Rajarajeswari Polali DT Nt pg 8 - Page 16

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As indicated by a legend, Devi Parvati, in one of her lively mind-sets, shuts the eyes of Lord Shiva and dimness wrapped the entire universe. Shiva got furious with His consort and reviled a generally brilliant appearance of hers to turn dim,
Siva ordered her to go to the Earth and do penance till He came and wedded her once more. In the interim, a sage by name Kathyayana was doing tapas in the Himalayas. Devi Parvati went to him as a little kid. The sage named her Kathyayani and was bringing Her up.


At eight years old, she understood the mystery of her stay there and continued to the Satyavrata Kshetra, the present Kanchi. The young lady dressed like a tapaswini carried alongside Her a Yoga Dhanda, Akshamaala, Kamandalu Ganga water and sand scooped from the heavenly stream .

She halted over at Kashi, which was experiencing a time of starvation. Shebecame Annapurna and was doing Annadaana for a long time. Then She heard a heavenly voice to continue to Kancheepuram to proceed with her penance.

Her penance began at Mangadu,so that place is adored as Adhi Kamakshi Sthala.Mother Kamakshi left for Kancheepuram without drenching the Panchagni fire that she established there.This made Mangadu and the encompassing places excessively hot and dry.

AdiSankaracharya made the Sri Arthameru Sri Chakra with eight herbals and introduced it here restoring the richness of the spot once more, as per history.Then the heat reduced and coolness pervaded.

At Kanchi as Katyayini started her penance under a mango tree, every one of the things she kept changed into various heavenly structures. She arranged a Linga out of the Ganga sand and began doing tapas on Panchaagni (fire encompassing Her and the Sun above), remaining with one foot on a needle.

It continued for a considerable length of time. Keeping in mind the end goal to test the force of Her tapas, the Lord sent Ganga as waterway Vegavathi, which overflowed the territory.

Then Katyayini clutched the Linga away from plain view to secure the Linga made of earth.Satisfied with Her dedication the Lord gave Her darshan and guaranteed to wed Her on the Full Moon day of the month of Phalguni (March-April).

Brahma, Vishnu and the Devas landed for the celestial wedding of Lord Ekambareshwara (Shiva) and Devi Kamakshi.

The spot where Kamakshi did repentance is known as Maangaadu (mango woods), a little sanctuary town 23 km from Chennai, where Tapas Kamakshi is adored.

Since the Linga was made of sand, Kanchi is held as Prithvi (earth) Kshetra. The Prithvi Linga is revered as Lord Ekambareshwara

. The incredible mango tree is revered on the Ekambareshwara sanctuary areas even today. The four branches of the tree are said to speak to the four Vedas.

Kamakshi is worshipped in the Kamakoti Peetha, which is the present Kamakshi temple.After Her marriage, Devi Kamakshi is said to have performed all the 32 endorsed Dharmas in Kanchipuram.
Edited by ltelidevara - 7 years ago
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__Kalpanokaha_Pushpa_Jaala_Vilasan-Niilaa-lakaam Maatrikaam
Kaantaam Kan.ja_Dalekshannaam Kali_Mala_Pradhvamsiniim Kaalikaam |
Kaan.chii_Nuupura_Haara_Daama_Subhagaam Kaan.chii_Purii_Naayikaam
Kaamaakshim Kari_Kumbha_Sannibha_Kuchaam Vande Mahesha_Priyaam ||

Meaning:
Salutations to Devi Kamakshi Who is like the Flowers of the Wish-Fulfilling Tree(Kalpataru) Shining Brightly, with Dark locks of Hair, and seated as the Great Mother,
Who is Beautiful with Eyes like the Lotus Petals, and at the same time terrible in the form of Devi Kalika, the Destroyer of the Sins of Kali-Yuga,
Who is beautifully Adorned with Girdles, Anklets, Garlands and Wreath, and brings Good Fortune to All as the Goddess of Kanchi Puri,
Whose Bosom is beautiful like the Forehead of an Elephant and is filled with Compassion; We Extol Devi Kamakshi, the Beloved of Sri Mahesha.
Edited by ltelidevara - 7 years ago
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SANKARACHARYA visualised the following incident when he visited Ekambareswarar in Kanchi.

