Originally posted by: happychappy
This is the most beautiful interpretation I have read so far, L.i.D. !! Thanks ever so much...š¤Love the way you correlated it with the agni of the shaadi (separation of Samud as lovers), the havan (meeting again as "strangers across the fire"), and now the punar-milan (who dares separate them now?)TBH, while I am happy-happy about the Samud-milan as anyone else, the execution ws not on the same level as either the shaadi sequence or the havan scenes (both of which moved me to tears)I tried re-watching the rescue scene but it still felt quite "cold"...š² Was it with with the eyeline match or actor fatigue or just poor editing? I didnt feel the intensity, or maybe practical me was just not into seeing the intensity when I'd rather they got out of danger asap instead of having mute conversations..Dont want to sound churlish, Am truly Grateful that the story has taken this turn!!š It's just that I can imagine the earlier team wd have turned out something exquisite... Divine, even...š³
i am really surprised that u did not feel the heat we felt during the scene .It was one of those filmy scenes where u dont need to get moved but to just be excited and clap ...while SC anthem plays in BGš...and i did the same ...watched and rewatched it agin...and giggled...agree it was not a moving scene that brings tears...as u mentioned many previous scene have been...why coz ...it was never meant to be so...it was just a high point where hero saves the heroin with fire drama musik...
saras expressions were more of a fire fighter working hard to save a victim rather then that of a lover...and kumud was in just one mode...manne maaf kar do ...manne maaf kar do sarasš
.the best is yet to come on monday ...and i promise then sure we will feel the seething samud passion