But the epi REALLY picked up from the point the attack began at the Vidhwaa aashram...firstly I have to applaud them for shooting this scene quite well...the feel of a wild mob out of control and the widows doing everything they can to defend their home turf...the way that survival instinct kicks in yet again as they literally fight for their survival when faced by an angry mob...once again Indraani rocks this group with the way she takes charge and rallies everyone around into being resourceful and barricading the doors, then using all kinds of things to ward off the attackers...I really liked how this was shownđđ
At the center of all of it stood Dhaani, almost numb as she processes the crisis point this situation has reached...and finally makes the difficult choice of submitting herself to the mob in order to protect her family...today Eisha won me over with her portrayal of Dhaani...this scene clinched it for me...this and the look in her eyes as she opens the door and firmly shuts it behind her even as her mother cries out for her...very well done.
I also really loved the dignity with which she held herself even as she faces the mob...she had to be scared but she still stood her ground somehow, even with the folded hands and bowed head, she gave an impression of immense dignity.
And finally we reach the high point of the epi with our hero's dhamaakedaar entryđ
Firstly I loved the fact that he was so fiercely protecting her without even having seen her faceđ...and she didn't see him either...yet so instinctively they both did this dance edging backwards towards the door of the aashramđ...Clever bit from Viplav there moving her away from the mob ever so subtly while keeping them distracted with his talks...




And then the shift when he turns to protect her from the attacking mob and the instant of recognition from both of them...what a sceneđ...I loved how this was conceived


Some shots were beautiful in this scene...like this one


As if they are standing on the THRESHOLD of something truly momentous...that threshold b/w two worlds...the outside world of religious fanaticism and the austere, stark world of the widows...and then Viplav-Dhaani caught right in the middle of this...symbolic this shot felt
And I loved how he simply put his hand over her head to protect her...something about that gesture was beautifully yet powerfully protective




And the very last bit proves that these two are going to have some good chemistryđ...very nicely shot bit...director deserves kudos today...and great job from both MR and Eisha






A moment of silent communication b/w them...he doesn't back down, continues to protect her fiercely from the blows the mob is showering on them and she's watching him almost marveling at what he's doing...the sheen of tears in her eyes added poignancy there.