I am a reader. What turns me off?
Heading the list would be
Entire stories written in SMS lingo. Not interested, not gonna bother to read. Logic is simple, if you as a writer cannot be bothered to write fully, I as a reader don't care to read.
Glorification of violence against women is a definite turn off.
There are some stories even now on the forum, written by good writers that seem to believe that it is OK to label a story as dark and have the male character indulge in horrific acts on the female. Of course he is blameless because it is all a misunderstanding and then he cares for her and everything is A OK because they love each other.
There are others where kidnap, rape, sexual harassment in the workplace are trivialized. Not acceptable. I don't care what the background of the male protagonist is, none of the above are acceptable.
Mindless sexual acts that seem to be written for the sole purpose of titillation. They have no place in the storyline and no foundation has even been laid. It borders on p*rn. That is not why I am on the forum.
Descriptions of sexual acts by writers who obviously have no experience and hence are focused on textbook descriptions or worse, descriptions from cheesy romance novels. As a reader, it is easy to identify the maturity level of the writer from the written word. Sex is more between the ears and less between the legs. A wise woman mentioned that to me once and I have never forgotten.
Recycling of scenes from the serial/show reveals to me a paucity of imagination in the writer.
Poor grammar/syntax: I understand a few errors and if I feel that English language is new to the writer, I can overlook a few errors but too many errors indicates that the writer either doesn't know better or worse, doesn't care. Either way, not good. Even if English is not your first language, it is easy enough to ask someone to proof your work for grammatical errors. Even one of your readers, maybe. Read the comments and pick someone who seems to have a good grasp of the language.
Endless detailed descriptions of clothing as part of the ambiance development, particularly if I am so unfamiliar with the mentioned brands/designers/whatever, that I almost need to go online and look it up to get a sense of what was being described. To be honest, I will just skip such descriptions. As a reader, I equate such writing with intellectual snobbery. Not appealing. Descriptions of places are fine as I can visualize a verdant green mountain slope without the need to look it up.
Well, now on the other hand, as a reader, what is it that gets me hooked to a story?
Kalarikkal House, Unexpectedly Expected, Master Class, Fighting Fire with Fire, Pursuit of Love, -khushi (about last night)
These are some of the stories that have me hooked right now. So to best answer the question, I took a look at these stories to identify the common threads.
Innovative story line - Yes, they all have some or all of the characters from the show but they take them in a different direction. They have something in common with and yet distinct from the show. This enables me to visualize the scenes in the story but does not ape the show.
Well written with minimum errors in English grammar/syntax. I can be understanding of errors but I can also be picky. If I know a particular writer can write at a higher level, I have no qualms in letting them know if they slip up. Blame that on a lifetime spent in Quality.
Well presented in that the writing looks mature. Bright Comic Sans lettering in large font, clearly indicative of an immature writer in my book.
To my mind, a story is successful when the characters take on a life and I find myself wondering what will happen next.
This is becoming a marathon post so I will stop here. But if any of the writers feel the need for any clarification, please PM me.
Edited by segad - 13 years ago
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