Madhur Bhandarkar = EXPLOITATION !

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Posted: 13 years ago
#1
this guy makes women centric films and he tends to depict the power side of women, but in actual he exploits it...take any example. I am not against his vision of depicting a RISE AND FALL of powerful but he seems to go overboard. does every woman go through that.

Only Chandni Bar comes accross as the most natural film, and Tabu made it extraordinary any other actress had ruined the film.

Corporate was a disaster, Bipasha couldn't fill the life in the character, she was too glam to look the part. Satta was too loud - Raveena did a good job but something was missing.

every actress in his film goes through sex. i am not against it, but the way he portrays it like he is doing for the heck of it.

i don't count him a great director storyteller, but the industry needs him becoz he's the one getting the light of the shadow for actresses which is difficult in today's times even though its exploitation.

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TheRager thumbnail
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Posted: 13 years ago
#2

Did you see Page 3? That was really good too. IMO Chandini Bar and Page 3 were Madhur's most honest films. After those every actress wanted Madhur on her resume. He was spoilt for choice. Thats why I wish people cast 'actors' not stars in their films.

Edited by -ksh- - 13 years ago
desigal90 thumbnail
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Posted: 13 years ago
#3
Well, how is that any different from some other film makers, like even The Dirty Picture went through a similar route.
If you wanna say that film was just on one actress, not the entire industry, Kareena and Madhur clarified that Heroine is not about the industry as much as its about just ONE actress. Mahi.
I found a brilliant post on bollywhat regarding this topic. Will post it here, because someone compared Bhandarkar to The Dirty Picture. I agree with this statement.

From Bollywhat Forum

Actually, The Dirty Picture seemed very much like a Bhandarkar movie to me. I don't think it took itself any less seriously than Bhandarkar's films. It was aiming to be a commentary on the double standards/ skewed morals of 80s Tamil movie people, just like Page 3 and Fashion (haven't seen Corporate) were commentaries on the type of people who inhabit the socialite/fashion circles. I thought the very positive reaction that TDP got, as opposed to all the flack that Bhandarkar gets for his films, was very interesting. I have a theory that in the case of old hands in the movie business, audiences and critics react to their perceptions of the persons associated with a film, rather than to the film itself, and the TDP/Bhandarkar difference in reception kind of bears that out. Others like RGV and Bhansali tend to be negatively viewed as well, and they have an uphill task convincing people to give their movies a chance. Rakhta Charitra and Not a Love Story didn't get an audience despite being more than decent films. One bad film like Department (allegedly, I haven't seen it) confirms all of people's "RGV is like this only" notions, but the decent films he has made recently don't make a dent in people's perception of him. I guess Luthria gets a pass for a fairly cliched story because this is the first time he is making a film on this theme, and some protection afforded by the "this is a true story" tag. If he churns out a couple more on the same lines, he will be dismissed for being a formula filmmaker as well, even though the audience knows that discrimination and exploitation of women happens all the time even in this day and age, so the stories are not really irrelevant. They just don't want to hear that story from someone who has told a similar story before. The problem is with the messenger, not the message.


Edited by desigal90 - 13 years ago
desigal90 thumbnail
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Posted: 13 years ago
#4
To add more to the topic at hand, I dont think Bhandarkar wants to send out the signal that all actresses are psychopaths who go off kilter when they begin to lose their fame.

But I've read from various sources that Mahi Arora is NOT a typical bollywood Heroine. She has some kinda mental disorder, which adds an interesting dimension to a fall of an actress.
I think my first siggy shows slight shades of her psychotic behavior, lol.
She's really impulsive, off in the head, but completely fictitious.
Bebo said yes, the film industry is another layer to the story, but the film overall is on a completely fictitious character, Mahi.
Edited by desigal90 - 13 years ago
671100 thumbnail
Posted: 13 years ago
#5
yes i forgot page 3, it was a brilliant film from all sorts...though a couple of scenes were disturbed and i think they were way extreme still page 3 had better script and better actors and wasn't overhyped.

some films are not that great but the actors made them great. The case is similar with TDP, it wasn't a great film because it was made on out and out on a commercial format. A little parallel touch to the film had proved a dent to its business so the makers played safe. i don't need to speak about Vidya's contribution again and again. it was actually surprising to see BO numbers of TDP soaring so high because it was way unexpected.

