Kapoor and Sons since 1921: Reviews and BO Thread - Page 45

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Posted: 9 years ago

Critics Review/Rating

Mid-Day:

Welcome to the big, boisterous and emotionally charged Kapoor family. A family so believable that you want to reach out and touch them, mediate in their fights and hug them and tell them it's all going to be fine...

Hindustan Times (HT):

There's a strong Karan Johar impression on Kapoor & Sons, but that is expected. After all, he is the producer of the film. But what we didn't expect was the finesse with which director Shakun Batra has narrated a predictable story...

Bollywood Hungama:

Every Friday, Bollywood witnesses a new film with varied genre. This week's release KAPOOR & SONS is a family drama about a dysfunctional family of three generations. Will KAPOOR & SONS witness a SON-rise' at the Box-Office, or will it spell doom for the makers, let's analyze...

NDTV Movies:

Half a dozen key characters, one boisterous family and a clutch of unresolved inter-personal issues are the components that propel Kapoor And Sons...

CNN IBN:

Remember the time when every Dharma Productions film used to be a weekend watch? Then life happened and we started to go for realistic and gritty films. We never really found a middle ground between the two all these years...

The Indian Express:

Kapoor & Sons seems to have taken to heart that famous Tolstoy line: "all happy families are alike, each unhappy family is unhappy in its own way", in the way it chooses a specific kind of unhappiness for each member of the Kapoor family...

India Today:

Not every family is perfect. Hell, no family is perfect. Shakun Batra's Kapoor And Sons wins in being able to portray the quick fixes that every family has to employ sometime or the other...

Rediff:

Shakun Batra's sophomore effort is a finely, intelligently crafted film which stumbles because of its eagerness, feels Raja Sen. A plumber trying to fix a water-main, is harangued by the lady of the house who " with some justification " thinks he needs watching over...

Glamsham:

KAPOOR & SONS is about a family, headed by the 90-year-old grandfather played by Rishi Kapoor. This has to be Rishi Kapoor's best work on screen till date. As the grandfather, who dotes on his grandchildren and has a mad-cap' time with them, he is hilarious...
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Posted: 9 years ago
Someone has written the whole plot on Wikipedia
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Posted: 9 years ago

Originally posted by: Fantasia.

wow!! No one has given the movie less then 3.5 stars!🥳



Nahi re diya hai. 😆

Raja Sengave 3 and SUBHRA GUPTA from Indianexpress gave 2.
Fantasia. thumbnail
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Posted: 9 years ago
chalo majority is 3.5 stars and above na .. 😳
Edited by Fantasia. - 9 years ago
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Posted: 9 years ago

Originally posted by: zara321

Someone has written the whole plot on Wikipedia



Yes I read that on this forum. Hope it gets edited out,
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Posted: 9 years ago

Kapoor & Sons: The ultimate family film

inShare
PTI
"It's not just the quarrels but even the togetherness that Batra recreates in 'Kapoor & sons'."
TOPICS

cinema

Hindi cinema

Arguments, conflicts and clashes normally don't make for a pleasant viewing. Shakun Batra's Kapoor & Sons, however, keeps you riveted as you move from one family fight to another"from the dining table to the kitchen to the bathroom, the lawn and the party, from the husband-wife to the brothers. At times two brawls run parallel, or they spark off each other. Even at its most ugly and shrill the film stays so real and believable that what you see on screen feels like your very own family war zone, a bitter-sweet slice of your own life. Even as a silent spectator you get planted in the action and become a participant. So at one level there is the sense of indulgence and affection towards the characters who could well have been your own granddad, father, mother, uncle or brother, at another it is also a curiously therapeutic experience where you step out of the theatre having come to terms with at least a few of your own demons, if not entirely exorcised all the ghosts.

You could well be the perfect elder child, Rahul (Fawad Khan), always looked up to as the responsible one but who is tired under the weight of all the expectations, wanting desperately to break free. You could just as well be the younger brother, Arjun (Siddharth Malhotra), living perennially under the shadow of a successful sibling, always being the second best, the runner-up, grudging and complaining about everything, right from the bhindi sabzi to his room getting taken over without his go-ahead. You could be the head of the family, Harsh (Rajat Kapoor) bearing the burden of a crippling financial crisis or his wife Sunita (Ratna Pathak Shah) trying desperately to be an entrepreneur but not quite.

