Originally posted by: A_Star39
Part 7: Sushi and Panic ke pakode
The Tokyo skyline outside the panoramic windows of Ruh iBirla Poddar’s penthouse was just beginning to glow with the soft, etherea llight of a spring dawn. Her apartment, a masterpiece of minimalist luxury,hummed with a quiet, efficient energy. Polished concrete, warm wood accents,and strategically placed ikebana arrangements created an aesthetic of serene functionality.
Ruhi, elegant even in her charcoal grey silk loungewear, wasalready in motion. Her fingers, nimble and precise, moved over the touchscreenof her advanced espresso machine, preparing not coffee, but a vibrant,ceremonial-grade matcha. A true Goenka, she handled the intricate ritual withfocused calm, the whisk moving in swift, fluid strokes.
She sipped her matcha, checking the global market indices on her macbook .Her role as the head of GoenkaDiamonds' Japan arm was demanding, requiring a cool head and razor-sharpintellect qualities she possessed in abundance. She wastech-savvy, undeniably cool, and her presence exuded a contained power, a blendof traditional elegance and modern corporate prowess.
A small, delighted giggle broke the silence.
Daksh Poddar, nine years old and already a whirlwind ofcontained energy, scampered into the open-plan living area. He was dressed insoft cotton pajamas, his hair still adorably messy from sleep. He immediatelymade a beeline for the massive, comfortable cushion pile in the corner, wherehe habitually launched into his morning digital adventures.
Daksh (Muttering to his tablet, already immersed in a game):"Almost got you, dragon! Just a few more—"
Suddenly, a loud, pixelated explosion erupted from histablet speakers, followed by a defeated Game Over! chime. Daksh slumped, atheatrical sigh escaping him.
Ruhi glanced over, a fond, knowing smile playing on herlips.
Ruhi (Her voice soft but clear): "Daksh. Language. Andvolume."
Daksh looked up, his face a picture of exaggerated dismay.
Daksh: "Mamma! It ate me! The level boss! I need a TimeOut."
The phrase, "Time Out," hung in the air, a small,bittersweet echo. It was a phrase his father, Rohit Poddar, had affectionatelyused with his family, a playful signal to pause, breathe, and reset. Ruhi'ssmile softened further, a flicker of memory in her eyes before she smoothlybrought herself back to the present.
Ruhi: "Okay, beta. Five minutes of actual 'time out'from the screen. Then, you can help me pick out the vegetarian sushis forbreakfast."
Daksh, momentarily distracted from his digital woes,brightened. He knew his mother, for all her calm, loved a good family drama,especially when it involved Kaira Masi. He bounded toward the kitchen island,ready to contribute to their aesthetic, calm, and strategically planned Tokyo morning.
Daksh bounded back to the kitchen island where Ruhi was nowmeticulously arranging slices of avocado and cucumber for their vegetariansushi breakfast. He leaned against the polished countertop, abandoning hisearlier video game despair for a far more interesting topic: family gossip.
Daksh (Tilting his head, genuinely confused): "Mumma,why does Abhira Masi talk like she’s a TV anchor? She always says things like 'mahabreaking news!' or 'This is a maha big disaster!' And she uses food words forfeelings! Like, 'I have panic ke pakode in my stomach,' or, 'I'm suffering fromanger ka fever.' Is that... is that normal for lawyers in Udaipur?"
Ruhi picked up a delicate piece of inari sushi, examining it critically before placing it on the platter. She let out a small, dramatic sigh, but a playful smirk touched her lips.
Ruhi (Rolling her eyes, then leaning in conspiratorially):"Oh, Dakshu Maharaj, that is a question for the ages. You see, Abhira masi is a wonderful person, but she suffersfrom what we call The Hyper-Dramatic Dialect of the Old City."
Daksh (Eyes wide): "Hyper-Dramatic... what?"
Ruhi: "It’s a condition, darling. It means every smallevent in her life has to be magnified to the power of a thousand. She uses 'maha'to prove the scale of the problem, and she uses food metaphors to prove theinternal emotional trauma. If she's nervous, it's not butterflies; it's 'panicke pakode.' If she's upset, it's not just hot; it's an 'anger ka fever.' Shemakes her feelings sound delicious, but dangerous."
She paused, expertly arranging a sprinkle of black sesameseeds on the platter.