Siva orders Parvati who has to redeem herself from the effect of closing the eyes of Shiva.

" Go to Kanchi. Under a mango tree in Kanchi, You will see a Linga; know that Linga is Me. You will offer Your worship to that Linga. Everyday, You will worship Me by performing ablution with milk and decorate me with the Nagaparanam, and Vilva garland. On either side of Lingam, station two girls as guardians; perch the parakeet on your hand; perform Tapas on Me from the middle of the Panchagni on a platform; at that time I will appear before you and marry you. That moment, Your black complexion will vanish; You will shine gloriously in Your usual golden complexion.

On the orders of Siva, Parvati went to BhadrikAsrama. She incarnated as the child of KAtyAyana Muni. She grew up in the Asramam, at appropriate time left for Kasi, offered relief from famine, and earned the name Annapurna.

She proceeded south and upon seeing the transformation of the accouterments, Parvati knew that the place was Kanchi. She went from tree to tree until she saw the mango tree. Finding a Lingam was the highlight of the southern trip by Parvati, who faithfully performed Tapas.

For all the Tapas she performed without fail it did not bring Siva to Her side. Triolka SanchAri, NAradA came along and Parvati was narrating her problem. Triolka SanchAri, Narada, the traveler of the three worlds.

Narada: Don't worry about Your predicament. Let me give you Upadesam with PanchapAna Mantra, chanting which will bring fruition of Your desires

Parvati according to Narada's instructions chanted the PanchapAna Mantra for a long time. That Fire of Tapas and amorosity reached Kailas and caused conflagration and venereal desire in Siva. Siva unable to withstand fire of passion immersed in Ganges to cool his sudden attack of amorosity with no amelioration.

Siva: 'O Ganga, Immersion in a river like you did not abate the fire of passion. You go to Parvati immediately and reduce the effects of Mantra, which induces and ignites the fire of passion and desire in Me.'

Forthwith, Ganges started to go in inundation towards Parvati, who knowing the imminent flooding by Ganges ordered one of the Kali forms to stop the inundation (Pralaya). Kali in a fit of anger scooped up the entire floods of Ganges in a skull-vessel and thus earned the name Pralaya Panthini.

Coming to know of Ganga's defeat, Siva was boiling, bubbling, and fuming with anger. Another inundation came towards Parvati; it was no other than Siva Himself with a thousand faces in the form of sky-high wall of flood. Parvati upon seeing this all-consuming Deluge was in a state of panic, not because she was afraid for Herself, but because She was worried that the sand Lingam she was worshipping would dissolve and wash away in the flood

. She clutched the Lingam in both hands and kept it close to her chest. That embrace, that touch, extinguished the fire enveloping Siva. That moment, Parvati's black color vanished with the return of Her Golden complexion.

She knew the auspicious moment had arrived. Siva appeared before Parvati and expressed His desire to marry her. The Siva Ganas and Maharishis, having seen the exquisite handsomeness and Grace of Siva, wanted to become the witness of Siva-Parvati marriage.

Siva without any delay called Vishnu and advised Him, 'Let things keep rolling for the marriage.'

Vishnu called the Devas and told them, 'Go to all the worlds and get all the necessary flowers and ceremonial clothes.'

Kanchipuram was decorated as if it was a city of gods. Accords to Vedas and Agamas, there was a celebration for a period of nine days. On the tenth day, Siva in the form of Ekambaranathar and Parvati in the form of Kamakshi were seated on the marriage platform. Sound of Musical instruments and Mantra chanting filled the hall and

Mahavishnu and Mahalakshmi were the principle participants in the ceremony. As Lakshmi poured the milk, Vishnu performed ritual ablution of Siva's feet. Later Vishnu placed Kamakshi's (Vishnu's sister) hand on Ekambaranathar's hand and poured water on them with chanting of Mantras. Musical instruments including, conch were sounded. Brahmanas chanted Mantras. Brahma kept the Homakundam alive with sacred fire. At the auspicious hour, Ekambaranathar, tied the sacred knot around the neck of Kamakshi. Devas, Munis, and celestials raised a celebratory note and hailed the newly-weds.

