A nice and honest episode.
The dilemma of Padmini was captured beautifully. She wished to snub the voices of her loved ones telling her that her relationship with Malik is beyond what they acknowledge' she might have succeed for a moment. What she couldn't help was the warmth that engulfed her when she allowed herself a walk down memory. The knowledge of probably sharing something so divine with Malik, a relationship that sheltered and nourished their children was enough to repulse the memory of Ballu. The sari cropped up between her memories of her happy family and she threw it as if it didn't belong with them. The way she threw the sari, a sari that symbolised her commitment to another man' you could see she was finally liberated. She continued to gaze at a piece of paper that started off the most important relationship when Malik walked in, calm and composed just the way she knew him. His silent strength has always been her greatest support system and today was going to be no different' she was about to make another important decision in her life' it was going to be Malik who made the final break through as it should have been. It had to be her love for him and no other pressure that would have made her accept Malik as a companion.
What followed was a beautiful scene' a scene which was as natural as it could get and as sincere as emotions they truly felt for eachother. Padmini got worked up the moment she saw Malik had injured himself only to restrain herself when she realised she couldn't justify her concern. Malik's confession was so wonderful' hats off to the creative who wrote the scene' to begin with it suited their age, it took into consideration their 20 years of togetherness' it was beautiful' simple, heartfelt and honest. He began by saying how he didn't bother about anything when Padmini and the kids chanced upon him and slowly became his reason to live. He was content to go with the flow' because life had never been beautiful, never was worth a thought before they came into his life. He was coaxed to think of this relationship after so many years (Thank you, RK!) and has now found an answer. I loved the way he worded his emotions 'yeh rista vishwas, samaan ka hai, aur meri taraf se pyar ka hai'. The word 'pyar' can out as an equal to words 'vishwas' and 'samaan' which they have all along acknowledged, it came out with the same dignity the latter two deserved. I have always loved Malik as a father, but today I love him for the person he is. From the time he has been confronted of his love for Padmini he has never denied or demeaned it' he has been exceptionally dignified. And today even as he confessed, as clear as he was about his emotions for Padmini he also made it clear that these emotions are his, only his. Not once during the confession, he asked her to reciprocate' his only agenda was to retain the honesty in their relationship, she deserved to hear the truth because it concerned her. His only wish was he didn't want to be left alone, without her, without the kids. At the end he made sure she understood that her happiness was all that mattered to him and he will pray for that.
RK would be immensely impressed with his sasurji talking his advise seriously'I can so imagine him seeting maroing for his fave lovestory and his real life superstars.
If Malik's confession was beautiful' I have no words to describe the scene that followed. Padmini's walk to the food was her realisation, her acknowledgement of her love for Malik. The walk was marked with slight hesitancy in her steps but she was drawn towards as if it was her ultimate destination. There was so much of tenderness when she picked up the burnt, hard roti because Malik has prepared it. She took a bite and cherished it' there was a sense of urgency to take the second bite aswell.. it was almost like the 20 years gone by was too much time lost. The privacy in the moment was what enhanced the scene so much more. Padmini was given that space to enjoy the feeling of being loved as a woman. It was a moment so rare for her' experiencing your love and the love of you man for the 1st time' there was happiness and relief that only a heart who has finally got home will feel. Again the beauty of the scene was its simplicity' it didn't have to have loud dialogues, confrontation or the camera going crazy to mark it as a momentous event' It concentrated on Padmini-Malik and their heartfelt emotions. Pallavi took the scene to a completely different level.
RK-Madhu scene was adorable. Another moment when RK scored a brownie' can Madhu please have some??? It was such a wonderful way to wake Madhu up when she is feeling down and low. He held her hand to remind her of her inner strength that helped her see his devilish avtar through. It is moments like that you realise why 'junoon' is a part of the title' He wanted to tell her he is always by her side' but he chose to reword her prayer with him being an integral part of it. Typical! A nice cosy scene' what I liked it Madhu snuggled back into the bed' she didn't get into her patnidarm duties running off to get his tea/coffee/juice! And RK finished with a flourish in reply to her 'I love you'', 'Me too'I love me'! There is never a dull moment with him around.
Padmini was back home I suppose because she walked in with empty plates' obviously she would get home and cook. Can someone please present Malik with a cupboard' the man has been living out of a suitcase and an ancient one at that! And what on earth was that letter' after that wonderful confession' Malik chose to leave? Doesn't make sense at all. It better be a prank by RK/Roma/Trishna' anyone, not Malik. Even if it is Malik's I think he might have written after he returned from jail for having attacked RK and Padmini was upset with him. He cant probably write that now. As expected Padmini was hysterical'. Lets see what happens trow.
Trow doesn't sound very good with Ballu getting to know about Padmini and Madhu.
awesome
esp @bold
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Shiv Shakti
