| All of her earlier directors no longer rush to her with scripts. Also by some quirk of logic, she is in Yashraj banner's Ta Ra Rum Pum directed by Sidharth Anand, instead of repeating her success with director Shaad Ali in the same banner's Jhoom Barabar Jhoom. Shaad Ali had given her excellent roles in Saathiya and Bunty aur Babli. Trade talk is that since the actress was being linked with Shaad Ali, she was shifted to Ta Rum Pum Pum. The actress refused to comment on this twist of the plot. In fact, she stopped commenting on any matter under the sun to the press, which had so lovingly lionised her till that point. Rani Mukherji became elusive to being downright rude to the media and it was conjectured that the lay-off from the press was in the style perfected by the Yashraj scion, genius producer-director-writer Aditya Chopra. No one can deny that Adi, as his friends call him, has become an important factor in the actress' life and career. Some insiders aver that they are "friendly" and leave it at that. The events in his own life, however, have given rise to other sorts of whispers, which are no longer hush-hush. Aditya's marriage with his childhood friend Payal Malhotra – from a traditional Punjabi business family – hit the rocks. Aditya moved out of his parents' house in Juhu-Vile Parle to stay at the Grand Maratha Sheraton Hotel till the clouds cleared. Now they have, it seems. Payal who had flown off to Singapore, for a few months, has returned to Mumbai. A settlement, upwards of some Rs 20 crore, has been fixed, besides a five-bedroom penthouse in Juhu, close to the Prithvi theatre complex. Payal, an expert interior designer who was instrumental, in the upbeat look of the Yashraj studio in Oshiwara, has chosen to stay independently instead of giving up her career. Aditya Chopra, from all accounts, has returned to his parents' old-worldly villa where he stays in a separate refurbished wing on the first floor. Rumours about the "incompatibility" of Adi and Payal had started some two years ago but had been quickly squelched.
Then the Rani angle surfaced and she was made the target of rumours, which insisted that she was a home breaker. Not true, several friends of the family and showbiz insiders pointed out. At the same time, none of them denied that Rani is very "close" to Aditya Chopra. It is also said that Rani made special time for the Yashraj banner produced film directed by Pradeep Sarkar at Adi's advice. Consequently, Sarkar's favourite heroine Vidya Balan was out of the project and Rani was in. That thing called "luck" continues for the Yashraj banner in terms of the commercial success of most of its films. Conversely, Rani's luck has turned the other way, what with her Baabul coming a cropper. Also, her performance in Kabhi Alvida Na Kehna was outshone this year by cousin Kajol's in Fanaa Some other wrong moves made by the actress are rejecting such globally spotlight projects like Mira Nair's The Namesake, in which Tabu has delivered the performance of a lifetime. Another downer is the absolute silence on the project she was to do with Bela Sehgal, sister of Sanjay Leela Bhansali and the editor of Black, which surely has the actress' finest performance to date. According to a trade soothsayer, who didn't want to be named, there is no likelihood that Rani is likely to quit her career for marriage with anyone, even for Aditya Chopra if he were so inclined. However, it is felt that the signs of arrogance which set in post the praise she got for Black and reports of her being obnoxious of late on the sets, are not likely to do her career any good. There is a likelihood that her caring parents cannot accept the topic that the entire industry is talking about, that they will move into the denial mode. But then that's the way it is in movie country where there's a thin line between the real and the rumoured. |
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