Originally posted by: ArshiHamesha
Love and Concern...
By
ArshiHamesha
"There is a primal reassurance in being touched, in knowing that someone else, someone close to you, wants to be touching you. There is a bone-deep security that goes with the brush of a human hand, a silent, reflex-level affirmation that someone is near, that someone cares."
Jim Butcher, White NightArnav and Khushi who always there for each other besides keeping their anger ,irritations , and frustrations within .If he puts her in misery for breaking his shell and having guts to make him feel things which he was very much unaware and banned by his dominant brain...Then she was playing innocent pranks as her revenge towards him which ends up most of the time bringing these two nut-heads together more than ever.Her prank to make him say the truth acted as a boomerang for her and she felt her self centered act could have severe consequences .It is reminding me the day when he sent her to the guest house and ended up strangled trying clearing his side which she never gave him chance to do so and threatened him leaving for Lukhnow for Hamesha...That day he did it out of irritations because she did break in his shell and stirred his heart with warm feelings from which he was running for a long time but as Payal said "kya bigada hai isne apka..."[what did she do to you?] and made him realize it's not her fault if he is feeling all these desires .
Today Khushi is realizing the same after Anjali's advice ,it's not his fault and he is the way he is, alone and abandoned by his own feelings.Her care was genuine but Arnav was seeing it as fake and irritable prank till she threatened him for telling Anjali .She casts her full right of being his wife today ,"humain karne dijiye..."[Let me do it] just like he told her"tumhain mujhe jawab daina hoga kyuonke tum meri patni ho.."[you have to answer me because you are my wife.] Her two hands are tucking him with her warmth but he is placing his hand of trust over her which couple of seconds Anjali did on her too while leaving her in charge of Chote's care ."Don't worry everything will be fine " but before leaving she did give her a cue with her looks "don't stretch too much"meaning don't go so far with this care which makes him step back and that's what makes her to stop her pranks and irritable manner and she will find the other way around to reach him.
She did have experience his care towards her since from the beginning, saving her in the parking Lot to GH, in Nainital and during Payesh wedding and he knows very well her sweet nature of concerns about him too ,from feeding him Jalaibi to worry for taking wrong meds.They both can go any length for each other without realizing that they can't breath without each other.Here comes Anjali's words [epi 104 near Rangoli]"agar unki zindagi main dukh aye tou kuch bhi karke who door kar do..." [you want to remove any suffering from your partner no matter what] They both can't see each other in pain and distress and besides the odds they find solace in each other by buffing the fact that they are each other's needs and they are the only ones who can fulfill each other's needs too.
"Indeed Love is caring for one you are angry with is really a TRUE Love..."But still these two need to understand layers of it by peeling the layers of ambiguous thoughts and by removing these self created walls of Ego and Pride.
"It is the time you have wasted for your rose that makes your rose so important." Antoine de Saint-Exupry, The Little Prince
A Glimpse of FUTURE...
A look at the movie references in Iss Pyaar Ko Kya Naam Doon
as there are plenty and they add to our exploration. If you spot one,
please do send in with your thoughts, we'll post it here.
The 1994 Suraj Barjatya mega movie Hum Aapke Hain Kaun, with its colourful, extra large take on the big traditional Indian Wedding, is one of the most successful and loved films of India cinema. Madhuri Dixit and Salman Khan thrilled viewers with their heady chhed chhad and many ways of finding out "who am I to you"; no one could stop humming "Didi tera devar deewana" or forget Prem and Nisha; and earning more than $1.35 billion, HAHQ became the highest grossing Bollywood movies of all time at that time. Even today, it's among the movies that made the most money.
That IPK writers would be "inspired" by such a film is only expected some will say. But still, we were surprised by the number of instances where our movies loving writers found resonance and the itch to imitate. Thankfully, it all worked out fantastically. Here we present...
When HAHQ met IPKKND Episode 1Mamaji and MamijiIn HAHQ, Mamiji is a character who always seems to be either coming from the beauty parlour or going to it. She's shown in gaudy make up and hair do. Also, she wants her nephews to marry girls from rich families and suggests a match from a relative who is wealthy.Mamaji is a peaceful person, knowledgeable, knows what is right and what is wrong and isn't influenced by status or financial position. He loves his wife unconditionally despite all her gawky acts.
Loud, over the top, makeupiya touchupiya mami and sane, low key mama. Sound familiar?Palang TodHAHQ has a lovely scene during the wedding of Prem's brother to Nisha's sister. Nisha runs away with the bridegroom's shoes and Prem follows in hot pursuit. They chase each other into the bedroom, Prem trips over roller skates and falls on the bed, taking Nisha with him. The bed breaks.Remember Khushi running with ASR's baby picture laughing away? of course she leaps onto the bed, her man has to lunge and fall with her on it... oh the poor piece of furniture, how could it not collapse in excitement. ptcha, ptcha, can't blame bed or writer.
Men in dupattas
It is the God Bharai of the elder bahu Pooja. An all ladies function, but the boys want to see the entertainment. So, they cover themselves in dupatta and sit among the ladies trying to take a peek.It's the Payash mehendi function, boys not allowed. But Akash wants to pass a message to Payal, so NK decides to help Akash, wears a saree and sits among the ladies.Didi tera devar deewana
Nisha dressed in a bright blue saree and her friend dressed as Prem dance at Didi tera. Here Khushi in a saree most similar dances to tehe same song, slightly modified in view of the rishtas... "Jiji tera Jethji deewana" goes the ditty. the flower is shot from a catapult by Khushi at the Jethji she professes not to like, in the movie the girl dressed as Prem did the honours. The hips sway exactly a la Madame Dixit... ohho ho ho, IPKKND "husna bhi na jaane" hero smiles and wonders "Hum aapke hain kaun?"Pass me no parcelThe whole family is playing passing the parcel in HAHQ. The last two left are the two lovers. Prem winks, Nisha is taken aback and forgets to pass. The music stops and she loses. She shouts he cheated, Prem asks how, Nisha can't reveal so accepts defeat.During the IPK remarriage, they play passing the parcel and Arnav does ramanchi, touches his nose and distracts Khushi's attention. Khushi forgets to pass, the music stops and she loses. She shouts ramanchi, Arnav asks what did I do, Khushi can't say anything and accepts defeat.Carry me
In the final shot of the movie, Prem and Nisha are married and he carries her in his arms, with the whole family looking at them happily.
The grihpravesh scene post remarriage has an almost exact replica of this scene as Arnav carries Khushi in his arms and the whole family watches beaming.
More coming up soon...Credit: Idea and research by DurgaS, written by indi52, edits also hers.Katelyn's banner
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