Originally posted by: Ethnos
Dev Anand had a style of his own and I liked him (especially in the 1950s and 1960s movies). He has had Rafi and Kishore mostly singing for him...and Hemant at times. Remember 'Solva Saal'? 'Hai apna dil to awara' has Hemant, which is romantic no doubt. But the chhed-chhaad bit comes through in full measure, in Rafi's 'Yehin to hai woh, yehin to hai'.
Speaking of other songs. I like 'Khoya khoya chand' better in audio, than its picturization. Somehow the way DA sways his hands, droops and sways some more, reminds me distinctly of our tree-swinging ancestors 😕 Now people here are going to kill me for this! Ok he is a VERY sweet tree-swinger 😉
I love the guy, I think he is very very suave, cute, handsome.... oh !!!!!!!! I just love the guy.
I know what u mean by the loose jointed walk, but that was just so HIM. 😳
I have seen practically every movie and have a collection of practically every movie (particularly the black and white variety) till Hare Rama Hare Krishna and he was just 😃... cant get adjectives, and cant write more, for fear of censure 😆😆😆
Kaala Bazaar which features Khoya Khoya Chand also features the very very beautiful and captivating "Apni toh har aah ek toofan hai, kya kare, woh jaankar anjaan hai".... The mischief in his eyes as he sits on the lower berth in a train compartment, apparently lamenting on his fate to God, but in fact referring to Waheeda Rehman who was sleeping in the berth above, right in front of her parents, who are in doubt over the meaning of his words, which were so beautifully shrouded in its verse.
Another beautiful song of Dev Anand, could have been picturised on a better heroine was "Aise toh na dekho"... Rafi Saab and Dev Anand was a combination completely irresistible.