Blast from the Past Thread #15, pg 128, epi 169 - Page 109

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supriya.arshi thumbnail
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Posted: 11 years ago

Originally posted by: ArshiHamesha

@Supi❤️


Thnx for reading and commenting...153-154

Yes Supi Khushi was wearing Anjali clothes...Anjali taking out clothese when Scorpion comes in and asks her "Iss tarah se kaise shaadi ho sakti hai,,bal something and then Anjali calls everyone in the hall and gives it to Khushi

Second mun Dikhai.Khushi's shirts rips..Kissi keh kapde phen ne se tou acha hai...Khushi's dialogue

3rd yellow saree in the morning after SR where Mamiji taunts ...abhi tak Anjali ki hi something like that when Mamiji and Anjali are sitting in the hall way before mun Dikhai...

We are reaching there ...



on the underlined...i really din want her wedding lehenga to be borrowed...firstly she nvr wears good clothes...nd the main dress tht too burrowed hate it 😡!!!!
..Anita.. thumbnail
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Posted: 11 years ago
Happy Birthday Samin!!!!!
i hope you have a great day and all your wishes come true


soni19sweet thumbnail
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Posted: 11 years ago
welcome back anita
where were you
..Anita.. thumbnail
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Posted: 11 years ago

Originally posted by: salooni

welcome back anita

where were you


been busy with guests and ramadan
but now i have no more guests
soni19sweet thumbnail
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Posted: 11 years ago

Originally posted by: ..Anita..


been busy with guests and ramadan
but now i have no more guests


good time
as it is one week break

..Anita.. thumbnail
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Posted: 11 years ago


decided to move my analysis to the the extension thread
Edited by ..Anita.. - 11 years ago
..Anita.. thumbnail
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Posted: 11 years ago

Originally posted by: salooni


good time
as it is one week break


There is a one week break on the thread???
i sure need it
indi52 thumbnail
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Posted: 11 years ago
hi all,

here's the new thread, see you there.

Blast from the Past #15 Extension ~ The Practice
Crazy4IPK thumbnail
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Posted: 11 years ago

Originally posted by: ArshiHamesha


DISCLAIMER:DON'T COPY MY WORKS AND CONCEPTS WITHOUT GIVING ME CREDIT

YOU HAVE SEEN MY HUMBLE SIDE. TRUST ME YOU WON'T LIKE THE OTHER...


ARSHI"S INDEX

EPISODE 153-154

Payesh Wedding Part-6

Dance me or Dance with me

King wants to dance around his queen at his own terms for rectifying his mistakes yet queen is in no mood to dance on her king's command .She would rather dance with some one else to keep her ego chin up and he would see her with some one else with burning desires under the fire of ego.

lovely, King and Queen, both are too egocentric.

Arnav's feet jams up when Madhu tells NK to hold Khushi's waist and look at each other eyes with passion.His rage and acrimony has no limit and it's not gone unnoticed and felt by Khushi who was feeling uncomfortable too gives her side look to Arnav who leaves with hissing anger.But she herself can't gaze anyone with intensity and she feels that too today.There is a strong longing in between them He can't see and she can't feel the same other than his touch.She is conveying that message while turning her head to her King who just gave command to her bro to take his place and that bro of him is feeling awkward at the same time.


Shyam enters with his despicable game in his hand with his daring and filthy eyes always lusting over Khushi under which she feels very uneasy.He calls Anjali in their room and here he starts his slouchy game.He gives Anjali red roses and starts sneezing over it which makes her uneasy and at the top he suggests Khushi's name to bring Anjali's phone [Khushi is not HP of this house]. Exactly,I was really annoyed when Anjali called Khushi to get her phone.She dances over his commands and calls Khushi.Khushi sees her distress and yelling over flowers and throwing em in the garbage.He pretends that RaniSahiba doesn't like cheap gifts like him.

Pause here:He just called himself cheap'.so true these flowers are not cheap.Even their thorns have more value than him.

that's what i mentioned in my take too. Flowers are much more valuable than him.

Khushi glares at him for his temerity and audacity and shut him off for that.Her words show how much respect she gives to Anjali.She knows how important Shyam is for Anjali so there must be a reason for her to throw these flowers.She shuns the ill thoughts and moves on without dancing on his slouchy games.You go girl! Smart cookie.

One thing was good the rest of the time he couldn't come down and after Buaji's name'..who wants to get ripped apart limb by limb.

that for sure.