Sankara visualized the marriage in his mental eye as he remained in the Ekambaranathar's inner sanctum with eyes closed in meditation. He was experiencing ecstasy for some time and sang Sri SivaPanchakshara Stotra.


Edited by ltelidevara - 7 years ago
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Kaasha-Aabhaam-Shuka_Bhaasuraam Pravilasat_Koshaatakii_Sannibhaam
Candra-Arka-Anala_Locanaam Surucira-Alangkaara_Bhuusso[a-U]jjvalaam |
Brahma_Shriipati_Vaasava-[A]adi_Munibhih Samsevita-Angghri_Dvayaam
Kaamaakssiim Gaja_Raaja_Manda_Gamanaam Vande Mahesha_Priyaam ||2||

Meaning:
2.1: (Salutations to Devi Kamakshi) Who has a Green Parrot which Shines like the Colourof the Kasha Grass, She Herself Shining Brightly like a Moonlit Night,
2.2: Whose three Eyes are the Sun, Moon and the Fire; and Who Adorned with Radiant Ornaments is Blazing Luminous,
2.3: Whose Holy Pair of Feet is Served by Lord Brahma, Lord Vishnu, Indra and other Devas, as well as the Great Sages,
2.4: Whose M
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The penance undertaken by Mother Kamakshi is of a highest order which none could imagine. She made five Agni Kundas fire pits. She stood near the central pit keeping Her left toe touching the fire, placed the right leg on the left thigh. She kept Her left hand near Her naval part, held the right hand with a japa mala above Her head. Her beautiful eyes were closed to feel the hands of Lord. She undertook this peanace in holy Mangadu.


This scene is beautifully sculptured in the temple. Devotees have four Ambikas for darshan in the temple.
1) As Sri Chakra,
2) Adhi Kamakshi made of Panchaloka metals,
3) Kamakshi doing penance amidst the five Agni Kundas and
4) the small Lamp burning near Adi Kamakshi revered as Ambika Herself.


The darshan of all Ambicas can be had simultaneously from the mandap. Ambika in the sanctum sanctorum is holding a parrot in the right hand and the crescent moon on the head. It is noteworthy that the tradition of felicitating a person for his/her winning an exam with distinction or any tough competition with the success of standing on a single leg began from the penance posture of Mother Kamakshi.


The condition of penance was not made easy or relaxed even for the consort of Lord. Mangadu has an added importance. When Emperor Bali offered three feet of land to Lord Vamana the dwarf, knowing the design of the Lord, planet -Shukracharya intervened to stop Bali from the offering.


He blocked the Jal Patra the water bowl. Lord Vamana used a darba grass to remove the block and thus made Shukra blind in one eye. To get back his eyes, Shukra also performed penance on Lord Shiva in this place when Kamakshi also was doing penance.


Lord Shiva appeared before Shukra the devotee first and granted his eye back. Priority was to a devotee. When Lord Shiva came to this place to acknowledge the penance of Kamakshi , Lord Vishnu too came here with gifts to His sister the bride.


When Lord Shiva and Mother Kamakshi left for Kancheepuram, Lord Vishnu too was to accompany them. But Maharshi Markandeya begged Perumal,Vishnu to stay in the place.


Obliging the Rishi, Perumal stayed here as Vaikunta Perumal with His discus and a ring in a finger showing his coming with gifts for His Sister.

He is praised as Seer Perumal Gift Perumal. A Homa-Nava Kalasa Homa with nine brass pots-Kalasas is conducted in the temple on full moon days. Nine forms of Shakti are personified in these Kalasas.

Pushpanjali is offered to Sri Chakra. Niraimani Darshan is another event celebrated in the temple on the Purattasi full moon day in September-October. Artha Mandap, Thapas Mandap and the front Mandap are decorated with sweets, fruits, vegetables and grains showing all prosperity.

Devotees believe that this Niraimani Darshan would bring all prosperity to the family. Three Mothers in the temple bless and please the devotees in their daily procession in a golden car in evenings daily.