On the face of it you might easily say that there's nothing new to Kapoor & Sons. Isn't it the usual, dysfunctional family drama we have seen in countless Hollywood films? But not for a minute does the film feel stale. Batra gives a refreshing new voice to an old, tried and tested trope.

Director: Shakun Batra
Cast: Rishi Kapoor, Rajat Kapoor, Ratna Pathak Shah, Siddharth Malhotra, Fawad Khan, Aalia Bhatt
Run Time: 132 minutes

So you have the grand dad (Rishi Kapoor) wanting desperately to frame his family members together forever in a happy picture while they seem to be going their own ways, the relationships crumbling and falling apart. Everyone is pointing a disapproving finger at the other but saying "sab theek hai" when nothing is quite right.

The busy screenplay reminds one a lot of Piku: the frenzied frames, the hyper characters, the constant motion in the sequences. Like Piku it is yet another film that has been brilliantly crafted and mapped out in terms of the writing, how the scenes slowly get built up towards a crescendo. It's an onion peel narrative in which the relationships, revelations, secrets and lies, unfinished confidences, unresolved issues, betrayals and conflicts are unspooled layer by layer. Little hints are thrown here and there, that eventually accumulate to lead on to outbursts. The simple, conversational exchanges and the repartee are the other high points as is the acting: how the actors play off against each other with pitch perfect timing. There is something very finely calibrated and nicely measured about the entire package that is Kapoor & Sons. What's more it's delightfully engaging despite being rooted in the everyday, the banal and the seemingly trite. Even fixing a fuse with a wooden stick becomes a delightful scene in Batra's hands.

It's not just the quarrels but even the togetherness that Batra recreates just so right. I found myself smiling through the extended family get together: the guitar, the song, the happiness and the ache--why can't we fix things and become happy again?

Kapoor and Shah bicker brilliantly and with great dignity at that. Khan is expectedly charming and delightfully at ease with his personable self. He seems to just inhabit his scenes than acting them out. Even though it's a tad hard to imagine Malhotra as a budding novelist he holds his own with his solid presence and vulnerable glances. It's Aalia Bhatt who seems to be playing her usual hyper, ditzy, little sunshine girl act yet again. What disappointed me most was Rishi Kapoor with the terrible prosthetics (why couldn't another older actor have been cast in the role) and loud presence, perhaps in tune with his character but totally out of sync with the rest of the mellow, subtle tenor of the film.

Like Piku, Batra brings the family, parent-child relationship under the scanner in Kapoor & Sons but he doesn't quite rebel against or throw away the construct entirely. He questions the family only to reassert its primacy. The sorries come as easily as the bickering, all is forgiven over a few shared joints. A few blips later it's back to continuities and certainties, perhaps to yet another argument or a bigger fight. It's about the chaos of relationships, yet about an overarching stability. The redemption is not in running away from the family but coming within the fold. It is still all about loving your family.

Also read: The unbearable goodness of being Fawad Khan

Keywords: Kapoor & Sons, Shakun Batra, Rishi Kapoor, Rajat Kapoor, Ratna Pathak Shah, Siddharth Malhotra, Fawad Khan, Aalia Bhatt

https://www.thehindu.com/features/cinema/cinema-reviews/kapoor-sons-review-the-ultimate-family-film/article8370937.ece

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Posted: 9 years ago
My tickets for Sunday night booked too🥳
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Posted: 9 years ago
Komal Nahta's review

KAPOOR & SONS

(Although I have tried to avoid them as far as possible, there may be some spoilers in the review)

Fox Star Studios and Dharma Productions Pvt. Ltd.'s Kapoor & Sons (UA) is a modern-day family drama. Arjun Kapoor (Sidharth Malhotra) and Rahul Kapoor (Fawad Khan) are brothers. While Rahul is a sought-after writer, working on his second book in London, younger brother Arjun is still struggling as a writer in the USA. To make both ends meet, he works part-time as a bartender. In India, their parents, Harsh Kapoor (Rajat Kapoor) and Sunita Kapoor (Ratna Pathak Shah), and grandfather (Rishi Kapoor) live at Coonoor.