In GH Buaji takes out her wedding dress and thinks it's best for Khushi and she calls her in joy.NK and Buaji meaning the great NandKishore and her first dancing chat was hilarious.

Pause here:Buaji took out old wedding dress for Khushi indicates future as Khushi wears Anjali's wedding dress and all for her wedding rituals.

Payal and Akash dance so well and become totally unaware of their surroundings.which was not gone unnoticed by Khushi, Anjali and NK.They pull their legs promptly.


Madhu brings back everyone back on dance floor.Khushi pulls Naniji to dance floor while she descends but she doesn't pay attention in her enthusiasm Arnav was coming down.He tells her go dance with NK as he is his replacement''.Replacement word dances like Tango in Khushi's brain and she takes full swing with it.

Khushi is a naughty chick.

NK can hardly keep up with Khushi in dancing and steps on her feet so many times.When Madhu tells them to get to their positions ,Khushi ogles Arnav in her background and here the challenge starts in her head.She wants to challenge his pertinacity.She calls NK "chote" and then "Arnavji" and poor Nanehji becomes confused.She tells him as he is the "replacement" of Arnav so she should call him with his name.It aggrevates Arnav.Madhu declares her "patakha" [bold] instead of a simple girl.Khushi deliberately calls NK Arnavji and rebukes at different steps till she castigates at him by saying"You can't do anything right'. 'It's easy to make people dance in your tune, but not easy to dance."


Arnav incinerates at her castigation and ready to leave when her rebuking words stops her again to give her a glare"Arnavji Nazron se Nazrain tou milaiye"[Look into my eyes]..By saying this she gives a glare back at Arnav and

murmurs "now get the punishment for giving NK your place"'hmmm interesting doesn't it sound Khushi you want him to dance with you.

yup, apparently she wanted to dance with him.

PONDERING CONNECTED DOTS:Her each word comes true during Teri Meri dance.He explores her waist,seduces her,completely puts his guard down for her to give her what she is desiring here.Their deep and intense gazes are way beyond looking into eyes.👏👏👏


Nk starts twirling her while she castigates against Arnav monotonously. "Jiss ka naam Arnav ho who koi bhi kaam theek nahin kar sakta" [Whoever has this name Arnav can't do anything right] she continues,"They can't sing,dance or laugh"She wants him smile and laugh'.

PONDERING CONNECTED DOTS:Arnav fulfilled her wish and dances from Teri Meri to Bali mein Honeymoon till all the way Salman and Phela Phela Pyar

Absolutely true. and "aab na ja" in karvachaud. the dance was so sensuous!

This was getting over bearing for Arnav and he can't allow that.He walks towards her heedlessly and she lands on her chest when NK lost control of her while twirling'.His tight hold on her shoulder grabbed her permission by her fast heartbeat and heavy breathing.Time froze in between them and they both totally became unaware of their surroundings like only they exist in this frame and no one else.Her crazy heart beat was not gone unnoticed by Arnav.She looks up gets lost in his soft and intense gazes while his breath is brushing her face.His hand on her shoulder has loked down by hers as she granted him permission.Raba Ve intensifies the desires in their eyes with their pounding hearts.

beautifully depicted Arshi. Time really congealed and they became oblivious of their ego, the surrounding. An absolutely passionate moment between them in front of the family. i wonder how nobody noticed the intensity between them!


PONDERING CONNECTED DOTS: Arnav's words later fits here"Khabi Khabi mujhe lagta hai tumhare au mere elawa iss duniya mein aur koi nahin"[There is no one in this world except you and me]


CREDIT TO TUMBLR

"yehi aada ho, yehi josh ho aur chehrepe yehi bhao ho"

(there should be the grace, the eagerness and the rage on the face.) "

Madhu commented to see the expressions in Arnav and Khsuhi's face.

His expression changes after the realization of the surroundings yet hands stays frozen"Tou jiska naam Arnav ho woh khuch bhi theek nahin kar sakta right'.Shyed mujhe tumhain pakadna nahin chahiye tha'girne daina chahiye tha"[It means I should 've let you fall instead of catching.] Big meaning..

PONDERING CONNECTED DOTS: In Sheesh Mahal Arnav caught Khushi and she landed on his heart since that day regardless he tried his best to make himself away from her.Each time he got rid of her she entered his shell to have her place there whether he threw her out of his office or home ,he ended up having her in his arms.

yup, he is always there for her.

