Chandra Nandini 101-105: Dhai rang prem ke - Page 12

This was one of your most beautiful posts, aunty 😳❤️ It was so heart-warming...

The whole of 'Sunlight on a butterfly's wings' portion was magical. I couldn't decide upon the favourite portions because it was poora ka poora❤️❤️❤️

My favourite bits in other portions...

It is a symbol, for Nandini, that just like his arm, the whole of him belongs to her, and she will assert that right any time and every time. As she turns on her side and prepares to fall asleep, there is a secret little smile in her eyes and her face, which is reflected in his as he looks sideways at her. Awww..mast..

When her attempt, while feigning personal unconcern, to use Chanakya as an effective roadblock to the marriage is stumped by Chandra's sophistry, she is suddenly afflicted by a bout of foot-in-the-mouth disease😆😆

This reached its apogee when Chandra proceeded to pull her leg with a vengeance - with a highly dubious account of his bedroom antics with Roopa, whom, he claimed, he had mistaken for Nandini - all the while watching Nandini's angry reactions with barely hidden amusement, like a cat at a mousehole. 😆😆

His exasperated retort, once the matter is cleared up: To phir mujhe vaanar keh kar kyon nahin bulaya, moorkh?, must belong in the Hall of Fame for the most original romantic lines. That is certainly an original 😆😆

And if they both happened to be re-incarnated in the 21^st century , their natural habitat would be a nudist camp! 🤣

...move from the teasing, leg pulling, quarrelling, sulking, jealous, possessive face of love - prem ka pehla rang- to another. The face of loving and giving, like Friday's child. Of instinctive protectiveness in each towards the other. Of a sense of belonging together, irrevocably, now and forever. Of the inability to even visualize one's life without the loved one, or with anyone else.

...this prem ka doosra rang leads to a union of their two identities in a way that is more spiritual than earthly. It is an aatmaon ka sangam that transcends all else, which makes the one feel adhoora, incomplete, without the other. If one could cite the parallel without the fear of being dubbed sacrilegious, it is something like the concept of the ardhanareeswara. In such a union, there is no longer any place for ego, or one-upmanship, or for scoring points off one another. There is only a sense of belonging together, of a shared destiny, of the need to be together till death doth them part. Amazing!!

...the look on her face, as she regards him, is full of melting tenderness and warmth, and as she smiles, the whole gloomy place seems lit up by the radiance in her face and her eyes.

...does not need this mothering bit to have his bond with Nandini enhanced. It is already as strong as spider's silk, which is said to have many times the tensile strength of steel. Spider's silk...what a beautiful way of describing the strength of a relationship❤️

I hope your hands are feeling better, aunty. Thoda pamper karo unko...they've earned it :)) Will wait for your next post.

The most tragic part of an human life is when no one love them and they are lonely

Roopa was one such human a child that was considered bad omen and sent to be killed by own father, saved by a woman who wanted to take revege on her husband, used by her badi mom for revege, used by chandra and chankya to find nand. No one loved her no one. It was sad very sad as roopa told no one loved her all people used her including ones she loved chandra, her badi mom everyone

Sometimes i feel why sibling rivalry exceeds even dreaded enemies rivarly? Like an aurangzeb and dara sikoh? I think parents play a huge role to foster sibling rivalary by partial treatment towards one child. Any grown up will feel insecure if no one love them think of a small child? Roopa was after all just wanting love from chandra and wanted to take nandini place. Dara and aurangzeb also were competing for shah jahan and jahanara affections and both went to dara. Was that why aurangzeb killed elder bro so brutally?

I felt sad as roopa was lying in pool of blood no one cared for her not her father nand, not nandini her sister, not chandra and chankya. She was a true lawaris. Everyonme left her dead body and just went away, would they do same to their loved ones never.

I do not see nand loving Nandini, when she fell off cliff he did not go to check or rescue heis life was most precious. What love is that?

Hello Aunty (I presume you prefer aunty😳')

What an amazing piece of writing it is aunty...amazing in bold. Whoever is currently holding the pen for CN...clearly doesn't deserve such master piece of an analysis for his work. But then Rajat and shweta as Chandra and nandini clearly do.

