Posted:
No, read my comment again. I said that it rang as a warning bell. If you want examples of glorification, then I can give you some -- not that I think it'll matter.The V/Dadi track and his first so-called "treatment" track are brilliant examples. During the V/Dadi track, Jahnvi was reduced to a meditating housewife with an all but non-exsistent screenspace. During the "treatment" track, the focus was on V to the extent that Jahnvi's experience with losing her child became -- again -- all but non-existent.Most of the glorification took place post Jahnvi's escape. In the "Priya" track, he was quite obviously written as an object of desire, i.e. the quasi-yoga/quasi-martial arts he did at the time. There were times when long sequences were dedicated to those moves, him calling himself "iron man", etc. all while Jahnvi's track in Gurgaon was in a rut. The entire track of this period on the show was dedicated to V as a man of power as well as charmer and the fabulous lover -- even when disturbing.During his God conversation, the Krishna picture was depicted from the side with V at the doorway, so that the focus would be on him. When he found out Priya wanted him for his money, the focus was so much on his emotions of betrayal about both Priya and Jahnvi [forget that he was happily deceiving them both at the time] that Priya seemed almost insignificant, even though she was as much a victim and could say pretty much the same thing about his deceit.In addition to that, V was glorified within the narrative. I.e. the fact that he caught wind of everyone's plans while his own were kept under wraps until much later. It took Sia two to three months to figure out that he was faking the memory loss, despite her own efforts to confirm it. But once she did figure it out, it barely took him five minutes to find out that she knew.Before V was exposed, we saw him indulging in self-pitying endeavours that everyone -- including Sia -- fell for. Okay, scratch that. It was at least a part of his plan. But the Double V segments were falsely labelled "alter ego", even though they were nothing of that sort. And for a few weeks these sequences were elongated, giving you more of Double V than the rest of the characters.Also, look at the care given to cinematography for his scenes. I.e. the burning roses, the ballet on his bed, the domestic violence scenes, etc. No other character had that much care or that much symbolism expanded. In fact, their most important scenes were rushed, as well as cut midway to accomodate V.The most telling one of these is the episode in which Jahnvi was divorced from V where her liberation took less than five minutes, and even then the scene was cut in the middle to shift to V at the hospital, enjoying gourmet food.Also, V juxtaposed against the inefficiency of the police. Not just this, he was shown torturing every single person in that house.Within the narrative, everything has to be connected to V. Even now. The show promotes Raghav/Sia as "good people" for taking care of V when in reality no victim would want to have anything to do with their abuser.The abovementioned examples should be enough.
by the comments above it COMPLETELY PROVES that u CANT EVEN STAND IT if they shw viraj for a single scene
for u viraj scenes r JUS THE INTERRUPTIONS BETWEEN JAANVI N RAGHAVS TRACK which i m findling IMMENSELY RIDICULOUS
hello viraj is ALSO THE LEAD OF THE SHW
nd its abt how raghvis life is always gets connected with him this way or that
but u seem to b allergic to viraj so such an extent that even a few mins of him seem like an eternity to u
nd so many scenes of raghvi jaanvi raghav u r jus overlooking
if they shw a viraj scene it bcums a drastic cut to u
whereas in all shws scenes r edited this way to shw all charcters
its NO USE arguing with u
coz i also watched all those stuff u said
ND IN NONE OF THE SCENES I FELT ANY1 OF THE 3 LEADS HAD EVER BEEN SIDELINED
jaanvis shift to gurgaon was shwn very nicely nd they never HURRIED nything
p.s.DONT REPLY ME BK COZ I dont waant any one sided anti viraj bull shit again...
Jhanak