He speaks with in an enticing voice. But Anjali answers for Khushi as she is worried about her. NK also looks a bit dubious with their proximity and gazing. Madhu asks Arnav, is he planning to join them? Her assistant and his witticism is reaching sky highg limits with ArHi's couple hint for future . But Khushi estranges with this idea,"no, I don't want to dance with him."

Arnav rages over this and says again obliquely that he also doesn't want to dance with her. Khushi exasperates at him for this by telling him when she said that she wants to dance with him?. She continues practice with NK. Arnav strides fast, but doesn't forget to give his turn look at her. Khushi is feeling awkward but Nk gets doubtful and quizzical to see both of them and their expressions. hmmm'.Today he gets a glimpse of their war ..


Madhu's break brings a new level of dance in between Naniji and Buaji who is being called to have a twist in this sangeet.Both Ladies give such a competition to Madhu that she is ready to run away.At the top NK call them "Budiyah"[old] instead of "Badiyah"[good] to pacify these ladies.NK and his hinglish is the charm of this show.

always.

Khushi corrects NK along with others yet tease him by calling him "Naneji aap bohat Budiyah ho"[NK you are too good] which brings a soft and seductive smile on Arnav's face by looking at her smiling as her smile is the survival of his life but over here is a relief for him seeing her smiling after the heartbreak he caused .Khushi looks at him and gets a "sukoon" peace in her as he does not look LG while smiling for her.They both share a sweet intense stare.

This is one of my favorite scene of IPK. There was so much depth in Arnav's smiles to see Khushi's innocent candor. It is shown how much he loves Khushi's innocent acts.

Arnav changes his expression to grinchy one and leaves his Khushi wondering about. Arnav's veracity seeing his crazy Khushi smiling over NK's foolishness is worth watching .Indeed small things matter to him and that's why Khushi is the reason of his happiness who also values happiness in small things.

On Dinning table Buaji and Naniji compares dance master with their MIL and NK has problem with her strictness .Khushi's style to show NK the steps of dance with her innocent expressions makes NK just stares at him but her LG burns his lips in desires and didn't go unnoticed by his crazy girl.They both share a deep look which makes Khushi flustered.NK praises Khushi which in unbearable for Arnav and his face delivers only anger.


The dance topic changes to New year eve and NK mentions them that he read in the horoscope section in the newspaper that whom you will meet first at 12 on the New Year's Day, you will be with the person for the rest of your life.This news jerks both Arnav and Khushi and they give each other a quick shot like they have a set mind that it will definitely happen to them or they want this to be happened .

They already knew that they will confront each other. That's why they were shocked to hear it from NK's mouth.

hmmm'.interesting..Both want to see each other yet their egoistic thinking and silly acts are making this new year eve more appealing.

Symbolism and connection:#12 completes life cycle and brings good fortune'connection is easy as Their union is inevitable which is going to bring good fortune in both Anjali and Arnav's life including Guptas.Shyam's reality will come out during this year which is lingering as a grey shadow on every ones' life.

Anjali mentions she sees her hubby face each year at that time which makes Buaji ,Khushi and Payal sad for her.When NK mentions Akash and Payal and their plan on new year eve,Buaji and Naniji jumps in the middle to restrict them meeting like this before marriage.OK ArshiH is confused then what the heck they are doing while dancing and all'..No logic for me ppl.

Absolutely. and Khushi also mentioned this too.

Khushi teases Payal but condemns herself and prays for not seeing LG at that time.

She prays to DM,"Sach mein Khushi agar 2011 keh akhri palon mein tu ne uss laad governor ka chehera dekhliya na, tou 2012 ka bhi kalyan ho jayaiga. Phir porey saal tum kuch nahi kar paogi, sirf, what the what the karti reh jaogi." She prays to DM.

Translation: Really Khushi, if you see that laad governor's face at the eve of 2011, then 2012 will turn bad for you. And Then the whole year you won't be able to do anything excpt what the what the.

Arnav after hearing all of this "EXCUSE ME."

"I'll not come in front of you that's for sure. But somehow I feel that you will come in front of me right at 12." Arnav is confident at her crazy girl.

"I'm not crazy, that I'll come in front of you." Khushi japes at him .

Arnav foreshadows with confidence as he knows it will happen because he will make sure of it.😆

I don't know why, but you will come. I wish my prediction is wrong but I know you will .

