Your views on preceding 3 episodes?

I want to know where the opinion lines up, as I found the last three episodes to be pedantic and lethargic, while in other threads I have read a few threads that show a liking to this new direction.

Body doubles body double body doubles

Oeh 😊

Am still in the wait n watch mode! Track has possibilities but not too gripping yet...And Vishal looks too cute to be bad...Lets hope things spice up soon...fingers crossed

Mala track did not work. It was one of the most important tracks of the show- the reconciliation of Rudra and Mala and Paro being the catalyst. However, with the tendency of the writers to constantly focus on just one character to the detriment of not only the other characters but even the story narration led to it's failure. This has been building up for sometime, I don't recall one scene when Mala was with Tejawat in happier times where she was pining for her son, even secretly. She seemed to remember Rudra when she was in shackles, juxtaposed to Rudra crying over and over again for his mom. If it was a tool used to create suspense about who could be Rudra's runaway mom and keeping her identity in wraps, it backfired tremendously, as no sympathy for Mala meant no empathy for the reconciliation. Dilsher's volte face and Paro's insistence did not help either, why support a mom who seems selfish and self absorbed upto this point. Why does Paro even care about Ranawats if Rudra is wrapped around her finger? Some of her need to have her own family and own home and strong relations as an orphan, if developed, could have mitigated some of the backlash.

Originally posted by: showviewer

Mala track did not work. It was one of the most important tracks of the show- the reconciliation of Rudra and Mala and Paro being the catalyst. However, with the tendency of the writers to constantly focus on just one character to the detriment of not only the other characters but even the story narration led to it's failure. This has been building up for sometime, I don't recall one scene when Mala was with Tejawat in happier times where she was pining for her son, even secretly. She seemed to remember Rudra when she was in shackles, juxtaposed to Rudra crying over and over again for his mom. If it was a tool used to create suspense about who could be Rudra's runaway mom and keeping her identity in wraps, it backfired tremendously, as no sympathy for Mala meant no empathy for the reconciliation. Dilsher's volte face and Paro's insistence did not help either, why support a mom who seems selfish and self absorbed upto this point. Why does Paro even care about Ranawats if Rudra is wrapped around her finger? Some of her need to have her own family and own home and strong relations as an orphan, if developed, could have mitigated some of the backlash.

So, now with a quick peace between son and mother they have moved to next track. One has to wait to see how this track is handled by writers and creatives. If it boils down to two good-looking, muscular men trying to get back each other constantly, can't say how long the makers can sustain the attention of viewers. However, if all the principal characters are developed and given space and the dynamics of relations are shown changing gradually with this new threat to the Ranawats, it would be interesting.

Like with the Tejawat, Laila, Mala tracks, it depends how the CVs execute the story. With proper weightage to all characters, gradual development of story and balanced, sensible screenplay interest can be generated. Concept wise I can see several positives, another loop of Varun's death getting a closure, Paro's widowhood questioned, consequences for Rudra's uncontrolled anger at battlefield where he killed all witnesses even after the threat to border was neutralized, his and Paro's reexamination of their relationship, Mala and Dilsher's support to them, Mythali and Samrat getting close to Parud in turn getting their support in tackling Mohini, Mohini jeopardizing her own security in her pride and anger, Sunehri realising her folly of trusting a stranger (growth from a kid, to a mature young lady). So, the possibilities are many if the CVs don't continue with their one sided story telling. One remains in hope that this show will get more interesting and get more appreciation.

ashish is juggling between two shows...lets wait n see how it plays...rr direction was awesome till maha shivratri...i wish they get back the very first director of the show...each epidode was beyond brilliance technically n story wise... very magnetic...😊

Everything is being rushed - probably due to Ashish's unavailabilty to a show that brought him so much limelight, as well as the monsoons.


Also, scenes in US are being chopped because they are much shorter than the videos loaded on desi**fo***.net.


I have experienced MLs wandering off to other projects, and thus I am more unhappy.

I am looking forward to new villain entry as it may bring Parud relationship to the forefront again. Am tired of Mala and her deadpan face. Thank God there is no Ashish crying any more.

Change of sets is due to current set leaking and frankly I dont care, because new sets are also supposed to be very good.

Do other people feel Rudra is not showing his mardaangi as he used to earlier ?

Originally posted by: showviewer

Mala track did not work. It was one of the most important tracks of the show- the reconciliation of Rudra and Mala and Paro being the catalyst. However, with the tendency of the writers to constantly focus on just one character to the detriment of not only the other characters but even the story narration led to it's failure. This has been building up for sometime, I don't recall one scene when Mala was with Tejawat in happier times where she was pining for her son, even secretly. She seemed to remember Rudra when she was in shackles, juxtaposed to Rudra crying over and over again for his mom. If it was a tool used to create suspense about who could be Rudra's runaway mom and keeping her identity in wraps, it backfired tremendously, as no sympathy for Mala meant no empathy for the reconciliation. Dilsher's volte face and Paro's insistence did not help either, why support a mom who seems selfish and self absorbed upto this point. Why does Paro even care about Ranawats if Rudra is wrapped around her finger? Some of her need to have her own family and own home and strong relations as an orphan, if developed, could have mitigated some of the backlash.

So, now with a quick peace between son and mother they have moved to next track. One has to wait to see how this track is handled by writers and creatives. If it boils down to two good-looking, muscular men trying to get back each other constantly, can't say how long the makers can sustain the attention of viewers. However, if all the principal characters are developed and given space and the dynamics of relations are shown changing gradually with this new threat to the Ranawats, it would be interesting.

Like with the Tejawat, Laila, Mala tracks, it depends how the CVs execute the story. With proper weightage to all characters, gradual development of story and balanced, sensible screenplay interest can be generated. Concept wise I can see several positives, another loop of Varun's death getting a closure, Paro's widowhood questioned, consequences for Rudra's uncontrolled anger at battlefield where he killed all witnesses even after the threat to border was neutralized, his and Paro's reexamination of their relationship, Mala and Dilsher's support to them, Mythali and Samrat getting close to Parud in turn getting their support in tackling Mohini, Mohini jeopardizing her own security in her pride and anger, Sunehri realising her folly of trusting a stranger (growth from a kid, to a mature young lady). So, the possibilities are many if the CVs don't continue with their one sided story telling. One remains in hope that this show will get more interesting and get more appreciation.