Ruhi: "And the root cause, Daksh? It's all part of hercharm, but mostly, it’s her way of fighting against the Poddar family's 'Maha-Silence-ka-System.'They are so quiet, so controlled, that she feels the need to speak everythingin giant, hyperbolic, tasty phrases just to prove she exists. Just nod andsmile, beta.
Daksh burst out laughing, the absurdity of the explanationsatisfying his nine-year-old logic.
Daksh: "So, if I drop my sushi, should I shout 'Maha-sushi-roll-ka-downfall!'"
Ruhi (Shaking her head, amused): "Absolutely not. Yousay, 'Oh dear, Mumma, could I please have a napkin?' Now, finish yourbreakfast. You need to be sharp. We have a maha-important strategy call with KairaMasi soon, and we need our focus."
The soft chime of the apartment’s smart-lock alerted Ruhi toa delivery. Her Japanese assistant, Kenji, stepped in silently, presenting alarge, square box wrapped in cream-colored raw silk and tied with a goldribbon. It bore the exquisite seal of the Goenka family.
Ruhi set aside her finished matcha and took the box, hercomposure momentarily cracking with genuine excitement. This wasn't just mail;it was an invitation that signalled a major family event.
She carefully slipped the ribbon and lifted the lid. Inside,nestled on a bed of fine paper shredding, was the formal invitation: a thickcard engraved with swirling calligraphy announcing the grand opening of the NairaGoenka Cultural Centre in Udaipur. The hamper also contained a bespokefragrance diffuser and a small silver diya (lamp), making the invitation itselfan aesthetic masterpiece.
Ruhi's eyes, usually cool and focused on stock markettrends, now held a bright, anticipatory sparkle. This was more than a culturalopening; it was the entire family converging, and it was the perfect cover forKaira's strategic maneuvering.
She picked up her phone, the Goenka business flowinginstantly back into her corporate schedule.
Ruhi (Speaking rapidly in fluent, professional Japanese): "Kenji, bijinesu kurasu no chiketto o 2-mai, ima sugu yoyaku shite. Tōkyō kara Munbai keiyu de udaipūru iki. Asunoasa ichiban hayai ben o sagashite. E e, ashitadesu. Sorekara, itsumo no ryokō shorui mo yōi shite. Kaikai-shiki ni shusseki suru ndesu" ("Kenji, please book two business class tickets immediately. Tokyo toUdaipur, via Mumbai. Look for the earliest available flight tomorrow morning.Yes, tomorrow. And prepare the usual travel dossier. We are attending the opening ceremony")
She hung up, a slow, strategic smile spreading across herface. The calm of her Tokyo penthouse was about to collide spectacularly withthe melodrama of Udaipur. Kaira's secret, the "maha complication,"was about to get real-world support.
The morning in the Poddar household was, as usual, a flurryof hurried breakfast, ringing phones, and Kaveri Poddar’s commanding voice. Thekitchen table, unlike the minimalist aesthetic of the Goenka villa, wasoverflowing with newspapers, files, and half-finished cups of tea.
A postman delivered a large, square, cream-colored packagewrapped in raw silk and bearing the distinct Goenka family seal.
Kaveri Poddar, the matriarch, took the box from Vidya, hersharp eyes instantly recognizing the status the invitation represented.
Kaveri (Kaveri's voice ringing with authoritative pride):"Aah. The Goenkas. This must be the invitation for the Naira GoenkaCultural Centre opening. Such fine presentation."
She opened the box, revealing the engraved card and thesilver diya. The inherent prestige of the Goenka name momentarilyeclipsed the recent bitterness.
Kaveri: "This is a social necessity, Armaan. An eventof rutba. We must attend. It shows our standing in the community."
Reactions Around the Table
1. Armaan Poddar (The Humiliated): Armaan, still smartingfrom the ₹2100 lifafa and Kairav’s laughter, immediately pushed hischair back, his face contorted in anger.
Armaan (Bitterly): "Attend?Dadi sa, how can you evensuggest that? After the humiliation they inflicted on us two nights ago? Irefuse to step foot in their maha mansion again!"
2. Vidya Poddar (The Bitchy Analyst): Vidya, Armaan'sstepmother, gave a slow, calculating smile, her eyes fixed on the invitationcard. Her tone was sharp and dismissive, laced with malice aimed directly atKaira.