Pause here:So you are preparing her mind to set a challenge as always so you can lose over her to make her feel better after the heart break you caused for her.

Khushi stops him, "you are saying whatever you feel like it.I am not that crazy..

"Let's see tomorrow." He turns to leave, but comes back again."Honestly it will be better if you don't come in front of me."

So challenge is on and Khushi is up to his challenge

"There is no way she will confront him tomorrow."..hmmm.let's see...



MOMENT OF THE DAY

https://www.youtube.com/watch?v=HHgbHs7m5PM


[YOUTUBE]https://www.youtube.com/watch?v=HHgbHs7m5PM[/YOUTUBE]


superb writing.👏
Arnav and Khsuhi's tom and Jerry avatar was in full on swing in these episodes.
Khushi is childish and everybody knows about it. But our man is no less than a teen age young boy, who also dances with Khsuhi's crazy antics.

Loved all the blue lines most and my comments are in purple.
Edited by sohara - 11 years ago
indi52 thumbnail
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Posted: 11 years ago

episode 166

they call it a vampire. something in a piece of communication which is so powerful that it seems to "suck" all the attention, and doesn't let you see the entire picture. a few words became a right royal cousin of the prince of transylvania for me while watching the first days of sangeet.

as anjali and snake announced the first dance of the evening, they gave an ishara about the first dancer...

he said,"jab woh naachti hain, ujala toh reshmi hota his hai..." when she dances, brightness of course becomes silken...
she said, "andhera bhi makhmali h jata hai..." darkness also becomes velvety.
i went, "what the..."

a beat in my ears delicate, playful; flashes from a sultry "cabaret" of those days which are now in retro land, but where i grew up. a hot number with a girl swinging and gyrating in shimmery costume, fingers spread out covering part of face, come hither looks just behind, a feeling of night and naughtiness.

"reshmi ujala hai...(the perfectly measured pause with a heady rhythm building up before the next words float in light and alluring) makhmali andhera... aaj ki raat... aisa kuchh karo..."

silken is the brightness, velvety the dark... this night tonight, do something...

anyone seen sharmilee? the 1971 super hot romance about an army officer utterly sexy with the uhhhest smile, shashi kapoor... in love with the wrong twin, the very sultry rakhee. in that film there was this cabaret, by one of the newer dancers, the fabulous helen being the reigning queen forever. she was smooth and sensuous, and together with rd's music and asha's knowing, worldly singing of the evening words, that number pretty much set fire to the moment and got permanently embedded in an 11 year old's mind. the song, the words, the slowly undulating danseuse.

only her name was not top of mind. no... i thought, can't be jayshree t, i've seen her do so many dances, that sophistication... not her surely.
[YOUTUBE]http://www.youtube.com/watch?gl=SG&v=8D9df53kGYQ&hl=en-GB[/YOUTUBE]
credit: uploader


of course, i was wrong. it is her. i am so grateful to the writers for inserting this little wink wink into the dialogue. between that dance uo there and the one we saw in 166, it was like a tribute to her extraordinary career and talent. more than 40 years she's been around, i was surprised to see her as nani ji, i had no idea she could act so well. in hindi films she mainly did itemish numbers i think, there may have been a few exceptions... she was achhi nahi bahu in one. perhaps marathi film gave her the opportunity to explore her talents as an actor.

and there she was.

sweet, strong, capable, and bichhu yeh bichhu dancing nani ji. got to say, this nani really was like none other as khushi said during holi (was it?), aap toh naachti hai.

i also had no idea how articulate this woman usually in skimpy clothes and strange make up was. saw a wonderful hour long interview with her once, will post if i can find it. jayshree t really astounds me... who would have thought...

whew. as you can see, nani ji got me this episode.

even the boy came second.


there was more velvet in the episode. it was the fabric of her dress, it was in the look in his eyes every time he saw her. sometimes it was in her eyes too, just below the miff and challenge.

and there was glamour. for the first time and perhaps the only time in ipk, khushi looked not just beautiful but glam. sanaya carried off the maroon velvet top and chiffon lehenga beautifully, who could blame asr for looking acutely in love... a bit sillified by it almost.

as the evening of sangeet gets going, rm is full of guests, everyone is looking great, a gorgeous stage twinkling with fairy lights awaits the performances.

