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Originally posted by: redwine1
June 14, 2012
To
Lata Sridhar
Supervising Producer
Iss Pyaar Ko Kya Naam Doon
Sub: Dimaag ka Dahi
Dear Lata,
Hope this letter finds you in pink of health. Firstly heartiest congratulations on the 1st anniversary of IPK a very proud landmark and achievement for the team.
I am writing this letter to bring to your attention certain abnormalities in the production of the episodes. It has been brought to our express notice every week day at 8:00 pm unto 8:30 pm that your team is unable to perform at full capacity.
Let me take this opportunity to highlight certain glaring errors :
When you read the script & bring in the props for the scene .. it should match the dialogue on the scene .. let me explain with the help of a small example when the dialogue says "Arnavji ka boarding Pass" one is looking for a boarding pass not an airline ticket. Of course this was a scripting error then you as the supervising producer should have brought it to the notice of your Director that the dialogue should be changed ( which is a little more convenient) than looking for a new prop
When in a scene a character is hiding behind a curtain, is it remotely possible the curtain is not made out of sheer material , because if your audience can catch it then so can the villain. Would it be very difficult for you to pull the heavy drape closed as well so that there is an illusion of the fact that a man is trying to HIDE behind the curtain ( I can understand that you may want to show that Shyam guessed NK was behind the curtain ..but that as usual can be explained by FB's)
Anjali's room it has come to our notice that the room used for Anjali & Arnav are the same with changes in Interiors.. Off late the changes in interirors are so well done that it takes a lay viewer all of half a seconds viewing to get confused, whether this is Arnav's room or Anjali's.. just a note this distracts the viewer from actually understanding the fine scene that your script writer has written because the focus is on the dark table with the TV over it, the wardrobe of Arnav's with the big white locker inside.
Earlier there was a marked distinction maintained between the paints of the room off late grey seems to be the colour of IPK. When the shot division says that NK will move into Anjali's room & then the camera will pan to the wall that said wall should be mustard/yellow in colour ( which is the colour to depict Anjali's room) as is the case with the rest of the feature wall and not grey since that signifies Arnav's room.
When the script demands that a carpet laid on the floor is going to be lifted & the camera will pan on the floor, then would'nt it be prudent for you & your team to patch the floor up & put a lick of paint one can see the loose board hanging, It makes people wonder what property is Shyam lusting after, since all the money he will inherit will go in the upkeep of the house, again distracting the viewer from the goal which was NK finding the Key.
I could go on & on but I am sure that now that we have brought this to your notice we will expect some action taken forthwith.
Thanking you in anticipation
Warm regards,
Council of Sane TV Viewers
CC:
Gul Khan ' Producer of the show
Arshad Khan ' Director of the Show
Sidhart Wankar ' Star Plus supervising Producer
PS: We will be shortly be sending letters to the editing team, the post production team, The direction department ( associates) & the camera team to comment on their standard of Work
IF ONLY you can actually get this letter to them and make them see sense! That floor broke my heart...as bad as ASR's bathroom. However, I carry on bravely ignoring the huge bloopers, and gaping floorboards in the serial...
Aashi đ¤
Nice take on the episode
Arey kya bol rahi hai supna...current track fits the rag line perfectly... Mohabat door jaane de...khushi peecha kar rahi hai na arnav ka? So door kahan hue and shyam ki nafrat asr se paas aane Nahin dete... Fit baitha ki nahi?