REBLAST 1 Episode 1 - 5 - Page 69

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indi52 thumbnail
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Posted: 9 years ago
he was just 14
episode 315 (from crooner)


rebecca. one of my mother's favourite books. faded, cracked cover in pale green with a woman against a warm background, a house burning down. memories. smokes and scars.

to borrow from the first line of rebecca.

last night i dreamt i went to sheesh mahal again.

last night i saw two things. one was just a moment and that moment held me still and blown all at once. the other was the story, the love and hate story, the episode.

i would like to talk about that moment today. and priya, thanks for the quote that spells out a crucial part of it.

"the worst part of holding the memories is not the pain.
it's the loneliness of it. memories need to be shared."

lois lowry, the giver

chauda saal ka tha mein jab meri maa ne suicide kiya. my mother committed suicide.

how many times since the age of fourteen has he heard those words inside his head? how many times he has woken up to them first thing in the morning, words that put a bullet in your brain every time. you feel it in your head, in your heart, your skin, your gut. it stampedes behind your eyes, it lacerates your mouth, it clogs up your ears and your nose. yet the words never go away. sometimes you have felt so much you can't feel any more. they just become words that you throw around within you thinking you can escape them, thinking you can go past them, thinking you have managed to internalise them and make peace with it. but you know that's not true. you are scarred everywhere. you just hurt. time doesn't really heal.

somewhere along the way, you begin to feel the need to share this unbearable pain with someone. not that they will make it go away, because no one really can. but because you don't want to be alone in there with your unforgiving pain. what you'd held so close as yours and yours alone wants you to open a door. let someone in.

but who will this someone be?

someone you love? of course, but even more important. non negotiable. someone you trust.


the threshold she crossed today was that of trust. the other crucial piece of that moment. you want to share but only with someone you can trust.

as she rushed in after him, spilling out her heart in those five odd sentences: i didn't mean to hurt you, i just wanted to make you feel better and i don't know what's bothering you, it's fine you never told me, i don't want to change you, if you don't want to tell me it's...

his mind released, his heart said, it's safe, she won't harm you, his soul said, at last. he turned and let the words out. he has been waiting to say it as his mind says it to him for so long. i could hear the years in that instant.

she heard him, through all her unpreparedness, her lack of any experience in dealing with such things, and in the midst of her own confusion, she heard him clearly and she knew what to do.

her arms went around him in an instinctive rushed hug, like first aid, like e.r.; then as she herself calmed she put her arms around him again, this time gathering him into her, reminded me of the time he held her on the cliff bringing her back to life. she brought him back from that edge of darkness and death this time, he cried. his tears again said, i trust you.

what do you do when your father betrays your trust, completely shaking up your sense of trust itself? and your mother is gone suddenly, in a gunshot, in a moment, along with her goes love?

he stayed a prisoner of that moment, trust and love forever an issue. as he said that day of his parents' barsi, no one understands, they only think they do.

today somebody did understand, and he took his first step toward freedom with those words.

the writing, the very thinking, the direction, the execution, every bit of this scene including the lead up and the morning after were inspired, outstanding. khushi deciding a song along with cute loving would make him feel better was a masterstroke. pure khushi, had she broken into serious talk he may never have been able to tear down that heavy iron door suffocating within it his scream.

what stays with me, and may stay perhaps forever:
arnav singh raizada whirling around and two sentences quickly uttered, in a rush, before that heavy iron door containing his scream slams shut once more. then a still, blown away moment.

i have been part of a such a moment in someone's life once. maybe because this person also blurted it out just the way arnav did before something could come and stop him like always, that i felt everything rang true. we are in the hands of fine story tellers indeed.

arnav has crossed the first threshold, may he pass easy through all those waiting as the smoke seeps out, as the gate opens, the conch shell blows and the battle begins, and he dreams of sheesh mahal again and again, but now with khushi, not alone. till one day there is no more again for that dream.


indi52 thumbnail
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Posted: 9 years ago
dance with me, live with me
episode 315



a dream had woken him again, a nightmare really. she wanted to calm him, let him know she was there no matter what. perhaps all that had happened since his grandmother had come and derided her, had built her confidence, for he had simply walked right up to that derision, that insult, that casting her out and said... don't you dare. and if you do, remember, i will be where she is...


perhaps because she had felt his overpowering abiding love as he had held her hand and taken her away with forceful stride. he was about to leave but then he had turned and given her a long look then before his grandmother's eyes, reached out, held her hand and taken her along with him... together. pati and patni. had she thought of that first time he had held her hand like that and walked out in front of all? the night of their becoming husband and wife? he had hated her then but yet, he had had to reach out and catch her hand and take the steps with her to their new reality.


