Posted:
Originally posted by: maria090
hahaha lo our banu heroine-oriented film😆😛
Heroine-oriented would have been fine, if RK had been shown forcing Madhu for her talent's sake so that she could shine with him as mentor at her side.😳
Instead, they created a majbooris-marathon despite it having always failed to get sympathetic viewership rise in previous tracks, in the exact same way as before - RK conveniently idiotic, helpless and unable to do anything, and Madhu driven by circumstances into making decisions that majority-audience would give no sympathy for, in the previous track or this track.
RK was shown more and more helpless at every point, and Madhu was shown proactive in insistently ensuring the film's director being in total control from the very start *and* and the heroine-centric story even before RK got paralyzed *and* his sidelining after he got paralyzed.
Why the heck couldn't they have had Mehul do the last?
Madhu's reaction about the baby is in character, and should have been her reaction then as well, rather than her being used as the person who would convince him that the film should sideline his role and change focus to her instead.
Instead, Mehul etc could have been shown clunk-drowningly convincing RK of the need to get sidelined in her favour in the film.
They should have either shown Madhu working to ensure the film but not benefitting intentionally or unintentionally from it.
But that wouldn't have suited the track's intent to make her heroine.
Or they should have showed her not having anything to do with the film or story decisions, and then unintentionally benefitting from it.
That way, she would have had a chance at mass-sympathy, rather than from the current mess which is a frigging repeat of the previous track in all sympathy gambits.
Instead, here spending seems to have been backed not for multiple (more than two) indoor-sets, but rather for non-heroine outdoor scenes - rat-biting/pond/temple - for Madhu, hospital sets for Madhu and RK together and separately, police-station and jail sets for Madhu and RK separately, two indoor film-sets for scenes of RK or Madhu and RK together.
The film-sets looked shoestring and straitened, the 'choreographer' finally left after having got not much role, and the promised 'remaining shoot' of Madhu's Anamika-centric scenes was reduced from 'three weeks' to 'two days' to finally only the last shoot actually shown (which got the film-track's only outdoor shoot with RK heroically recovering from paralysis to rescue Madhu).
They should have worked to get 3+ TRP by a filler track, and then started the stardom track. There would have been more scope for better film-sets and maybe one or two more outdoor shoots, etc.
4+ TRP serial gets outdoor shoots in almost every alternate episode, excellent new sets for even a brief angle, real outdoor and indoor locations for a track's side-angle instead of just some studio-set, and also out-of-town shoots.
3+ would have at least got us more and better film-sets for the stardom track, and scope for more scenes being 'filmed'.
It's only a pity that the sponsors were not as intent, before the second channels-sponsors face-off, on getting TRP-increase and value for their money with track-modifications each week if need be. But they are now, so no PH or channel can indulge in prolonged creative leaps and bounds while taking sponsors for granted.
Instead of considering that an extremely popular couple shown united in track after track gets great TRP month after month, they keep trying to manufacture conflict here again and again.
