As in previous tracks, they have blundered yet again on two fronts.
Firstly, the CVs seem to have an unfortunate and consistently mistaken assumption that their feelings are mirrored by majority-audience.
They might be perhaps prudent and not confuse online reactions with majority-audience. For reference, they could have a look at how much online reaction is there for most of the steadily TRP-topping serials.
Look at your accountbook's profit and loss columns, and then look at the customer-service ledger for the opinions which match so that you can get more detailed points about increasing the profit (viewership by crores). Don't do it the other way round and prioritize the customer-service ledger, then end up with losses continuing and manifesting.
Raja may be safely considered mass-forgiven regardless of what he did or did not do. If mass-audience likes the pairing, they will permit not even the most atrocious misdeeds of either to hinder that - the only difference being that the male lead is condoned for misdeeds, the female lead is not.
Secondly, while they may show JM appalled by the family's harsh reaction, they should keep in mind that the CVs/channel are not the female lead, and the majority-audience are not the supporting actors to stand and continue the confrontation.
Most importantly, the CVs can script the track, but not the TRP-result.
The lead actors and supporting actors stand in place and enact dialogues and reactions as scripted.
But if half of that equation opts to walk out, and the other half has to deliver the scene, it does not make for a workable scene.
The CVs are the half of the equation that can be counted on to stand and continue, because what they are presenting is their idea and what they consider worthwhile.
The majority-audience is the crucial half of the equation that stands and makes the track-continuance possible. If they opt to switch the channel, the equation and the track become nonviable.
The CVs have opted for a track which works only in the regressive frame of the wife forgiving the husband. The worse his misdeed, the greater her forgiveness, the more popular she becomes, the better the track works and segues with continued sterling viewership into the immediately consequent track of the couple's reconciliation. The downside is that the longer she takes to forgive him or the worse he is persecuted, the less the track works and the less affordable to continue. Exactly the opposite of the progressive audience's reactions, in enough crores of viewership in each track-variation.
Could the CVs please stop their fixation on nokjhok and proceed towards reconciliation? They have proven with sufficient clarity that their concept of nokjhok evidently does not match up to even the most imaginative fans ideas. This has become less interesting and more a trauma, at least for those of us audience who are attached to this one series. 'Interesting' has a petrifyingly unenthusing effect when used to describe upcoming tracks in this series, so if the upcoming track is not at all interesting, fine. Every track has had a way of whittling down expectations. Just deliver the lead couple out of this wretchedly unnecessary 'interesting' track that they have been slung into. Quickly rather than yet again trying to forcefeed mass-audience for several weeks, please?
Edited by leelaa9 - 11 years ago