Love you too Viji...Originally posted by: CogitoErgoSum
Nitz my dear...π€ π€
So I am back from my lappie, to reply to your wonderful comment to my heart's content. 1000's of jhappis to you my dear for this. Your comment kind of made my weekend so very special. π
You told me once earlier that I wasn't allowed to tahnk you---no thanks between pals, as per Sansku Baba. π So no sorry also, na? Please don't say Sorry and stuff. I know real life pressures get in the way, am just so happy that you read it when time permitted and gave such an analytical comment for each chapter. Can I say I was so, so very touched you had actually researched the background of the Raagas I had mentioned. Really, Nitz, that supreme dedication on your part to read this piece moved me so much. I felt completely humbled and touched yaara. I want to say "Thanks a Ton" here, but kya kare, you have forbidden me from saying that!
Part 1: You put wonderfully well, the shades and layers to Ragini's nature I was trying to portray, linking it up with Raag Yaman Kalyan. As you rightly mentioned from your background research on this Raag, this is one of the fundamental ones in Hindustani music, and is among the very first taught to students. And it is deceptively simple. π In the hands of a master, a talented performer, this Raag is just pure magic. It has distinct qualities of peace, harmony and tranquility; as well as very romantic overtones. It conveys so much yearning and the pain of separation through its beautiful melodic content. I wanted to show Ragini's gradual realization, her slow steps towards repentance and her ultimate redemption through this Raag. I wanted to convey in this section, the difference between Sanskaar's love for Swara, and Ragini's love for Lakshya. The former is pure, unconditional and selfless, the latter was twisted, fanatic, even obsessive. And the tragedy in Ragini's life was, she felt this burning, warped version of love for a person who wasn't worthy of it...
And I do feel that Sanskaar is the person who can help her with this, even more than Swara. He has walked on the dark side after all, and he knows the importance of a genuine chance given to rediscover one's true self. I think he would be feeling some residual guilt for pushing Ragini initially down this path to wrongdoing (when he himself was a gray character), though he repented and tried his utmost to turn her back from the brink. It was too late for Ragini at that point, perhaps, as she had gone too far in her crazed obsession for Lakshya. But who better than Sanskaar, to know the value of another chance? He is such a genuine man, with a heart of burnished gold, that he would definitely help Ragini if he could.
But as you rightly identified, he is too canny and wise to be taken in by her. He will be kind but firm, and if she tries to pull any tricks with Swara, I see him being very open with Ragini, that he will be her worst enemy. π His primary focus, his devoted attention, is on Swara, and nothing will change that, even when he feels hurt and mistrusted by Swara. This man's love is so very pure and unconditional.
I also really feel sad that the CVs did not take the chance to redeem Ragini after the kidnapping episode. There were so many lovely possibilities, but they made her into a completely evil character. So sadistic and cruel. π€’
Just in case of interest, some gems in Raag Yaman Kalyan are: "Jambupathe", "Krishna Nee Begane"; and "Bhavayami Gopalabalam" from the Classical (Carnatic) side. Some famous film songs in this Raag are "Beethi Na Bithayee Raina"; "Is Mod se Aate Hain"; and "Chandan Sa Badan, Chanchal Chitvan". π
Part 2: Am so very happy to hear you liked the portrayal of the morning scene in Maheshwari Mansion. I wanted to show that bond between Annapurna and Sanskaar, because though she is biased towards her own sons (and extremely so towards Lakshya), I do feel, at some level, she is genuinely very fond of Sanskaar. I think she always felt he was the son she wanted but never had; and that, in a paradoxical sense, made her even more protective and biased towards Lakshya, as she perhaps felt guilty for thinking Sanskaar was better than her own son!
Raag Bhairav, with its qualities of devotion, focus and sombre purity, really describes Sanskaar's innate character. You are perfectly right in your research dear---Jaago Mohan Pyare is a wonderful example of this Raag. Another one I had in mind was the great, great MS Subbulakshmi's bhajan "Jaya Jagadeesha", from Jayadev's "Geeta Govinda". Another Krishna themed bhajan. π Speaking of film songs in this Raag, there is "Albela Sajan" from Hum Dil De Chuke Sanam.
