MHRW’s great failure . - Page 2

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Posted: 3 years ago
#11

Originally posted by: euphoric

Usse toh allergy hai. Forget just this track... they have never given any POV to Pallavi

Cvs missed taking advantage of many moments where Pallavi could have impressed audience with her stands and POV.


ITV shows are more about Female lead than male lead , really surprised to see how badly fl is treated in MHRW .

Ml and fl aren’t equals here , ml’s story is shown multiple times like chewing gum that numerous versions of why money is his passion confuses me , whereas Fl’s background is still a mystery .

Edited by Couch.Potato - 3 years ago
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Posted: 3 years ago
#12

Sorry for mistakes in my reply, Neela? 😅

I was half asleep 🤣

Wilddreams thumbnail
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Posted: 3 years ago
#13

Originally posted by: Couch.Potato

Sorry for mistakes in my reply, Neela? 😅

I was half asleep 🤣

Sorry for what😆

Alia 🤗🤗

I waiting for Pallavi's outburst on soulmates eagerly 😎

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Posted: 3 years ago
#14

Originally posted by: Wilddreams

Sorry for what😆

Alia 🤗🤗

I waiting for Pallavi's outburst on soulmates eagerly 😎

I had written Fl in place of ml and vice versa .

I hope I didn’t confuse you , 🤗

edited my post afterwards 😆


🤗

I am waiting for strong Pallavi eagerly 😎 Still holding onto show for that .Writers better not disappoint me .

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Posted: 3 years ago
#15

Originally posted by: Couch.Potato

Cvs missed taking advantage of many moments where Pallavi could have impressed audience with her stands and POV.


ITV shows are more about Female lead than male lead , really surprised to see how badly fl is treated in MHRW .

Ml and fl aren’t equals here , ml’s story is shown multiple times like chewing gum that numerous versions of why money is his passion confuses me , whereas Fl’s background is still a mystery .

.

Certainly, they have missed on that nuances. Even during Mandar track, I was dying to see her POV's but that was left to interpretations. I have seen shows that have relied on the story of MLs but nonetheless, it is important to delve on the emotional nuances of both the leads if you want your audiences to connect with them. I can understand why money is his passion... sometimes thats what you are... and with his difficult childhood and all.

But even if the FL is strong that doesn't mean she's emotionally stoic or immune. Only during Hyderabad track they delved on it. Her lashing out during lota scene was the last emotional turmoil she exhibited if I am not wrong. Thats an opportunity that fail to capitalise. I am hoping they give her a decent exposure, stage and right dialogues at least in the revelation scene.

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Posted: 3 years ago
#16

It's really sad that no tracks are Pallavi focused off late, we never get her point of views or her monologues or her emotions on the fore.


I was just thinking last week that Pallavi is such an underrated character. She's beautifully written with some flaws but beautiful nonetheless. She's an ocean of love and compassion and niceness. I really wished they showed her emotional side too, it would help the audience to connect with her. After all, she's one half of the love story.


I'm really sceptical of the revelation because they will fail to show her turmoil and pain (Shivi can be brilliant in it). The post seduction scene was so flat I don't want to even begin.

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Posted: 3 years ago
#17

Originally posted by: joliefemme

It's really sad that no tracks are Pallavi focused off late, we never get her point of views or her monologues or her emotions on the fore.


I was just thinking last week that Pallavi is such an underrated character. She's beautifully written with some flaws but beautiful nonetheless. She's an ocean of love and compassion and niceness. I really wished they showed her emotional side too, it would help the audience to connect with her. After all, she's one half of the love story.


I'm really sceptical of the revelation because they will fail to show her turmoil and pain (Shivi can be brilliant in it). The post seduction scene was so flat I don't want to even begin.

Exactly na Ren... how much we speculated next track could be her background... when Sunny fetched out her birth certificate I was really hopeful. But nonetheless, they didn't divulge much into it. They didn't delve into her turmoil and confusion post seduction attempt. She's brilliant the way she's written, but her state of mind, her side of story, what she feels, what she goes through, these things are never spoken about.

I am really keeping my hopes pined on the revelation. I want her to react. Shivi will be brilliant.

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Posted: 3 years ago
#18

Originally posted by: Couch.Potato

MHRW's tracks lack impact they could otherwise create , due to a lack of attention on the female lead's emotions. I won’t go in details about this injustice done in past tracks , will limit to current one for now .


instead of presenting flashbacks of Warangal nights, the makers could have focused on Pallavi and her thoughts about the whole scenario in the background.


Shweta / Esha will be mistaken for the female lead by any new viewer as since the beginning of this track, the focus on Shivangi/ Pallavi has waned.

They go into excessive detail regarding Esha and EsGhu without disclosing Esha's objectives; if they wanted to prolong the encounter, they might have just concentrated on Pallavi's feelings following yesterday's devastating scenario, but instead, they entirely forgot about it and gave such filler scenes today . They don't pay attention to Pallavi at all. Which is quite unfortunate.


And this is where MHRW failed , they didn’t treat their female lead as lead character much. Other shows flourish because they do cash on fl’s emotions and story . How I wish shivangi’s skills and Pallavi’s character was utilised well by team MHRW !

Pallavi has become like a heroine in Masala Bollywood film. It focuses on the ML and the FL is there only for romance and drama. She has no past, no importance is given to her emotions, feelings and her thought process. She fell from high heavens and landed straight at D-house. There was a fine when the show's usp was RaghVi, atleast some of the scenes indicated that. But now, it is just RaghRagh. Pallavi, woh kaun? Mein toh nahi jaanti.

Shivangi has been given neither good dialogues nor good scenes. It is waste of such good talent. Show's usp has changed to Raghav and his intentions, his actions, his emotions, his reactions. Ussmein bhi they dont show Pallavi's emotional turmoil and reactions.

Khair, I think we can expect a lot from SS. After all what can be expected from someone who says Raghav is "human", Esha is "iconic" and MHRW is "realistic" ? Lol.

Edited by missFiesty_69 - 3 years ago
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Posted: 3 years ago
#19

Originally posted by: euphoric

Exactly na Ren... how much we speculated next track could be her background... when Sunny fetched out her birth certificate I was really hopeful. But nonetheless, they didn't divulge much into it. They didn't delve into her turmoil and confusion post seduction attempt. She's brilliant the way she's written, but her state of mind, her side of story, what she feels, what she goes through, these things are never spoken about.

I am really keeping my hopes pined on the revelation. I want her to react. Shivi will be brilliant.


Humare speculations kabhi sahi nai hote. We should write and produce our own show


Despite all things that are lacking in terms of emotional aspects, Pallavi will always be a character that I love the most. Her resilience and her compassion pulls at my heart strings. There's hope for Raghav in this world because he has a Pallavi.


May be next track is her past related to KR. Fingers crossed.

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Posted: 3 years ago
#20

Originally posted by: euphoric

I agree. There have been many instances in the past where they have missed to give Pallavi's POV and explore her inner state of turmoil. There were scope of many poignant scenes. Unfortunately in previous tracks too, her motives were led to people's assumptions and thats why she drew a lot of flak.


Her contemplation on deed night will come when she finds but definitely, they should have explored her contemplating on Raghav's changed behaviour and also her disappointment from the previous night. Instead she was made the conflict mediator to the staff. Its time, her emotions and feelings are explored too.


However, I don't agree that Esha may come across as the lead... but makers do this quiet often with the leads here. To make the third person look appealing or smart or whatever, they dumb down the leads.

Mandar got a lot of screen time too during his track.

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