the gupta's arrive, someone's scanning the view casually as if he doesn't care. even to the most clueless observer it is fairly clear however that he is waiting for his challenger to arrive. she who will do "kuch bhi" should she lose. he is not just waiting... waiting impatiently.

asr is not alone in his search, there's nk on a similar quest. movie style they practically dash into each other so focussed they are on their pursuit... realising what the other's up to, both look a tad embarrassed, but not for long. asr wades in on the offensive, "kya dhoond rajhe ho tum?" what are you looking for?


poor nk, "er, woh khushi ji..." the man is looking mighty irritated. nk and khushi's little friendship is irksome, jealousy is not an emotion he is comfortable with, but seems he can't cast it aside either. in all these light asr jealous of nk khushi moments are we seeing shades of what's to come? if this bothers him, imagine his state of mind on the terrace that night. he's about to tell her "faraq kyun padta hai" and there she is... khushi in the embrace of another man. how his mind must have shattered. and then the fusillade of "revelations."

"par nannav, tum kisse dhoond rahe ho?" but nannav, who are you looking for? nk counters, a hint of mischief there?

who are you looking for... one could go deeper into that one... really who is it that asr seeks? a girl who drives him crazy, or a path to himself really, or maybe something else?

he is caught unawares by that query, just looks lost... but la la la the notes are in, traipsing, lilting, a song in his heart though his khadoos air is intact..


payal, rather beauteous today, eyes searching for the one. mano in a mood to snub. but her son is in romantic hide and seek vein. di enters the fray, and a sweet fam moment... there's a festive feel to the night, a brightness rather special.


suddenly... bang.. drag...
all turn. an entry is in progress.
"hai re nand kissore, zor lagake hainya, dam lagake hainya" oh lord, push it with your strength, way to go... with more energy... way to go...

buaji, rope slung over one shoulder is hauling in something heavy out of sight. "dhakka maaro dhakka." push... push.

nk and asr have turned to stare as has mami, all nonplussed.

and from behind buaji rises a vision... heaving... khushi with hair open, teeka on, glowing in maroon, pushing something.

nanhe sees the lovely one, hair blowing gently, can't contain himself, exclaims, "khushi ji!!"


a head swivels.

"what?"

and khushi bends down again to push.

eyes turn swiftly in the direction... "kahan?" where?

but she's nowhere.

nk says, there, but uh huh, no kkg..."nk, din mein sapne dekhna band karo..." stop day dreaming, advises the dour one.

ah, so she is a sapna a dream, not a darwana (scary) one?

khushi comes up again.

nk, "she's right there!"

and she's down again, even as a head swings... the game of hide and seek, ankh micholi resumes... feels as though he is here somewhere, being invoked before sangeet in the ipk way... sense of krishna... hai re nand kissore.

and this time unlike the evening of di's anniversary, there is no doubt, another fabulous love story has taken birth on earth. we believe in reincarnation it is said, perhaps every story of love between two souls, is a rebirth of a primal, first love story ever between the masculine and the feminine force? there's radha and krishna in each one of them maybe?

asr thinks khushi won't come today, too scared of losing.

"shayad challenge se dar gayi hai." got scared off by the challenge maybe.

and out pops miss muffet looking big spider in the eye.

"hum nahin darte... samjhe aap." i don't get scared... do you understand?

oh he is happy to see her. so happy that his mind says something to the air and it wafts and winds lifting her hair, swirling around their love song...

i want to defeat you, says her look.

i want to win you, replies his.

he reaches her along with nk, "main hari prakash ko bulata hoon" let me call hari prakash, she and buaji are lugging a heavy trunk and he offers a sensible solution... get someone to carry it.

of course, she declines, no question of being sensible here, this is the enemy party and kkg has brought along super sanaka as her stealth weapon. there's no running away from this madness tonight. makhmali sanaka.

as this huge trunk was hauled, pushed, abandoned, sat in the middle of the way, intrigued mami, one had to wonder what it was all about? did it symbolise anything... perhaps the heavy burden of the knowledge of shyam that all the guptas hid... or maybe something else. what i couldn't get over was what couldn't be carried by buaji and kkg together, nor by nk, the very thin hp could pick up just like that.

last few minutes had interesting intercutting between nani ji and nk's bichhu ye bicchu dance and shyam desperately seeking scorpion. a little obvious, but apt nonetheless.

by the way, did anyone notice how terrific the man was looking in his galaband. dark brown deepening chocolate eyes. vampire number two.

Edited by indi52 - 11 years ago

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