Phankaaa! Kaan Pakading to be oh so late! I dozed off on my system and woke up a whole lot later today cause I must subconsciously have succumbed to knowing its work from home day - but here I am now, can't believe so late for a scene I was excited about from a day in advance, shaay!
Originally posted by: *Reemz*
So apna Kesuda is running and he happens to grab a figure wrapped in a sari. He excitedly says 'Pakar liya! Bahut bol rahi thi na nahin pakar sakta' (well that is amusingly true in GK's case š).
This was also the first time we saw the explicit use of Gulaal's defence mechanism i.e. her pallu. The pallu which symbolised the walls she had put around her individuality, her heart and her entire being. Kesar was seeing the 'woman' in Gulaal. She knew he was staring at her endlessly so Gulaal didn't dare lift her eyes again.
Talli's interruption with 'haar gaya' kind of seemed like a play on Kesar's feelings towards Gulaal. Even when he came out of his trance, he stood their hopelessly wondering 'Did that really just happen?? What was THAT he felt in those few seconds with Gulaal?'
@ WORD to bits in bold! The dialogues of this scene - even this scene - had so much undertone of pun. Kesar's pakad liya for the long time to remain evasive Gulaal (especially her papp ki bhavna š ) and Talli's haar gaya as a verdict to Kesar's obvious defeat in holding up his cold fort. Not just this second, but in the long run. The one battle he loses, to win another - his trade off!
And like you said - it was the first time Gullu profusely brought that ghungat to defense! Its very interesting to me that kesar cannot blink away from the sight of her until she pulls at the pallu, which snaps him out - and then he cannot meet her gaze lol! He just looks away and mid air at nothing did she moves from in front of him, and even then he's rooted to the spot!
But what a like MOST about this scene (yeh I actually liked something more than that crasy stunning charged moment too!) was what Gulaal tells him after. She begins with -kuch kehna tha? Because there he is, standing in an undecided stillness of sought, like he doesn't know what to do next, or can't make up his mind. It's almost, almost, like she'd bait him to apologize for what's he done! You wish Gullu! š But he snaps and says kuch nahi and begins to walk off, but Gulaal feels obliged to say kuch. And so she tells him he has done wrong. Kesar standing with his back to her, but showing all those fleeting range of expressions from being affected to battling out the effect to not giving in when he tells hermain tere saath nahin jana chahta tha - he's such a child here. He's made his point to no end, and yet, as if to justify the lapse he had moments ago, the trance he was caught in on her account , as if to undo that he restates the fact, and Gulaal surprises him more, by not 'sounding' disappointed, but flat and matter of factly when she says - jaanti hu. There's that flickering expression in Kesar's eyes that second, like he's disappointed she didn't show more reaction. The indifference - seemingly - I think gets him for a second. And then Gulaal proceeds with her 'correctional' further comment or so, which he tries to 'roll eyes' at, very much in vain, and then begins to walk away like he does from these caught in a spot situations - only to be surprised once more, when Gulaal tells him, how he's managing to hurt himself more, in hurting another. I like to think of this dialogue as a follow up from the window scene the night before, where Kesar was looking on at her, and moved away abruptly when she caught his eye. Like someone said, Kesar never manages to hate her really, and Gulaal never manages to actually believe he hates her! I think she takes her chance of hitting a blind arrow over that quick eye exchange across the window - where she's caught a suspicious glimpse of his guilt. Or even if she doesn't think it out that explicitly, she fathoms it like that. Its what makes her tell him to quit hurting himself to get to her!
Btw - I also like the contrast of how easily Kesar dismisses Talli's main tujhse baat nahin kar rahi hu (LOL) as opposed to no direct accusation or punishment from Gulaal. For Gulaal, just the eye contact is now a self punitive kind of exchange - he cannot really meet her eye without feeling the pang and hence, showing it too!
And finally, one more time to say, that the writers of this show really knew when to bring in an 'intimate' nuance between GK. This was perfect time and occasion! Kesar could not muster any more of his clean cold acts with the last night act so raw; nor could or would he 'apologize' formally. Gulaal has had her highest horse fall the night before, and is too weak to reproach him curtly, or accuse him of dashing hopes that she has half convinced herself she was not supposed to keep up! So she merely abides by having given MB her word to talk to Kesar and completes that obligation; adding a final word for his sake, despite and after how he's treated her.
Edited by JZephyr - 13 years ago