which she put to inform her about his arrival...yes he is here right in her heart...chills just went up and down my arms...goosebumps!

Her Rajkumar lights up the candle of hope to eliminate the darkness of misunderstandings by spreading the light of trust with his gentle and loving touch... She moves closer to him in his favorite color... red, the symbol of a bride...in her pride to be his without any doubt or fear ...gives her integral and complete faith in his hand with her smiling visage by laying her hand out and he holds it tightly but with honor...The remorse reaches his eyes and the moment his lips slightly parts away ,she puts her finger on em...doesn't need to say or convey...He is her pride and his dignity and her ego...no regrets...She doesn't need any apology ever... A smiling Arnav with glint of pleasure and gratification nods towards the a darkened recess , Khushi follows his eyes with complete trust and faith ..

Song seeps in ...

aaoge jab tum ho sajna...angna phool khilainge...

flowers will bloom in my garden ,when you will come, my love

Barsega sawan jhoom jhoom keh ..do dil aise milainge

the rain will come down... dancing while two hearts will be united

Beautiful and poignant this scene brought tears to my eyes... how I missed seeing him.

Khushi picks up a pouch and discovers the chain ..chain of pearls..., She holds it in her hand with repletion... he was returning all of those scattered dreams of hers which he took away in their first meeting...Arnav comes closer and adorns her with the pearls by making her his as his equal ...She closes her eyes in the anticipation of his touch which always melts her...arouses her desires ...He starts coming closer to embrace her in him ...to make her his when she strides backward as their trademark... A blushing Khushi runs out to be chased by Arnav who manages to hunt his love near the poolside where the battle of heartbeats started...Where they set challenges to kiss to love to hate ...he captures her in the web of his passion ,in his arms right next to his remorseful heart feels pang of pain which he caused her all this time ...She feels abruptness in the rhythm of this beat and looks deeply in his eyes...He holds her face in his palm in his apology and hurt but she refrains him to feel that way... ⭐️

cr ou


He hands her a SOS, the message in the bottle,A hint..."I love you Khushi..." when mirage meets the reality and she wakes up !!


..Symbolism and connection:We had fire [candle light], wind [ blowing curtains], water, [Pool], Sky [space with stars],...Also they were near the poolside where their love story saw many ups & downs ... in Indian Beliefs [which is Khushi] ...Pearls strung together meaning order and represents cosmic union , a spiritual unity between two individuals...So tonight these two are united spiritually although not yet physically ..,Do not forget that pearls also has stood for consummation ,love and marriage ...in greek methodology...just loved that scene

And here we go to "Khuch theek nahin hai"... that something is terribly wrong. Shows the beginning of kidnap...ASR in ropes with notes of kidnapping track... He shuts his phone by closing his eyes after delivering the message ...Yes he said it finally and her reciprocation was delivered by wind to him...a telepathical connection...but the light of HOPE is right in his vicinity that she might have understood his tension too as he was frozen in that moment of hope holding that phone in his hand right next to his ear...



The ASR turns his fearless head and icy glare at someone who just took his phone... With a gun pointing at his head... he sits in that dark and terrifying place with dim lights, ready for whatever was store in ...


His state of mind gets activated ,the moment she comes to reality, he opens his eyes and stretches his hand out to grab the phone which was lying before him .He ignores the surroundings as there is a determination in those tired eyes which makes him keeping moving forward but his tied hands don't let him...but his lips only shape up her name "Khu..."...😭


and she gets alert on the other side...she feels him ...calling her...the sadness seeped in her and she sits down ...wind carries the message to him and he tries one more time to reach her...to reach to the phone without giving hope...and that urge of him makes her to get up ...starts thinking...feeling ..."humey pata hai. humara man kah raha hai ki kuchh toh bura hua hai aapke saath.." i know, my mind says, something bad has happened to you.she knows! Did his confession prompt her?


His energy , his strength goes down..seems like he successfully delivered what he wanted to and now his eyes were shutting down with his head rolling back and he goes unconscious on that chair because of his low sugar level🤢...but she got it ...a provocation...How come Aman doesn't know anything? ...Found out ,No airlines to Scotland that day either, yes she got it "iska matlab hai..."..and that makes her clutching her heart ..."aap kissi musibat main hain"... wife's instinct that something is wrong..and the wrong message on the phone about reaching London...

Khushi startles out from her dreams as her suspicions which were briefly soothing yet provoking every cell of her brain to take caution and so does ASR on the other side of the camera which shows how mentally they are connected...A hyper Khushi begins to take notes of the uncharacteristic events that were played out in the past hour and concludes that there is something fermenting under this stickiness...She finds the clue..The Clue !! ...her brain lights up...It was his tone..!! "unnki Baat Karne ka Taarika "and then she confirms it by recollecting moments of terrace scene, bridge scene and Airport scene ,...and her minds perks up another hint,"Sab Kuch teek chalte hue, itni badi baat nahi kehsakte"... Kuch teek nahi hai, [Nothing is right and added monologue "Kya woh humse kuch kehna chah rahe they " , completely confirms it !!👏👏👏


Camera shifts , "kya hua iseey"...but HOPE lights up...in the form of BOSS...yes he said provide him meds and food ... hate Shyam but atleast hid did that, he needs to keep him alive 15 days!