and now he stood outside looking up, torment writ large on his face, and she so lost, for she knew him so little... it was a tense moment, there may have been many ways of dealing with it. but khushi knew only one... the one touched with the magic of innocent sanka. flaky, some might say silly, but some might see the power of the untainted in its heart. arnav singh raizada dealt with brutal betrayal and pain by wrestling with the animal, trying hard to keep it at bay, confronting it roundly and slamming into it, grappling with the whiplash head on. khushi on the other hand, tried to reach through pain and find some light... her taarey, her conversations with devi maiyya, her vishwas.


she could do that perhaps because that is how she was made and also no doubt because of the nature of the hurt she had suffered. both had lost their parents at one go, both were children at the time. but one's parents had gone in an accident, the other's in the denouement of betrayal, broken trust; in extreme violence committed on one's own self.

but this young girl who had just started to completely trust the relationship that had come into her life, was not to know that. all she knew was, her arnav ji was hurting and she had to make him feel better.


she did it her way.

with song, a nice hindi film song which said in a nice hindi film way, come, my lover, let me love you... let me take all your pain away.

she said it with a dance, a slow, not dance like dance. her arms flowing out, catching him and twirling him and stopping him and pushing him and holding him... her hands always reaching him, saying things she couldn't say in words.


might have been terribly corny this sequence, but the director was sensitive, the writer used a simple song to create another space, a hut was not available tonight, but the poolside was here where there was always magic by the shimmering water. though really it was sanaya irani's deep understanding of the moment and her graceful pirouette through it that made it all so moving and beautiful. and barun sobti moved in tandem, his expressions, his emotion never losing touch with the grim despair within and that love that had changed him forever.

a young girl and a young man, both vulnerable and yet so strong, in the midst of the vicissitudes and turbulence of life. the perfect time to break into a lilting song and some filmi loving.


aaja piya tohe pyaar doon
come, my love, i'll give my love to you

gori baiyya tope vaar doon
i'll put my fair arms over you

kissliye too itna udaas
why are you so forlorn?

sookhen sookhen honthh, aakhiyon mein pyaas
your lips are dry and thirst is in your eyes

kissliye, kissliye
why? oh why?

jal chooke hain badan kayin, piya, isi raat mein
much has burned, my love, in this night

thake huwe in haathon ko, de de mere haath mein
these tired hands of yours, give them to mine hands

sukh mera le le, main dukh tere le lu
talke my happiness and i'll take your sorrow

main bhi jioo, tu bhi jiye
(that way) i too will live and so will you

aaja piya...
come, my love

the song is sung by lata mangeshkar, lyrics by majrooh sultanpuri, music by r d burman... for the 1967 film, baharon ke sapne with rajesh khanna and asha bhonsle in the lead.


indi52 thumbnail
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Posted: 9 years ago


come with me, in love in hate in joy in sorrow in beauty in bereftness in life and what comes after, i will hold your hand and never let go, will you come with me?

episode 315



indi52 thumbnail
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Posted: 9 years ago

he knows why she hugs his sister and that crazy tender love comes rushing, a little flirting must be indulged in on these steps, where so much has happened... nothing like a slightly dazed and much in love wife to glance back at on your way to work. especially one who has asked if one must pay tax to check out one numbers arnav singh raizada.

episode 315





indi52 thumbnail
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Posted: 9 years ago

so what! she is my wife and she will go where she pleases, do what she likes. i wonder if he remembers a time when his mother was not given the right to live her life her way in a house that still gives him nightmares. if his father never gave his wife the respect and honour she deserved. we know he didn't give her the love she had a huq on. did he decide in the suffocation and slight of sheesh mahal to never treat women in that manner, and is that why he insists she take her huq. make him hers as much as he claims his huq on her.

episode 315



Horizon thumbnail
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Posted: 9 years ago

Originally posted by: indi52



come with me, in love in hate in joy in sorrow in beauty in bereftness in life and what comes after, i will hold your hand and never let go, will you come with me?

episode 315




Beauty!
the words,the edit..the essence of a marriage...
Horizon thumbnail
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Posted: 9 years ago


I have been a happy IPK camper lately... having the bliss to watch the reruns on SP.. on bigger, better screens. The one to air today..

this episode, especially this frame always takes my breath away... they both imbued with their own thoughts.. yet when they came together.. it was picture perfect!

Her fierce assertions, blatant remarks.."bhad me gaye aap. Bhadme gaye aap ki naukri" playing in his head, how could she abandon his job, him in a whisker??..

And the contract...

Did it even occur to him at this point? The contract he himself devised and designed...that is completely out of window .. just like the other one he coerced her to sign 8 months later that became totally irrelevant at least for him.. how she remained elusive to the equations of his head .. how he is utterly taken over by his heart just at her thought...to his chagrin...

