Is this the end of quality cinema for Bollywood? - Page 2

Yes, this is the end of quality cinema. The only difference is who is talking in this context, a fan or a hater.

Originally posted by: Beywakoof

The question is will they make it big at boxoffice

or are we RE-STUCK at worshipping human beings like us despite their crappy films

Clearly, a large percentage of audience disagrees with you on quality, or they wouldn't have been hits.

I agree with you on poor artistic merit of some films, but people enjoy it. So why not?

Also, the xenophobic comment about South based cringe films!🤦‍♀️ South also makes really rooted films with high artistic merit. Not the wannabe American crap Bollywood spits out.

First of all define ‘Quality’.

Originally posted by: 1t1svat1t1s

First of all define ‘Quality’.

Artistic quality even within commercial parameters.

Genuine, original and heart touching script.

Captivating and absolutely engaging water tight screenplay.

Timeless immense repeat value.

No that’s what OTT is for . Cinemas need a Jawan or Gadar to survive.

Originally posted by: 2RsFan

No that’s what OTT is for . Cinemas need a Jawan or Gadar to survive.

Cinemas used to have pakeezah, mother India, Mughal e azam, lagaan, HAHK, DDLJ, Rangeela, Kaun, Satya, Company, dhkmn, Viraasat, dil chahta hai, tere naam, bajrangi bhai jaan etc etc that were not only supreme quality films with immense repeat value but were big hits as well at the boxoffice.

Originally posted by: Beywakoof

Cinemas used to have pakeezah, mother India, Mughal e azam, lagaan, HAHK, DDLJ, Rangeela, Kaun, Satya, Company, dhkmn, Viraasat, dil chahta hai, tere naam, bajrangi bhai jaan etc etc that were not only supreme quality films with immense repeat value but were big hits as well at the boxoffice.

Originally posted by: Maroonporsche

which film was Kaun ?

The Urmila starrer 1999 thriller

Originally posted by: Beywakoof

Artistic quality even within commercial parameters.

Genuine, original and heart touching script.

Captivating and absolutely engaging water tight screenplay.

Timeless immense repeat value.

All the parameters you mentioned are pretty abstract and subjective. I guess each to their own. All kinds of movies should be made and be able to coexist with each other letting the audience choose whatever they want to watch.

This the typa question that throws me into an existential crisis.