For filmy Khushi it is obvious that he can't say these words that easily...This is not his trait...no matter how she reciprocated to her feelings hearing these words which two of them just delivered enough to survive through wind..."Sab Khuch theek chalet wo itti badi baat aasani se nahin keh sakte..wo zaroor kissi mushkil main hain...humara di keh raha hai"..."Khushi I love you echoed one more time.."and that gives her signal.."Kahin unhain koi Khatra tou nahin ..."

Pause here:Their communication device was off in guest house but she knew he was here and he knew she was in danger ...and today again that device is off but she knows he is in danger...

She is in the search within as she can't disclose the news to family, tired the police but door is closed because she needs PROOF...

Pause here:The proof ...which takes her to the man who has snatched away her happiness once...on Diwali ..the chakarvyue is back..as she started those circles of Diyas and today she encircled that address on that newspaper...which encircle Shyam in it ..meaning conection ...,That day Arnav brought Khushi out of that chakarvyue and today she is trying to take him out.But don't forget Arnav went in the circle because of Khushi .

The communication device again is in the picture...which is circling around...to which Arnav couldn't reach to convey her but it is coming to her by the very same person who has tied Arnav from Khushi...

But Shyam😡 also got a straight slap in return of his victory..😆 He tricks with him over this phone...and holds her hand when she forbids him for touching her...He can't take this and increases his tease..."Konsa aapko Arnavji Phone karne wale hai"...another hint but she couldn't register it because of her pain...and tears flow on its accord...

"Khushi's suspicion arises...as "Will's papers " which Shyam has suddenly stopped asking for."Aapki un main jaan atki hue thi and aura ab unke jane keh baad aapko acahnak unki koi zaroorat nahi.."...Go girl get him...😃😛

Which delivers Shyam a message of her heart and he gets irritated with hurt and wants to know why?..."aapke aansoo sirf usske liye bahte hain jo aapko sabse zyada dard diya hai,"[Why do your tears flow only for the one who has given you the most amount of hurt]Because she loves him, not you, sleezebag!! IDIOT Shyam!

"aapko sach mein nahin pata..."[ you really don't know, do you???]... she keeps a victory smile as she says that. Yes she will declare this again..."hum ne sab Arnavji keh liye kiya jinse hum bohat pyar karte hain..."but she is reminding him the day of Diwali too"Dhakanain eik ho gayein" though she didn't remember but He did and that makes his fall down droopy...He never learned anything from his life..did he???Any communication can't make his phantasm disappear no matter what..Love her here though My Slither is out of shape...


Lighter but important Note...Khushi nahin dukhi lagti hai...yes Mamiji has found the reason to be with this sanka in the search of Arnav...😃


Faiqa so long since I read it was so fabulous my heart in knot. Brilliant as always! comments in blue faves in red!
aarwen thumbnail
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Posted: 11 years ago

Originally posted by: Horizon

That sheer excitement, happiness of their first hug dabbed all across your write up rhea. It has exactly been an year's journey by then.. too long a wait with too many things happening between them. never did a hug felt to have more essence .. and do what it meant to.. than here. and that "theek ho thum" intead of his trademark tum theek ho... added a flair of naturality..along with those tired gasps and her negating that question was the sweetest.. she wasn't well for a long now with all sorts of troubles from the most silly/ trivial to the most painful.. and the power to theek all her worries is only in his arms..
she very fierce crashing of her on him from a far that literally shook him.. most impactful..
and lastly when they fly away.. as IS beautifully said.. he wouldn't leave one hand even for that brief sec to hold with the other .. not sure if it was deliberate or accidental.. but it added so much craving .. not to let her go even for the briefest..
Lovely .


Beautiful writing rhea...esp in red.
Reading you, many memories came back rushing how I felt watching it on screen the first time.. why now.. may be I never really revisited these tracks, episodes again until now.
First time watching Khushi submitting infront of him... he always seemed to be confessing a lot amidst that anger... but she not as much... first time they are cordial face to face.. first time he is utmost soft with her.. first time their flood gates open.. it was very very emotional union for them.. for me too. That pride in her at that.. dhoodh liya.. was priceless.. how the BDs spoiled a lot. otherwise could have easily been one of my most fav sequences..
@blue, yes every micro emotion of falling in and feeling love was portrayed to the perfection..
lovely piece rhea.