Vidya (With a cold, bitchy laugh): "Oh, we must go,Armaan. We must! They showed us the extent of their cheapness with the shagun.Now it’s time to assess their daughter. That Kaira Goenka, the one with thehigh-class arrogance, the one who thinks she can assault our boy with ashoe..." Vidya leaned forward, her eyes narrowing. "I will go to testKaira. I need to see aakhir kya hai usme .We will see if that Doctor'sdegree matches her attitude."
3. Abhira (The Conflicted): Abhira, who still held complexlove for the memory of the sister/family the center was named after, foundherself torn.
Abhira (Sighing heavily): "Silly boy, it's a centrenamed after Naira Nina It’s important. But... Mera toh dil dukhta hai.Muskan Mami will just give me another lecture on my 'Bandar' language and giveus a fresh dose of snobbery ka sadma."
4. Manisha "Meenu" Poddar (The Aspiring Samdhan):Manisha, Aaryan’s mother, was immediately thrilled by the social prospect.
Manisha (Excitedly, grabbing the card): "Bade Papa, weabsolutely must go! Imagine the photo opportunities! I must call my designerimmediately! This is a chance to show the community that the Poddars are samdhimaterial for the Goenkas' social circle!"
5. Kaveri Poddar (The Strategist): Kaveri raised her hand,silencing the immediate chaos. Her decision was final, based purely on socialoptics.
Kaveri (Firmly): "Enough drama! We are not going for them.We are going for the reputation of Poddar & Poddar Associates. Wewill arrive late, present a large cheque, and leave early. It is a necessarysocial duty. Armaan, control your temper! We will not let them see us affectedby their small insults!"
The invitation was accepted. Vidya's spiteful curiosity hadsealed the Poddar attendance, ensuring a direct confrontation with Kaira at theNaira Goenka Cultural Centre opening.
The announcement of the Goenka event stirred the Poddarhouse not just with anger, but with excitement and underlying familialtensions.
Tanya Raizada Bansal, Krish's wife, who was pouring herselfjuice, suddenly bounced with over-the-top enthusiasm, clapping her hands.
Tanya (Beaming, eyes sparkling): "Oh my God! The NairaCentre opening! This is incredible! I haven't seen Kaira my bestie! in ages!She's finally back in Udaipur, and this is the perfect chance to crash herhouse and hear all the US gossip! I need to call her immediately!"
Vidya seized the moment, her lips curling into a scornfulsneer, aiming her taunt at Tanya’s social eagerness.
Vidya (With a sharp, dismissive wave): "Just becauseyou married into a Poddar branch doesn't mean you automatically get apermanent seat at the Goenka table, Tanya. Control your excitement. You'll makeus look desperate for their company. And don't forget whose family you areactually representing now."
The insult, implying Tanya was chasing her richer, moreprestigious friends, was acidic. Before Tanya could deflate or reply, hermother-in-law, Kajal Poddar Bansal (Kaveri’s daughter), intervened sharply,defending her daughter-in-law with quiet force.
Kajal (Addressing Vidya with a cold, even tone):"Vidya, control your taunts. Tanya is representing the Bansals now.She is excited to meet a close friend. Besides, she is the one who understand show people from the real elite circle operate. Unlike some people,Tanya’s interest in the Goenkas is social, not an urgent need for an education in manners."
The subtle jab suggesting Vidya's only reason for going washer desire to "test" and learn from Kaira was delivered perfectly.Vidya’s sharp retort died on her lips, leaving a fresh layer of cold hostilitysettling over the Poddar breakfast table.
Kaveri simply watched, counting the number of conflicts thesingle invitation had already sparked. The trip to the Naira Goenka CulturalCentre was going to be a battleground, not a social event.
The story is really 👍 👍 😃 😃 so far apart from the Poddar's ..... Everything elegant & classy 😉..... But Ruhi using maha(sarcastically) in her every sentence is ewww... Please don't use her the maha amazing language of Abhira.... She is enough with cringe language😞, we don't need another🤦♀️...
Not Cute Dakshu asking his maasi speaks like news reporter 🤣 🤣, he is too funny too....
Aryan-Kaira are good using their 🧠s unlike the cringe kappal....
Not Aryan wishing for Goenka style elite wedding & no bandar references in his wedding is 😂 🤣 literally......



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