The two brothers come to Coonoor on the same day because their grandfather has suffered a heart attack and is admitted to the ICU of a hospital. It soon emerges that there is an undercurrent of tension between the two brothers and although Rahul is trying to keep matters as easy as possible, Arjun is not very happy. Arjun also resents the fact that his parents shower more love on his elder brother, that he himself is only the second-best. It is also clear that all is not well between Harsh and Sunita. Harsh has quit his job to do a business which isn't going any great shakes. Sunita also suspects him of having an affair with Anu (Anuradha Chandan), an ex-colleague of his.

Arjun meets Tia (Alia Bhatt) at a friend's party and the two hit it off really well. Rahul meets Tia under different circumstances. He wants to buy a bungalow in Coonoor, which he can convert into an artistes' retreat, and Tia has come to Coonoor to sell her bungalow. Tia finds Rahul very hot and even kisses him once. Tia, of course, doesn't know that Rahul is Arjun's brother. Likewise, Rahul is unaware that Arjun and Tia are close to each other. Arjun himself is oblivious to Tia's meetings with Rahul.

Rahul and Arjun plan a surprise 90th birthday party for their grandfather who is discharged from hospital that day. The party gets ruined because Anu, an invitee, comes to the party, much to Sunita's discomfort.

The grandfather has all along wanted a family photograph and to fulfil his wish, his other son, Shashi (Vickram Kapadia), comes to Coonoor with his family. But on the very day the family picture is to be clicked come tumbling out skeletons from the family cupboards. Rahul has hidden a very important truth from his family, and all hell breaks loose when his mother gets to know about it. Harsh Kapoor's affair with Anu comes out in the open which is shocking, most of all for Rahul because he had all along given his father the benefit of doubt. Arjun gets to know about the kiss between his beloved, Tia, and his brother, Rahul.

Already resentful about Rahul's success because Arjun thinks that Rahul had flicked his story for his first book, Arjun gets a further shock when he learns about how his story idea had gotten flicked.

With so much tension, the family photograph remains a dream. Calamity strikes the family in the form of a road accident in which one member dies.

Who is the one who dies? What is the truth which Rahul had hidden from the family? What is the bitter truth which Arjun gets to know about the theft of his story? Does Tia marry Arjun? Or do Tia and Rahul unite in matrimony? Or does Tia marry none of the brothers? Is the grandfather's wish for a complete family picture fulfilled?

Ayesha Devitre Dhillon and Shakun Batra have written an entertaining family drama and made it very contemporary by making the characters very modern. Their screenplay is racy and keeps the audience completely engrossed. The first half is light and humorous and although the tension between members of the Kapoor family manifests itself every now and then, what stands out is the light-heartedness of the drama amidst all the tension and mayhem. What also comes out in the underlying tension is the emotional bond between the two brothers and between the mother and her two sons as also between the father and his sons.

The screenplay takes a serious and emotional turn after interval. The scene in which Tia narrates her back story would moisten the eyes of many. The video e-mail which the grandfather sends out to Rahul and Arjun is bound to draw tears from many among the audience because he (grandfather) is so endearing. There are several other scenes in the pre-climax and climax, which tug at the viewers' heart-strings.

The intelligent thing which the writers have done is that the shocking revelation about the truth which Rahul had hidden from the family is introduced quite late in the drama - and that is also done subtly. Since the truth may appear too shocking to the conservative and orthodox audience, its introduction so late in the film is very sensible. Of course, the class, city and multiplex audiences would be more receptive to this. Even otherwise, the film is targeted at the city audience, more at the youngsters and also quite at the families and ladies.

However, the writers have not been able to justify the wrong committed by mother Sunita Kapoor. They have tried to give a reason for her action but that reason is not convincing enough, con- sidering the gravity of her action. This aspect of the drama will not appeal to a section of the audience.