Indu both your comments are so insightful. That thik ho tum I had noticed too and wanted to mention it, then got distracted writing something else and realized you mentioned the very same thing. How minutely we observe each microsecond! And how much they give us to notice and experience in each of those microseconds.. I don't know about you but I pretty much skipped quite a lot during this whole kidnapping track so seeing a lot of stuff for the very first time.

her pride.. how Khushi like wasn't it? And I felt he was proud of her too. In fact i think I even mention it somewhere in my take.

About Khushi displaying her love perhaps for the very first time I agree most emphatically (Actually am nodding my head almost scarily right now to show how much I agree). There have been times when he was sick and she worried about him , but whenever he tried to be remotely sweet like the janamashtami tiffin dabba giving or teri meri and after, she almost literally scurried away. He is intelligent enough to register he wrecks havoc in that heart of hers too, just like she shakes his world, but except for Holi she hasn't ever let herself show it.

So this shrugging away of conventions and hesitation and holding his fingers, hugging him as if it was the most natural thing in the world and not wanting to lose contact for even an instant felt extremely good to watch. And ASR's reaction to it.. his face , eyes, smile.. I was spellbound seeing him this happy. Right from that terrace so many times he must have given up hope of ever getting a happily ever after with her, then staying locked up for so long and here magically she was and in her own sweet way showering him with love. It wasn't merely a dream this time. it was real.

Thank you fro reading and sharing this madness with me Indu.
Edited by aarwen - 11 years ago
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Posted: 11 years ago

Originally posted by: indi52

lovely and insightful and lilting and so full of longing that take of yours... i got into 265 mood again and went with the flow.

what an episode... well minus a few uh huhs. how to capture all you feel as you watch. how hard, like asr, i try to find gaps in ipk and turn away saying, nah, nothing in it, just a serial, but no, it has this... and no matter how many times i see it, i can';t stop feeling touched... moved.

khsuhi's relief... loved your taking note of it specifically. jave chatted above in blue... but really this episode had you and me in a complete other world, didn't it. will someone tell barun sobti and sanaya irani that nothing they did in this serial, was insignificant or silly... it gives life force back at times.

and please someone cast them together and maybe do a season two or a fresh new tale of that feeling they can explore with khatarnak effect even when they don't shoot together.



Thank you for all that pink and blue. When they felt each other and how they touched the wall, her crying against it and then when she wouldn't let his fingers go how happy and touched he was. How young he looked and completely floored as if he couldn't believe someone, specially she, could want him this way. I loved it di. Am happy you liked my thoughts on it.

Her crying I thought was a brilliant insight inside the heart of the girl by the creators. One who is in her own way fiercely independent and she was ready to compeltely submit herself to him.

Haha I saw you were thinking about corny too in your take and also the prayer.. neverending takes.. I had to break my 266 up into two parts.. 😆

So you liked hat high pitched rabba ve? I guess I just associate it to something sad usually that is why found it a bit odd..

he was always male, taking control, but never macho... somehow tender, somehow just right, man woman in the whole thing... was it barun, was it direction, was it what.

Thanks for putting that in words for me.. exactly right.. in fact even physique wise, though Barun is in great shape, the slight lean frame and young look adds so much vulnerability.

I was sitting watching next to my husband and even he looked up from his laptop a couple of times to see what was happening on my laptop that had me so delighted and teary eyed. Then he asked me you have seen lovers meet before right? And I said not this way ever. And he actually sort of agreed. Shows Barun and Sanaya are absolutely magic together. I do think Barun brought out the best in her. And even he was superbly complimented by her on screen.



Edited by aarwen - 11 years ago
aarwen thumbnail
11th Anniversary Thumbnail Dazzler Thumbnail + 4
Posted: 11 years ago

Originally posted by: DurgaS

Disclaimer: Please do not copy my work anywhere. If you do, please give credit.

Thanks for the help, Faiqa. 😳
Episode 249 - 250
Saha na jaaye
Yun bigde halaat, sambhale na jaaye
Aapki berukhi, humse sahi na jaaye
Pehle bhi kahi thi kayi kadvi baatein
Begairat, bemuravvat humey kaha tha aapne
Taqleef thi tab, par chot aaj gehri hai khayi
Bewafai ka taana humse saha na jaaye
Betaab hain ke, ye maamla sulajh jaaye
Zabardasti ka dhaaga, humse na choda jaaye
Karen kya jo aapko, humpe yakeen ho
Yun dekha andekha karna, humse saha na jaaye
Translation:
So worsened has the situation, not able to manage
Your indifference, I am not able to bear
Earlier too had uttered many bitter words
Irresponsible, disrespectful, you had called me
Had difficulty then, but today it hurt deep
The fraudster taunt, I am not able to bear
Eager I am, that this matter gets solved
The forced thread I cannot leave
What should I do, that would make you believe me
Your ignoring my presence, I am not able to bear


Waah waah Durga di!
Begairat, bemuravvat .. In our hindi classes we learnt anupras alankar.. alliteration.. and now here I see a real life example.. beautiful words and the translation helped to know what they exactly mean 👏
Edited by aarwen - 11 years ago

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