Brahmmi, one of the Saptha Mathas is the driver (Sarathi) of the car. Nava Kannikas the nine virgins are around the car-rath. There is also a Kuthuvilakku perennially burning in the Mahamandap. Left of this is the shrine of Mother Thapas Kamakshi.

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Omgkaara-Angganna_Diipikaam Upanishat_Praasaada_Paaraavatiim
Aamnaaya-Ambudhi_Chandrikaam Adha_Tamah_Pradhvamsa_Hamsa_Prabhaam |
Kaan.chi_Patttanna_Pan.jara-Aantara_Shukiim Kaarunnya_Kalloliniim
Kaamaakshiim Shiva_Kaamaraaja_Mahishiim Vande Mahesha_Priyaam |

Meaning:
6.1: (Salutations to Devi Kamakshi) Who is like a Lamp of Omkara in the Courtyard of the Palace of the Upanishads situated on the Mountains (alluding to Devi Parvati incarnating on the mountains in the palace of Himavan).
6.2: Who is the Illumination behind the Four Sacred Texts (Four Vedas) Destroying even the Most Evil Sins and Revealing the Light of the Hamsa (the Universal Soul) within,
6.3: Who is like a Parrot Caged within the City of Kanchi from Whom is Surging out the Waves of Compassion,
6.4: Who is the Queen of Sri Shiva; that Shiva Who is the Master of Kama (Desire); We Extol Devi Kamakshi, the Beloved of Sri Mahesha.
Edited by ltelidevara - 7 years ago
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Shrinkhala Devi is one of the eighteen Shaktipeethas.It is believed that the Stomach part of Sati Devi had fallen here.

This is located at Pandua in Hugli district ( West Bengal).The word Shrinkhala has two meanings. The first one being, a Binding thread or Binding chain, second one is, a cloth which is used by the postnatal women to tie their abdomen tightly.

According to the first meaning the goddess is in bounded form. Of-course, Jaganmata is bound only to the lord Shiva (Satya). She removes all bonds attached to her devotees. In the second meaning the goddess is in postnatal stage (Mother of a newborn baby), in this form, she will see the entire universe as her child. The devotees imagine him/ her as a new born baby of Shrinkhala mata. A complete surrenderance (Saranagati) and Sishu bhava is required to worship her


At present there is no temple in that place. We will see a Minar in spite of the temple. But still in Maghamasa of every year, a mela tala will be conducted there. Some people consider it as Shrinkhala Shaktipith present at Ganga sagar, in Adinath kshetra. Some people consider that Srunkhala mata is present near Shringeri of Karnataka, brought by Rishyashringa maharshi, on the order of Goddess. Some people consider that the temple is in Chotilla, Gujarat.

Rishyshringa maharshi worshipped Srunkhala mata here and got the complete blessings. One day he received an order from the goddess and went Shringeri of Karnataka. Srunkhala mata also came with the maharshi. Later Rishyashringi maharshi established the power of Srunkhala in and around the Shringeri hill.

Rushya srunga was grown up by his father from his child hood without exposure to the external world away from everyone except his father himself in the forest.This sage was pure at heart that he had a soul of an infant who does not get into the wordly joy. This made him a devotee of Shrinkhala devi .

This sage was the one who conducted the Putrakaameshti yaaga for king Dasaradha.
King Romapada a friend of Dasradha adopted Santha devi who was the sister of Sri Rama.He requested this sage to conduct a yagna to get relief of very long famine which was relieved after the yagna.On the request of the king this sage married Santha devi and conducted the above metioned Yagna .

After some time this great sage as he was a great devotee of Shrinkhala devi brought her in the sense of his mother to Sringeri and distributed the energy around the Srunga parvatha and there he constructed temples

pradyumnE vangarAjyAyAM shrunkhalA nAma bhUSHitE
vishvavimOhitEdEvi shrunkhalA bandhanAshini

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Chamundeswari

Devi Mahatmya says Chamunda emerged as Chandika from an eyebrow of goddess Ambika and was assigned the task of eliminating the demons Chanda and Munda, generals of demon kings Shumbha-Nishumbha. She fought a fierce battle with the demons, ultimately killing them.