Ayesha Devitre Dhillon and Shakun Batra's dialogues, with additional dialogues by Spandan Mishra, are excellent and go straight to the viewer's heart.

Rishi Kapoor is extraordinary as the 90-year-old grandfather. He is so cute and so endearing that one can't help but fall in love with him. It wouldn't be an exaggeration to say that he evokes laughter each time he opens his mouth. Easily, his is an award-winning performance. Sidharth Malhotra is splendid. He conveys his hurt and frustration at being sidelined always, so beautifully that one's heart goes out to him. He is lovable as the lover boy. Fawad Khan looks like a million bucks and gives an outstanding performance. The girls and ladies among the audience will absolutely go bananas over his handsome looks and his work. Alia Bhatt once again shines bright. She is so natural and bubbly that she mesmerises one and all with her remarkable performance. She looks beautiful and delivers an award-winning performance. Her dance is outstanding. Ratna Pathak Shah deserves kudos for her show of talent. Her facial expressions and body language are to die for. Rajat Kapoor is first-rate as Harsh Kapoor. He conveys his helplessness so effectively that it is praiseworthy. Sukant Goel lends terrific support as Wasim. Faheem Shaikh is too funny as body builder Boobly. Amarjeet Singh leaves a mark as the plumber. Vickram Kapadia (as Shashi uncle), Anahita Uberoi (as Neetu aunty) and Anuradha Chandan (as Anu) are beautifully restrained. Shanaia Kapoor (as Alia), Arbaaz Kadwani (as Sharic), Arya Sharma (as Zoey), Aakriti Dobhal (as Bunkoo), Burjor Patel (as Chowksy Kaka), Chandrajit Ranavde (as the real estate broker), Sulekshana (as the nurse), Sanjay Kanojiya (as the toll booth attendant) and the others are all adequate.

Shakun Batra's direction is marvellous. Given the script, he has remained honest to it and kept the narrative style suitable for the target audience - the classes and the multiplex viewers - while making it entertaining for families too. He deserves praise for his sensitive handling of the unconventional (for the Hindi film-going audience) portion of the drama and keeping it very subtle too. Music is a major asset. Badshah's composition, Kar gayi chul', is already a rage with the youth. The other songs (composed by Fazilpuria, Amaal Malik, Arko, Benny Dayal & Nucleya, and Tanishk Bagchi) are melodious and appealing. Lyrics (Badshah, Kumaar, Manoj Muntashir, Dr. Devendra Kafir and Abhiruchi Chand) are of a good standard. Choreography of the Kar gayi chul' song (by Adil Shaikh) is superb. Sameeruddin's background music is terrific. Jeffery F. Bierman's cinematography is par excellence. Vikram Dahiya's action scenes are realistic. Sarada Ramaseshan's production designing, and Gautam S. Mondal's art direction are of a truly good standard. Shivkumar V. Panicker's editing is fantastic.

On the whole, Kapoor & Sons is an entertaining film for the youth and the families, mainly of the cities, and for the multiplex-frequenting viewers. It will not be able to do much in the single-screen cinemas and in small centres but its business in the cities and multiplexes will be big enough to make the film a hit. As it is, around 70% of the total investment has already been recovered from non-theatrical sources (satellite, music and Internet rights).


https://komalsreviews.wordpress.com/2016/03/18/kapoor-sons/

Edited by gatheringstorm - 9 years ago
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Posted: 9 years ago
Honestly its been so long since Fawad got to play a role that did full justice to his talent..I mean he is charming and has great screen presence so he makes even mediocre roles interesting but i was one of those who used to feel he is getting typecast even when he was doing Pak shows..Its actually heartening to see that he finally got to play a part that does justice to his talent..And its shocking that Karan despite all his shallowness offered Fawad this role instead of the usual cheesy crap he writes 😆
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Posted: 9 years ago
@Roggie: I also feel he and given the better more layered role to Fawad because he knows just how good an actor he is. So yes great to see!!! KJo is very superficial etc but he isn't stupid. 😆

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