Why she didn't let him say a word...how dare is she...

And Her:

Last couple of episodes utterly dedicated to depict her bewilderment as to why she is not pleased even after her resignation. She should be happy to be leaving his office, him... that rakhsas..isn't it..then why the very thought of not seeing him again seems quite unsettling, pricking.." yes, I don't have a need to see his face again".. her voice waning as she tried to convince herself at that "need" as if negating the crux of it. Poor, little Khushi...her believable perplexity, fear as to when and how she is being touched, ready to be swept away by the soaring tides of this ocean...that seem raging yet protective!

She has run away from him.. to save herself from these bridled emotions...

He had no idea when and how he strode and set himself just next to her. She, a little sober of the two, slid away gently as if unable to cope with that proximity...a slight coy, hesitation, self- defense... a beautiful directorial touch...

Their brushing into each other after being suffused in each other's thoughts for the past day or two.. this episode hypnotizes ..

The world of asr and khushi... peeped into either separately or together.. is an immersing musicale..

indi52 thumbnail
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Posted: 9 years ago
^^^

thanks indu,


while writing last night, i looked at the lyrics properly for the first time in forever. and the whole depth and understanding of a feeling, then translating it to words took my breath away.

that main bhi jioo tu bhi jiye...

how much in it. in barely eight syllables a whole story of two people's lives. and of a sort of loving that you never think is possible till you're in it.

sukh mera le le, main dukh tere le lu
take my happiness and i'll take your sorrow

main bhi jioo, tu bhi jiye
(that way) i too will live and so will you

because i can't live if you're unhappy... i can still live if i am unhappy, but you? somewhere an echo of khushi's way of loving arnav ji in it, and maybe in his brusque dammit way, he says that too and only she can hear it.

this inspired writing in hindi songs.. i do miss. this one is by majrooh sultanpuri. my other fave comes to mind, kaifi azmi's yeh nayan...

raat haseen (night's beautiful)

yeh chand haseen (this moon is beautiful)

tu sab se haseen mere dilbar (you're the most beautiful one, my lover)

aur tujhse haseen (and more beautiful than you...)

aur tujhse haseen tera pyaar (is your love)

tu jane naa (you don't know)


at tu sabse haseen, i sigh, but at tujhse haseen tera pyaar a defibrillator would be handy, though at tu jane naa, the need for it will end.

in this song too... that main maan bhi loo kabhi haar. a different kind of love felt and written of here, a kind we perhaps lose touch with every day, then wonder what went missing.

actually, i don't think i have heard love songs like these in english ever. in the song of the african slaves in america... in some kinds of jazz, there is this intensity, a certain rawness, a flinging of the human soul out there, stretching the emotion all the way. but for the man woman love, the simple connection of pyaar/mohabbat/ikraar, the love so much written of and in so many ways, the older hindi songs i feel are unique. they take it to places so unknown and terribly beautiful... wonder if the influence of ghazal and its unbridled love comes into play. it's not a soppy smarmy sacrificial sort of soupy love, there is real giving in it and almost a magnificent one, there's need, desire, play, longing, breaking free.

... take my joy and give me your sorrow so that both you and i may live. just look at that. there is a wanting to live and own in this love... to go to lengths farther because that love lets you... and interestingly no achhi bahu patriarchal note in it... yeh nayan is sung by a man as are many of our love songs by the writers of the fifties, sixties, seventies, gulzar even now...

of course, the directors asked the lyricist to write a song and give a certain nuance or note to it, describing the scenario, etc., but then the poets, yes they were all that... took the brief and brought their sensibilities to it and their fabulous grasp of language... urdu/hindi... in its most distilled elegance and depth. and the fab composers of the time stepped in, together what beauty they created. too many songs are in my head, too many writers, and singers and actors and images...

yeah, the hindi film love song... something else.







Edited by indi52 - 9 years ago
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Posted: 9 years ago

Originally posted by: indi52



beautiful edit and a thoughtful, thought provoking take, as always, indu. and given the fact that neither you nor i are quite ourselves when a man is in this particular maza g etting mood, i must commend you even more that you were capable of any thought at this point. 😆

actually that element of depth in a sequence like this astonishes and floors me... what can become just light and zippy somehow never remains only so, always there's more in the communication... actors, directors, writers looking for something beyond the ordinary in such moments. i thought that ego talk was a superb touch. and of course, never letting the laughter become so loud so heartless that the love got eclipsed.

it is true, ipk was layered, nuanced, intelligent, perceptive, and sometimes it understood a moment so completely it became a whole story in itself... many times, an epic (la and asr break up, one of those). i guess which is why we could get past the ridiculous things on the larger visible layer and stay mulling and going a bit mad over the rare precious things glittering amid the ordinary, the trp led, even the dadi.