Goddess Chandika took the slain heads of the two demons to goddess Ambika who became immensely pleased. She blessed Chandika and bestowed upon her the title of "Chamunda", to commemorate the latter's victory over the demons.

According to a later episode of Devi Mahatmya, Durga created Matrikas from herself and with their help slaughtered the demon army of Shumbha-Nisumha. In this version,Kali is described as a Matrika who sucked all the blood of the demon Raktabija. Kali is given the epithet Chamunda in the text.[11] Thus, the Devi Mahatmya identifies Chamunda with Kali.

In Varaha Purana, the story of Raktabija is retold, but here each of Matrikas appears from the body of another Matrika.


Chamunda appears from the foot of the lion-headed goddess Narshmi. Here, Chamunda is considered a representation of the vice of tale-telling The Varaha Purana text clearly mentions two separate goddesses Chamunda and Kali, unlike Devi Mahatmya.

According to another legend, Chamunda appeared from the frown of the benign goddess Parvati to kill demons Chanda and Munda. Here, Chamunda is viewed as a form of Parvati.

Matsya Purana tells a different story of Chamunda's origins. She with other matrikas was created by Shiva to help him kill the demon Andhakasura, who has an ability - like Raktabija - to generate from his dripping blood. Chamunda with the other matrikas drinks the blood of the demon ultimately helping Shiva kill him.


Ratnakara, in his textHaravijaya, also describes this feat of Chamunda, but solely credits Chamunda, not the other matrikas of sipping the blood of Andhaka. Having drunk the blood, Chamunda's complexion changed to blood-red. The text further says that Chamunda does a dance of destruction, playing a musical instrument whose shaft is Mount Meru, the spring is the cosmic snake Shesha and gourd is the crescent moon.


.Chamunda is included in the Saptamatrika (seven Matrikas or mothers) lists in the Hindu texts like Mahabharata (Chapter 'Vana-parva'), Devi Purana and Vishnudharmottara- Purana. She is often depicted in the Saptamatrika group in sculptures, examples of which are Ellora and Elephanta caves

. Though she is always portrayed last (rightmost) in the group, she is sometimes referred to as the leader of the group.[14] While other Matrikas are considered as Shaktis (powers) of male divinities and resemble them in their appearance, Chamunda is the only Matrika who is a Shakti of the great Goddess Devi rather than a male god. She is also the only Matrika who enjoys independent worship of her own; all other Matrikas are always worshipped together .
.

Devi Purana describe a pentad of Matrikas who help Ganesha to kill demons.


Further, sage Mandavya is described as worshipping the Matripanchaka (the five mothers), Chamunda being one of them. The mothers are described as established by creator god Brahma for saving king Harishchandra from calamities

In Vishnudharmottara Purana - where the Matrikas are compared to vices - Chamunda is considered as a manifestation of depravity. Every matrika is considered guardian of a compas direction. Chamunda is assigned the direction of south-west.
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Chamundeshwari Devi temple is one of the Ashta Dasha Shakthi Peethas, also known as Maha Shakthi Peetha. At the temple, Devi Sati's hair had fallen. Here Devi Sati is worshipped as Chamundeshwari. This Shakthi Peetha is also known as Krouncha Peetham. The temple was earlier known as Krouncha Puri.


The temple is located on a hill top in Mysore city, Karnataka and is about 13 kms from Mysore Palace. There is good road connectivity. State government operates regular bus services to the hill top. Nearest railway station is the Mysore station. From railway station, people have to take buses or hire private vehicles to reach the temple. The temple is at a height of 3489 feet. There are also 1000 steps leading to the temple. These steps were built by Dodda Devaraj Wodeyar in 1659. The hill top provides a panoramic view of the entire Mysore city.


