If I had a daughter who, after a harrowing day and night in captivity surrounded by a bunch of ruffians, interprets what the gang leader says after the other guy slaps her (that as her father is going to cough up the ransom, there is no need to hit 3 crores; if Manav had not been ready to do so, he himself would have ordered her to be shot in the head) as his fighting with the other chap for her, and adds, as a clincher, that "humare apna sa lag raha tha" (he seemed like one of our own), I would say that she needs to have her head examined pronto.
This in not a film by my namesake M.Night Shyamalan for you to be talking of the sixth sense, it is PR. So just chalk it down as another crass piece of CVs' folly, and do not go about adding unwarranted entries to your ladli's bio.😉 Next you will be saying that she is also an akhandasowbhagyavati (the equivalent of the Bharat Ratna for heroines of TV soaps)!!
As for the Arjun-Purvi love or other scenes, I stand by my review that they are getting to be increasingly trite: what is it with Main ab tumhare bina ek pal bhi nahin rah sakta! One cannot be more pedestrian than that. It does not even have the virtue of the high romantic to rescue it, like the one about the dil jo dhadakna bandh kar dega. This is plain boring stuff; the CVs are getting lazy.
What is the use of having such an AAA pair if this is all they get to work on? I think that if the director would just let the pair ad lib their scenes, they would do much better; they are both bright, peppy young people. Not that this is going to happen, and now there are probably only a few unclouded moments between the two that could have been used to excellent effect, which makes the present mush an even greater pity.
And how many times are we to watch that Nandi scene? Nandi himself must be saying to himself: Kya, yeh log phir se aa gaye mere kaan bharne! (pun intended) (What, these people are here again to fill my ears ! Kaan bharna also means to incite someone against someone else, thru false gossip). It only shows a complete bankruptcy of imagination as far as the script writers are concerned.
So, for any hatke scenes, we shall soon be reduced to Vishnu, who will undoubtedly oblige. He was very good at the end of that mini-confrontation with his baba, when Balan glares at him and Vishnu looks back at him, half sheepish and a little afraid, yet half determined.
But what a fall that will be, my fellow gang members (apologies to Mark Antony) !
Shyamala
PS: Apologies for having missed out on the pundit; I must put it down to having had no chance to watch the half hour, even 19 hours late, in any kind of peace and quiet!
Originally posted by: soapwatcher1
Ah, my beautiful tirade against your ladla, Arch, is gone, vanished into thin air - drat this phone!
Arch/Jyothi/Abhi, my ladli needs only one sasuma not all the mausis turning against her as well! Actions speak louder than words and the girl has done enough, the jail scene, the tender hospital scene, the asking her Aai to bring him home, her general stepping out of bounds of her comfort zone, doing his dishes, cooking, feeding the guy, surely you don't expect much more?? Leave the poor girl alone, please. And as Shyamala points out in Indian weddings, it is the guy that does all the promising. My ladli is shy, demure and oh so sanskari, all qualities that made your ladla fall for her hook, line and sinker.. You don't want her changing, do you?
And for that matter, what is this habit of Arjun's, making my beti wait for him at every turn? You guys need to teach him the value of punctuality, he cannot be late to every tete a tete with his lady and mere apologies won't cut it either sans flowers, sans candy, sans some pretty earrings as appropriate expressions of contriteness.
Shyamala, you are poking fun at my rightful indignation at Vishnu? No, I was not getting upset wih him about the kidnapping but at the thought that he wanted to ruin my beti's engagement. He will not harm my ladli, yes, his promise to his maayi is like a kavach that protects Purvi. Sentimental she might be, maudlin never so please don't decry her "humare apna sa lag raha tha" dialogue with her Aai, she has sixth sense along with her sanskars, an unexpected boon for Arjun and all his mausis, you couldn't ask for more!! :)
Aside: Shyamala, there was a pundit present, no slokas but definitely a pundit. Good for Archana, done like a proper engagement should be done, warm, personal with family and well washers. I liked the shoulder shoving, at least it was different (a little irreverent on Arjun's part, he is usually more doting lover) than the other interludes between them which end with them turning mushy and anxious as to their future.