and the way Adi snatched Zoya from the choreographer hand with so much Haq that only he has the Haq to touch her was too good
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Subha you are right he gave Pooja her own space which is the best a husband can do. Given his family background, watching the closest relationship in his life crumble down he should have doubted Pooja or kept a check on her. What does he do? Gives her all the freedom :)Originally posted by: Subha_2601
The dori scene was truly beautiful. I actually liked it when Adi apologized to Zoya for entering the room without knocking. That again showed his gentleman nature. He respects his wife's privacy. He gave that same privacy to Pooja too and Pooja enjoyed as well as misused it but Zoya didn't need that privacy because she needs Adi more than herself.
In the first episode, Adi teases Pooja that he will read her diary. Pooja gets angry and irritated then she becomes nervous. Adi notices the anger on her face and returns it to her saying she always liked privacy and he is giving it to her. Zoya also got privacy from Adi but she rejected it.I found one more parallel between these two scenes. 😆Coming to the haq then I feel in almost every scene, there's haq jatana happened in some way or the other.In the flight, Zoya puts her hand on Adi when she gets scared during the take off. First time, she didn't knew who was the man sitting besides her and unknowingly puts her hand. Second time somittinghe knew it was Adi yet she puts it. That was one sort of haq.Then all the dialogues of Adi in the funeral scene to Zoya were also came out of haq. I was surprised when Adi was telling that to Zoya when he still hardly knew her.All their nok jhoks were also one kind of haq.Zoya entering the bedroom of Aditya to request him to pretend to be her husband in front of Viranis, Adi sneaking into Zoya's bedroom when he was intoxicated due to medicine overdose, drunk Zoya telling Adi to remove her ear rings and bangle...The list goes on...