On the hill top is the Mahabaladri or Mahabaleshwara temple, one of the oldest temples (built prior to the Hoysala rule- 12th century AD) dedicated to Lord Shiva. Lord Shiva is in Linga form in the temple. The other temple is the Lakshmi Narayanaswamy temple on the hill top. There is also the Lalithadri Palace which was used by the Maharajahs of Mysore when they visited the Chamundi hills. Lalithadri Palace was built during the reign of Krishnaraja Wodeyar


Chamundeshwari temple is an ancient temple, about 1000 years old. The three dynasty rulers namely, Vishnuvardhana of the Hoysala dynasty during 12th Century, Vijayanagara rulers during 17th Century and Mysore rulers have made significant contributions to the temple. The initial temple, a small structure was built in 12thCentury by Hoysala rulers. The temple was renovated and gained prominence after Wodeyars, the Mysore Maharajas came to power in 1399 AD.

Half way to the temple, on the 800th step is a beautiful black monolith 16 foot statue of Nandi, carved in granite. The beautiful carved statue was gifted by Dodda Devaraj Wodeyar in 1659. Mysore Maharajas were ardent worshippers of Chamundeshwari Devi. Devi Chamundeshwari also became their home deity.

The temple is a quadrangle structure built in Dravidian style of architecture. The temple consists of the main doorway, entrance, Navaranga Hall, Antharala Mantapa, Sanctum Sanctorum, and Prakara.

here is a seven tier Gopura, or Pyramid tower at the entrance with intricate carvings and a small tower, Vimana Gopura atop the sanctum Sanctorum. There are seven golden Kalashas on top of the "Shikara at the main entrance. The gopura was built by Krishna Raja Wodeyar in 1827 AD and the shrine was renovated. There is an image of Lord Ganesha at the entrance on the doorway. The doorway at the entrance is silver plated and has the images of goddesses carved in different forms. There are dwarapalakas on either side of the doorway. Inside the temple is a small image of Lord Ganesha on the right side. Then there are few steps leading to a flag post, where foot prints of the goddess and an image of Nandi facing the sanctum Sanctorum is seen. There is also an image of Lord Hanuman attached to a wall on the right side. At the entrance of the Sanctum Sanctorum are two dikpalakas, Nandini and Kamalini. In the "Antharala, prior to the Sanctum Sanctorum are the images of Lord Ganesha on the left side and an image of Lord Bhairava on the right side. A six foot image of Krishna Raja Wodeyar III in a standing position with hands folded can also be seen. On his either side are his three wives, Ramavilasa, Lakshmivilasa, and Krishnavilasa whose names are carved on the pedestal. Small images of gods and goddess can also be seen in the "Prakara which are worshipped.

There is an incident when Chamaraja Wodeyar, an ardent devotee of the goddess was miraculously saved, when he was stuck by a lightning on his way to the temple. Krishna Raja Wodeyar gifted a Simha Vahana (a lion shaped vehicle) used during car festivals and other religious occasions. The Mysore Maharajas have gifted a number of valuable jewellery to the deity.


At the Chamundeshwari Devi temple, Chamundeshwari is worshipped as the incarnation of Parvati. She is also worshipped in the Shakthi form the slayer of demons "Chanda and "Munda and also "Mahishasura, the buffalo headed demon. Chamundeshwari Devi is the tutelary (guardian) deity of Mysore. She is also the presiding deity of Mysore. The temple also has a jewel Nakshatra Malike (diamond studded necklace) with 30 Sanskrit shlokas inscribed on it. Inside the sanctum the deity made of stone is in a sitting position. The goddess has ashta bhujas or eight shoulders. Sage Markandeya installed the image at the temple.



There is a mention in Skanda Purana about a place called "Trimuta Kshetra surrounded by eight hills. Chamundi Hills is one of the eight hills. The hills were referred to as Mahabaladri hills in earlier days.


Another reference is that Chamundeshwari Devi killed the demon, Mahishasura on the Chamundi hills.


Goddess Chamundeshwari Devi is decorated and worshipped daily. Earlier human and animal sacrifices were offered to the goddess. However, since 18th century, only coconuts, fruits and flowers are offered to the goddess, with a complete ban on human and animal sacrifices. Tuesdays and Fridays are considered auspicious for worshipping the deity.