Madhur was good initially because he used to understand the subject but I guess he has pressures from the producer, i mean he got such a great producer with UTV. where i don't think page 3 or corporate or JAIL had such producers. he needs to feed them too so he is now more inclined towards the mass area.
desigal90 thumbnail
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Posted: 13 years ago
#6
Vidya's contribution? Sure she gave a steller performance, but a star's power reflects in the opening of the film.
Kahaani got such a dull opening, though it picked up later, BIG TIME, coz the film was great.

You make it seem like she's some kinda Khan that her presence will make even terrible films get good openings.
No matter how badly Agent Vinod was rejected, it still got a 30 crore opening. Ek Main Aurr Ek Tu also got a 21 crore opening.
Now lets see what Heroine gets.
671100 thumbnail
Posted: 13 years ago
#7

Originally posted by: desigal90

Vidya's contribution? Sure she gave a steller performance, but a star's power reflects in the opening of the film.

Kahaani got such a dull opening, though it picked up later, BIG TIME, coz the film was great.

You make it seem like she's some kinda Khan that her presence will make even terrible films get good openings.
No matter how badly Agent Vinod was rejected, it still got a 30 crore opening. Ek Main Aurr Ek Tu also got a 21 crore opening.
Now lets see what Heroine gets.


Vidya's contribution as an actress dear, and its not abt TDP its all abt her other films as well.

neva said that : but there is something in Vidya Balan that inspite of her boring artsy film choices being projected by people she managed to tick it with the audience and its not just about TDP. its with NOKJ, ishqiya, paa. In all the films Vidya had stronger roles or with her heroes.

Opening of the film? I have always believed Star Power comes off to salvage the movie not to just get an opening, Because after Saturdays the BO numbers flip a new side so it doesn't really shows the Star power.
desigal90 thumbnail
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Posted: 13 years ago
#8
Yes but the budgets of those films were so low, that its much easier to get a "hit" tag. For instance, We Are Family (average) made more than some of her hits. Its just the budget was larger so it was declared an average (hit abroad)

Vidya's contribution is that she chooses GREAT films. She does GREAT films, no doubt about it, and credit where due. But starpower is the ability to turn bad films into hits.
Like Bodyguard. (Salman's credit, NOT Kareena's)

Its differnet to start off low and then through word of mouth have a film become a hit. That's not just the actor, but the film overall that should also be credited. But if a film's OPENING is strong, that has nothing to do with content.
It has everything to do with what pulled audiences in the first place, coz they sure didnt see the film yet. That's where starpower comes in.

P.S.
The Dirty Picture was anything BUT a boring artsy film.

And as for Kahaani, GREAT that it became a hit. But the opening was really low. It grew with word of mouth, and ofcourse credit Vidya for a great performance.
Paan Singh Tomar was also a hit, but we cant really say Irfan Khan has starpower, though he's a tremendous actor.
Edited by desigal90 - 13 years ago
671100 thumbnail
Posted: 13 years ago
#9

Originally posted by: desigal90



And as for Kahaani, GREAT that it became a hit. But the opening was really low. It grew with word of mouth, and ofcourse credit Vidya for a great performance.
Paan Singh Tomar was also a hit, but we cant really say Irfan Khan has starpower, though he's a tremendous actor.


nobody had expected KAHAANI to fetch a great opening, u can google what komal nahta said before the release, the trailer said that the film will rely on the word of mouth and same was with Paan Singh Tomar

Whatever it gets, Kahaani has indeed Boosted Vidya's power to much higher level because she was carrying the film on the shoulders, also one plus point was the budget, Kahaani wouldn't have flopped even with such a low opening.

Kareena hasn't given a solo movie that can actually tell her box office pull. Her chameli was a failure and after that she never dared to try her luck to lead the PACK. So Heroine is a Test For her. All her movies getting great openings shall have their heroes grabbing the credit. the only plus for her that she is an established star but the credit doesn't belong to her. but heroine clicks the credit will be hers
428419 thumbnail
Posted: 13 years ago
#10

Originally posted by: -ksh-

Did you see Page 3? That was really good too. IMO Chandini Bar and Page 3 were Madhur's most honest films. After those every actress wanted Madhur on her resume. He was spoilt for choice. Thats why I wish people cast 'actors' not stars in their films.



I agree with everything you've written.I would also add Traffic Signal to the list.The movies were FAB and such detailing.Laajawab!👏

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1 months ago

The Wives By Madhur Bhandarkar

https://x.com/taran_adarsh/status/1942513142052888659

https://x.com/taran_adarsh/status/1942513142052888659
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