Crisp Bytes 11th Oct 13- updated - Page 10

Originally posted by: SK_GRfan

So was the fire also symbolic of ravan dahan, and Ram carrying Sita out of Ravan's quaid.

And like Ravan pramaad had pretended to be a sadhu

Originally posted by: Arshics

Ivy,

This post is beyond awesome and too good to be page 11 on CB.

Since you are not well, I am taking the liberty to post it on your behalf, as I can see you are not online

Hope you don't mind!

@ all, please do leave comments on the post Ivy's analysis , and keep it main page

It deserves to be read by all SCians

Originally posted by: twila

Arshii ...

That is Really Good of you ... 👏

Something as BRILLIANT AS THIS , totally deserves to be a Thread on its own ...

Originally posted by: annete

just btw i loved the bit when after the intense eye lock kumud bows her head as if in an unspoken apology and saras understands ...it was a killer...JENAM just made up for all the heartache ...👏

ps both behind a wall of fire kumud slowly standing up on seeing saras ... phoenix rising from the ashes and baptism by fire it was...

Originally posted by: annete

just btw i loved the bit when after the intense eye lock kumud bows her head as if in an unspoken apology and saras understands ...it was a killer...JENAM just made up for all the heartache ...👏

ps both behind a wall of fire kumud slowly standing up on seeing saras ... phoenix rising from the ashes and baptism by fire it was...

Originally posted by: LoveIsDivine

arshics: beautiful post, as usual. Here is my two cents.

In the episode where Pramad and Kumud started from BD's house, Kumud took the ONLY thing that TRULY belonged to her in that house. NOT the property papers, nor jewelry or anything else. But that white chunni that is still the bond between her and Saras. It is symbol of the promise for her. The scene were she erases the smiley from her hand, it left a sad feeling. It was as if she was only trying to erase his memories from the surface. But then it brought back the scene in my mind, where she says to Saras that U are within me. Tumari chabi mere Saason mein basti hain...so one can try to forget yaadein, but how can one forget to take Sanseein. So, here is my take on that scene with the white chunni- w.o Saras, her life was w.o any meaning or color. It was lifeless. She tried as much as she cld to be a good bahu and wife, but her life was still colorless. She was acting out of duty, like a robot, but when she walked OUT of that house today, she was holding onto her life( literally and figuratively), when she was clucthing ON to that white chunni,

AGNI Sakshi

Now to the scene of Fire. While I am totally against DV, here is my perspective on that scene.

When it was time for their marriage, When she was waiting for her with full of life and color in her shaadi ka Joda, Saras could not come in time, while she was in front of Agni, othe Mandap, that scene of fire witnessed their physical separation as the lovers.

Then came the next scene of fire, where they met as strangers. This is the First time they face each other after her so called marriage. The hurt, the pain, the broken promise all came flashing back on their face, as they were across from each other and Havana hundred with Agni separating them.

Then as if Saras had to cross the fire and do Praschit, he walked on that coal of fire, symbolizing not only of his Praschit but also symbolizing that he is ready to cross any impending danger to save Kumud. He practically jumped into that Agni and saved Kumud. Today the Havan kund Agni that separated them, and made them strangers, today that engulfing Agni brought back them together. Today, she was surrounded by Agni, but finally Saras broke that distance and jumped into that Agni and literally all shackles from Pramad were finally broken and the two strangers who were across from each other with Agni separating them, today that same Agni was sakshi to them being together as ONE. Agni that separated them was today witnessing their Pavitr Milan. That scene was very poignant for me, symbolizing the complete circle of their life. Her life was back.

I will stop here, but would be glad to hear your thoughts.

Originally posted by: Arshics

Excellent excellent excellent correlation, and so true, now we know why it had to be Agni, because he made her wait once when they had to take pheras across the Agni, and she who so easily lost her trust and took pheras with another across the same Agni,

Today, burned, singed and cleansed by the same Agni they are united

And just like gold becomes purer and brighter when put into fire, so is their love.

An that's why even their first meeting post wedding was across the Agni, thank you for this perspective, it is brilliant.

Odhni, I still feel was a subconscious act, and not a conscious decision. She didn't realize that she had it with her, but you are right that for her it is the only belonging that is hers alone, and that's why she may have picked up, as the last remanent of her past, and then pramaad rushed her and the odhni just stayed in her hand .

Originally posted by: LoveIsDivine

arshics: beautiful post, as usual. Here is my two cents.

...

AGNI Sakshi

Now to the scene of Fire. While I am totally against DV, here is my perspective on that scene.

When it was time for their marriage, When she was waiting for her with full of life and color in her shaadi ka Joda, Saras could not come in time, while she was in front of Agni, othe Mandap, that scene of fire witnessed their physical separation as the lovers.

Then came the next scene of fire, where they met as strangers. This is the First time they face each other after her so called marriage. The hurt, the pain, the broken promise all came flashing back on their face, as they were across from each other and Havana hundred with Agni separating them.

Then as if Saras had to cross the fire and do Praschit, he walked on that coal of fire, symbolizing not only of his Praschit but also symbolizing that he is ready to cross any impending danger to save Kumud. He practically jumped into that Agni and saved Kumud. Today the Havan kund Agni that separated them, and made them strangers, today that engulfing Agni brought back them together. Today, she was surrounded by Agni, but finally Saras broke that distance and jumped into that Agni and literally all shackles from Pramad were finally broken and the two strangers who were across from each other with Agni separating them, today that same Agni was sakshi to them being together as ONE. Agni that separated them was today witnessing their Pavitr Milan. That scene was very poignant for me, symbolizing the complete circle of their life. Her life was back.

I will stop here, but would be glad to hear your thoughts.