Dasara is celebrated with great fervour during Ashvija masa ( Sep- Oct). Mysore Dasara is celebrated as state festival. Special poojas and yagnas are performed for Chamundeswari Devi during Navaratri. During Navaratri, Chamundeshwari Devi is worshipped as Nava Shakthi in nine different forms.

During Dasara festival, Mysore city draws people from all over the country and abroad every year. Mysore Palace illumination during Dasara is a major tourist attraction. Jambo savari on Vijayadashmi day is a big draw among people. On Vijayadashmi day, a procession is taken out, where in an elephant carries the idol of Chamundeshwari Devi in a 700 kg golden howdah. (in the earlier days, the Mysore Maharajah would be carried in the golden howdah. Since the passing away of the Mysore Maharajah, idol of Chamundeshwari Devi is carried in the golden howdah)

Devi Chamundeshwari is believed to fulfil all the desires of her worshippers.


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Jogulamba
This Sakti pith existed at Alampur..

The holy place Srisailam lies at the western end of Alampur and hence, Alampur
considered to be the western gateway of Srisailam.

Siddhavattam, Tripurantakam and Umamaheswaram are called southern, eastern,
and northern gateways of Srisailam respectively.

Marvellous temples and remains of some ancient ones provide great specimens of
Badami Chalukyan architecture. The region, in the past, has been under the
influence of many South Indian dynasties.

The principal deities are Jogulamba and Balabrahmeshwara. Goddess Jogulamba
is the 5th Shakti Peeta among 18 shakta peetas in India. Goddess Jogulamba,
seated on the Corpse here sports with scorpion, frog, lizard on its head. She
is naked with her tongue stretched out. This is the fierce goddess that grants
the Siddhi in Yoga and hence she is called Jogulamba. This word is corrupted
form of "Yogi's mother .which implies Mother of Yogis. Her dhyana sloka
runs as:

"Lamba Sthaneem Vikrutaaksheem Ghora rupaam Mahaabalaam
Prethasana Samaarudhaam Jogulaambaam Namamyaham

There is a popular legend which says that there was a great saint in 6th
century by name Rasa Siddha who used to convert base metal into gold. It was
this saint in association with chalukya king Pulakesi II who was instrumental in
construction of chain of temples called Nava Brahmas'. It is said that there
is a secret tunnel from the garbhalaya of Bala Brahma leading to Srisailam.
According to the legend, these 9 names of Siva are the names of medicinal herbs
put forth by Rasa Siddhas.


Swarga Brahma Temple
Padma Brahma Temple
Arka Brahma Temple
Vishva Brahma Temple
Garuda Brahma Temple
Bala Brahma Temple
Taraka Brahma Temple
Kumara Brahma Temple
Vira Brahma Temple

The "Siddha Rasarnavam, a tantric work on Alchemy prescribes certain methods
of Upasana in this place. If the upasana is done as per the prescribed Tantra,
the Mercury oozes from the Linga of Bala Brahma, Navel of Ganapati, Thighs of
Subramanya and Mouth of Mother Jogulamba. The Mercury thus got is used for
converting into Gold by using the medicinal herbs. Even now, we can see some
sadhus who know this science of converting base metal into gold. One such
person was Sri Siva Chidanada Saraswathi Swamigal of Courtallam Peetham near
Tirunelveli who lived till recently. A great Siddha Purusha in Rasa Yoga,
Khanda Yoga Sadhana, Mulika Vaidyam etc. He was the guru of Judge Swamigal of
Pudukottai.

Apart from Jogulamba, Bala Bramheswara temples, there are marvelous cluster of
temples at Papanasam, a beautiful temple of exquisite sculpture by name Kudala
Sangameswara temple, Yoga Narasimha Temple and Suryanarayana Temple. Kudala
Sangameswara temple is a wonderful temple with exquisite chalukyan temple
architecture.

A museum is also present in the premises of the temple which is maintained by
Archeological Department. There is a Mahishasura Mardini Idol in this museum
which is worth seeing. The exquisite sculpture, the gait and marvelous art is
simply superb which stands as the testimony to the Chalukya Art and Culture.
Edited by ltelidevara - 7 years ago

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