After lalit mohan now Ved Raj exits IPK - Page 10

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LIKEDMG thumbnail
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Posted: 13 years ago
#91
I feel that huge popularity of the show cannt be handled by the 4 lions...after the show becomes popular...they changed LM...and I can see the effect..in Barun's performance..over all look of episodes...evrywhr...but there is no issue to complain...as they dont bother abt the show...they got lots of appriciation than expected...no more grooming...so take it as it is or leave it-- that is 4 lions' message...
JennyPenny thumbnail
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Posted: 13 years ago
#92
Is he really gone? If he's gone, no wonder the show is in the dumps with focus on Poojali and Shaym instead of the real characters.
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Posted: 13 years ago
#93

Originally posted by: Ni1234

Rishi darling accept my hug first for this bang on post..Beautiful it is.🤗


You have explained everything perfectly.

I will highlight my comment on Director's part.

Here I go -

Directors are responsible for overseeing creative aspects of a show under the overall control of the Producer.

They often develop the vision for a show and carry out the vision, deciding how the show should look, in other words they make their vision come to life. ( Eg. The Legend Lalit Mohan of Old IPKKND.)

They are responsible for turning the script into a sequence of shots. They also direct what tone it should have and what an audience
should gain from the cinematic experience.( Eg -Old Rabba Ve's )

They are responsible for deciding camera angles, lens effects and lighting with the help of the cinematographer and set design with the
production designer. ( Eg -Diwali almost Kiss scene - Lalit Mohan - Camera Angle - Brillaint work )

They coordinate the actors' moves. ( ASR's expression when he came to know that Khushi is engaged. LM re shoot it 20 times. )

The director works closely with the cast and crew to shape the show. Some like to conduct rigorous rehearsals in preproduction while others
do so before each scene. ( ASR's expression after the Guest House scene, Khushi fainted and he was remembering her in his room while watching her blood mark on his hand - emotions showed for a minute but LM explained him the emotions for 20 mins.. that was just WOW )..!!

The director also plays a key role in post-production. He works with the editor to ensure that the emotions of the scene and the close ups, mid-shots and wide or long shots appropriately reflect which character is driving the narrative. ( ASR's first apology to Khushi )

The director also advises on the (colour) grading of the final images, adding warmth or frigidity to the composition of the shots to reflect the emotional subtext of the character or environment. ( Eg- ASR talked to Khushi about his parents while watching the stars..before marriage )

As they are judged by their creative talent and ability to run a production. It is the second most powerful "behind the scenes" profession in the industry, after the producer, but the director ..

Traditionally Director has a complete control "on the floor.

They changed the perfectionist ( LM ), Show suffered and so did the TRP'S...there is still no end it...

Period.


The truth about khushi's engagement scene was shot by Arshad khan not LM, if u see sbs they showed Arshad walking and sarun mentioned hamara director bohot young hai, how do u know all those wonderfull scenes were shot by LM & not by AK? Diwali scene credit also goes to AK. Cvs and gul khan need to sort it out along with SP for promotions
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Posted: 13 years ago
#94
Ideas such as yours makes me realize how much more IPKKND has the potential to be ..how many more imaginative, romantic, exciting directions they cud've taken the track following the kidnapping. SARUN has the talent and chemistry to explore and express any depths and nuance perfectly.
Such a shame that their (CV's) imagination and crative energies seems to have dried up.
I always feel, SARUN deserve better.

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