I wanted to show Swara pining for Sanskaar, wanting to assuage his pain, feeling so upset and crushed that she hurt him. And I also wanted to show how deep Sanskaar's hurt and pain went, the fact of Swara's mistrust in him had shaken the very foundations of his self.
I was so glad that you liked their reconciliation scene, after she conveys through her soulful music, her feelings for him. I wanted Swara to explain clearly why she could have had a momentary doubt that Sanskaar could be the kidnapper. The fact is, that she knows how much Sanskaar adores her, how protective he is of her. Once when Ragini had insulted her in the baadi, making sly allusions about Swara's "illegitimacy", Sanskaar had got so furious, he even tried to make Ragini shut up by grasping her throat. So Swara could have, momentarily at least, feared that Sanskaar could have abducted Ragini to teach her a lesson, since Ragini had maligned Swara so badly in front of Annapurna & Sujata.
But where she erred badly was, she should have known Sanskaar would never have let the blame fall on Swara. Nor would he have let her be so terribly worried about Ragini for a couple of days, he would much rather have confessed. I wanted to show Swara sincerely apologizing to Sanskaar for that, and assuring him that she would never, ever doubt him in the future.
So you liked Swara's observation about Sanskaar's molten chocolate brown eyes, huh? I liked writing that part, too. π³ And I went to SwaSan dreamland for writing that kiss scene. βΊοΈ Very happy to hear you liked the romance and sensuous passion in that...And also glad that you liked the further steps Ragini takes towards her redemption in this part, by giving some advice to Swara in an indirect manner. She's still struggling with her feelings of envy and bitterness, but she's trying to overcome that negativity and go back to her true self.
Part 3: Am so happy Nitz, that you liked the SwaraGini scene after the sisters have finally reconciled. I do hope to see this on TV as well, after all, the sibling bond is one of the most beautiful relationships, na? I don't have a sister, but I have an elder brother who means the world to me. I'm sure, once Ragini decides to redeem herself and go back on the path to the person she used to be, both Swara and Sanskaar would stand by her side and support her. They would never let her feel isolated and friendless.
Raag Todi is a very versatile Raag, conveying the whole gamut of human emotions. I wanted to show that in Ragini, that she has found peace and satisfaction. There is still some melancholy and pathos for all the sins she committed, but she has found joy in redeeming herself, and in rediscovering her sibling bond with Swara, and her friendship with her Jeeju-- Sanskaar. π Once again, I am so very happy to hear that you liked the romance scene between SwaSan in this part. I wanted so badly, to give them so very tender and passionate moments, since we are not getting that on TV. I thoroughly enjoyed writing it, so it is such a pleasure to hear that you loved reading it! π
As for Lakshya Maheshwari----you know my feelings for him too well. π Somehow, I do feel he is a coward emotionally. He just doesn't have the intellectual and emotional depth of Sanskaar. You might remember a dialogue from Harry Potter, where Hermione tells Ron that he has the emotional range of a teaspoon!! Lakshya is like that. I feel, even if he hadn't got infatuated with Swara, and had gone ahead with his engagement to Ragini of his own free will, he still would not have been able to accept and reciprocate the sheer intensity of her feelings for him. He is just not capable of that depth of emotion, he is a completely shallow chap.
And yes, in this part, I ahd a lot of fun making him do his usual flop planning to frame Sanskaar, and then getting caught in his own web! I loved making Ragini bite his hand (when he had come to her room, masked and caped, and was clamping his hand over her mouth), and then of course, Ram Prasad giving him a hard, stinging slap on his face! π
SwaSan will have a mini honeymoon in the baadi, away from the madness that is MM! π I am planning to write a mini shot on that later, will be completely SwaSanlicious. Hope you will like it.
BTW, just in case of interest, one of the famous film songs based on Raag Todi, is Lata ji's "Raina Beeti Jaaye". On the Carnatic side, Smt MS Subbulakshmi's chanting of Adi Shankara's stotras are also in this raag.
Lastly, just want to say again, I am deeply touched by this comment Nitz dear. Love you loads and loads for this. I love you anyway, actually! π
I will definitely check out the songs you told... π³
Lolz... Laksh and Ron... god these two characters are so much same... atleast Ron was little better... I just hope I dont get disappointed as I had been with HP end... that 19 years later dont exist for me.. πππ