The fact that your analysis begins with the high (highest probably) point of their relationship ...made me realize the worth of all those step taken to reach there . We fret, why Chandra did this, why didn't nandini did that , and what not. But look whatever they did for whatsoever reason culminated in such a tender, sweet , affectionate sequence. (Without being saccharine sweet)

As much as I enjoy chandini,...I enjoyed your piece of your work. EQUALLY. Should have said more than the scenes...but aunty there's rajat on screen . Can't help...have endured a lot of "no idea what it is" in the name of epic romance for this man. Now I'm having a gala time.😆

Nothing more to add from my side...you said it all, and that too in a remarkable way. I'm here just to appreciate this painstakingly crafted piece. Pressing just a like and turning away was making me guilty conscious.

All I would like to add from my side is:-

There's a sher by hazrat Momin..."Tum mere paas hote ho, Goya koi dusra nahin hota"

Sacrilege it would be, yet for the sake of explanation if I write the same lines as

You are near-me/by my side.
When no one else is.

That's chandini for me...I'm very possessive when it comes to these couplets...these are supposed to be my romantic fantasy. 😆But now I can't help it...every time chandini's on screen, the couplet is the only thing that comes to my mind.They compel me to do so...that's chandini, or say rajat and shweta.

Seems like separation is on the cards (it should be rather, i badly want them to seprate ...pardon for my sadistic pleasures).but I'm content with whatever has being shown . It was/is no doubt a wonderful experience but more than that they have managed to strike me in a way ummm how do I put it...lemme try

You know when a lovebird couple seeks shelter in your house or it's premises...hunting for a safe place most of the time ending up at the ventilator.of any of the rooms...gradually building a nest out of all the hays and straws painfully collected..laying eggs...guarding it. And you just observe them maintaining a safe distance not daring to switch on the fan...and enduring all the heat, sweat and sticky humidity ...hoping the ordeal will end soon, the eggs would hatch and the baby bird wil soon take his first flight...still they grow on you...so much that you feel a void when they leave. CHandini touches me in the same way. I hope I'm making sense.😆

I'm very very very thankful to rajat and shweta for giving me chandini. Especially shweta for all her professionalism and eagerness to learn. My past outing experience has been very bitter ...and still the taste lingers in my mouth. A bland actress with no aspiration to grow...can turn a charterer, however well crafted, to one dimensional that too, to what extent, if anyone is interested to know...watch JA.

That would be all from my side aunty..have been ranting for long.😆 This is a lovely thread...I'm reading everyone's take and thoroughly enjoying.😳

P.S. let me know if I'm trespassing.😳

P.P.S My comments on JA. Let me know if you are not okay with it. I'll edit it. Though I wasn't bashing...that's just plain opinion.😳

Edit add: Just managed to catch the last five minutes of the episode. I did not even for a fraction of second felt that it's a rerun of JA.. I know many would not agree...already I can see many posts claiming it to be inspired by JA. But to me it didn't seemed so. Such sequences takes place in every tele series of indian TV. But Rajat's chandra did not allowed me to recollect anyone of them..not even his own Jalal. And also the director...who kept chandra's action and reaction totally different from Jalal. Rajat from the point where nandini spits blood to the precap was marvelous to me...it was very rajat and very chandra. Today I'm satisfied with chandini...don't know about tomorrows ganga jamuma from chandra's khoobsurat nayan...wish some of the ladies drowns in that😆. Lets see how good of a savitri chandra can be...he already slayed a meerabai😆

Originally posted by: shailusri1983

So thank heavens for the small mercies, Nandini does not have a memory loss, Roopa is dead, Nandini is just oscillating between life and death. Nand escapes😡😡😡

As for Roopa's end, though a bit sad, I am not sorry for her. She was forsaken and cast out at the time of birth. She had a horrible upbringing. Granted! But she had the opportunity to make the choices and set every wrong thing done to her right. But she chose the wrong path and the wrong people for her revenge. She caused pain and sorrow to them. She just got back what she gave.

If we analyze, Chandra also had a very sad childhood, he was bereft of his original identity, his family, his kingdom, his royalty, but he always made the right choices unlike Roopa. That's why he got back everything he had lost to time and destiny.

But then Chandra had Chanakya to lead him while Roopa had Sunanda. I guess that made the difference. Life is really unfair sometimes. But that is how it is. Sometimes, a promising young life is spent in pretty futile and dangerous pursuits and prospects, and finally ends up going waste despite the fact that it could have been used better. Roopa's is one such life. Neither did her caregiver Sunanda nor she herself take proper charge of it. And it finally came to nothing!