she loves him that dearly.she can never ever imagine a day when samrat doesnt speak 2 his chashmish!
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help help help
Originally posted by: a little faith
I beseech God for sincerity.
I would to continue on from my last post before I move on to another tangent.
Actions are but by intentions. It is a single thought that separates a scoundrel and a gentleman; between hypocrisy and sincerity a turning of the heart.
The hackneyed 'palat' was overhauled and granted an extended journey and an exciting destination by MJHT creators. The 'palats' in MJHT had intensely penetrating meaning beyond mere means; they were a profound ends in themselves.
Two further points of interest for me, in relation to 'praise' of MJHT creators. Firstly the fact that they refreshingly showed a 'guy' palat for the girl. I was deeply impressed and hereby raised the rank of MJHT far above humdrum.
Secondly, in Samrat's realisation sequence in the collage of past memories, the editors pasted together a barrage of Gunjan's palats, that to be frank irritated borderline aggrieved me. However after careful contemplation of this topic, in retrospect I have ascertained that it was not a mere pasting of palats BUT a piecing of profundity. Please grant me permission to explain, so that you may too be imbued by their ingenuity and beauty.
Revolving SaJan
What the naked eye sees as cacophonic chaos the intricate heart's lens may perceive as hypnotising harmony. Many have pointed out before; as the galaxies revolve within the universe, so do the planets around the stars; as the atmosphere revolves around the earth, so do the atoms within everything; as the moon revolves around the earth, so do people revolve around their beloveds.
Mjht added interesting note to the tune; as destiny revolves around objects, so do hearts revolve within people too.
The scenes I chose for this topic are Gunjan's and Samrat's first introductory palats and thereafter their first heart's palats.
[YOUTUBE]http://www.youtube.com/watch?v=2rBYbEvWa5E[/YOUTUBE]
Our first introductory scene of Gunjan, significantly she 'palats' back towards her desk upon which her dupatta is caught. It is a mere empty act, only her body turns back towards the metaphorical object which was the centre of her universe; her heart remains still despite beating erratically with excitement.
As varying as there hearts, rhythms of heartbeats; there are the diverse beauty of palats. The proverbial palat, as depicted upon the majority of magnetic tape; the turning of the girl back towards her admirer along some mystical thread which almost yanks her back like a yo-yo; the slyness of her drift to see if he is still her fisherman. Like Gunjan's first palat; the shallowness of the turning body and mind without a revolving heart following neither preceding.
All the girls that palat towards Samrat yearning that he is still looking at them, alas his heart remained searching for one girl; his girl Gunjan. His soul recognised this difference long before his heart which finally recognized the truth in that collage of palats, that her humble palat was not her turning towards him for recognition, for it was not about him but her...
...her heart had revolved towards its beloved. The involuntary action of a voluntary heart.
Our first introductory scene of Samrat; his body & mind and heart & soul revolving about his basketball, beating along with its dribbling, only ever in front of him unless 'stolen' by an opponent forcing him to turn...
...until Samrat's first sentient palat, defying the gravitational pull of the planet he inhabits, his heart revolves towards Gunjan like some Coriolis Effect. The cacophonic cataclysm echoing only subtle harmony; disorder prevented by fate's diligent preparations.
When did Gunjan heart cause upheaval in her ordered universe? Back within her first palat towards Bhavesh; within the turning of her rebelling heart!
Like this destiny moves mountains, ignites supernovas causing melodious metamorphosis within fragile ecosystems and sets in motion revolutions.