Sorry for the late response.
thank you for reading my 307 and sharing your thoughtful comments indi..

That asr- La break up was remarkable not just for him but for how it set IPK apart for the subtlety with which it was dealt..which could have been much uglier.. remained with me as a special..

great analysis of when his catharsis actually happened.. it sure started with that reflection of "khushi".. and reached crescendo on that cliff top... some where in between while he sat alone in that desolate dungeon is where i thought he whole heartedly embraced this indisputable,inescapable truth/ state of his...
that hamesha convo..

I was not watching Kalidas's Meghdoot...and would have perhaps laughed off a man and a woman having a soul talk over open air waves in the millennium..there it went.."kya tum sun sakthi ho"... .their sheer urge to reach out to the one in their heart...their till then stifled inner voices finding the air waves... his guilt, pain...esp how their last discord at the airport...could I just reach and hug him? them?...it was convincing.. it was touching..

I have to bring in that middle of the road break down of a man whose core suffered a sudden death.. the bitter torment of a decision maker...a moment he couldn't imagine a life with out her... yet when that is the reality of the hour..it is acting, it is direction, it is the narrative of a colossal heart break..

People talk about khushi missing his grand chopper entry..no i didn't miss a chopper entry... but i did miss her break down..a well meant girl who has been pushed to all kinds of corners wouldn't have an inner talk!? ...the reason I couldn't connect with her as much as I did with him..

She did with me in one specific moment latter on.. 302/ 303 end , not sure of the number.. when he dropped her at the GH where she had obviously taken the hard decision not to go back to him again.. she turns back and looks at him... one last time..her dilemma and difficulty ..
and his absolute innocence as to her gloomy disposition.. a moment that stayed with me in these latter epis..

digression, sorry, i was trying to respond to couple of your earlier posts..

thanks much indi..
Edited by Horizon - 9 years ago
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Posted: 9 years ago

Originally posted by: Horizon



I have been a happy IPK camper lately... having the bliss to watch the reruns on SP.. on bigger, better screens. The one to air today..

this episode, especially this frame always takes my breath away... they both imbued with their own thoughts.. yet when they came together.. it was picture perfect!

Her fierce assertions, blatant remarks.."bhad me gaye aap. Bhadme gaye aap ki naukri" playing in his head, how could she abandon his job, him in a whisker??..

And the contract...

Did it even occur to him at this point? The contract he himself devised and designed...that is completely out of window .. just like the other one he coerced her to sign 8 months later that became totally irrelevant at least for him.. how she remained elusive to the equations of his head .. how he is utterly taken over by his heart just at her thought...to his chagrin...

Why she didn't let him say a word...how dare is she...

And Her:

Last couple of episodes utterly dedicated to depict her bewilderment as to why she is not pleased even after her resignation. She should be happy to be leaving his office, him... that rakhsas..isn't it..then why the very thought of not seeing him again seems quite unsettling, pricking.." yes, I don't have a need to see his face again".. her voice waning as she tried to convince herself at that "need" as if negating the crux of it. Poor, little Khushi...her believable perplexity, fear as to when and how she is being touched, ready to be swept away by the soaring tides of this ocean...that seem raging yet protective!

She has run away from him.. to save herself from these bridled emotions...

He had no idea when and how he strode and set himself just next to her. She, a little sober of the two, slid away gently as if unable to cope with that proximity...a slight coy, hesitation, self- defense... a beautiful directorial touch...

Their brushing into each other after being suffused in each other's thoughts for the past day or two.. this episode hypnotizes ..

The world of asr and khushi... peeped into either separately or together.. is an immersing musicale..


Hey devi maiyya the memories Indu di.. of the sheer vibrance on screen. The sindoor on her.. Red against a creamy white. Pink and red gota laden chunaries on the girl and for her devi maiyya, his brown, on the outside and in the eyes.. Plus the mehendi.. another day his letter (and hers too samjhe aaap??) will be part of this mehendi.

Plus the smart camera work..the pans and zooms.. full length breathtaking visuals of two gorgeous people.. In this scene and the following one where even Payal and Akash looked sweet.

Very nice reminder of how they invested in portraying the girl and the garbar she felt.. the turmoil of hating a rakshas and still wanting to turn back and look at him.. felt real.. felt exciting.. Very interesting comparison to the 2 contracts. Silly me, I had not even given the similarity a thought before you pointed out. One does tend to simply get lost in the love story and forget logics and loops that close..

Love this run in.. thanks for bringing it here.. and just like Khushi and ASR, probably we were both deep in the thought of ipk, and look where we ran in..

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