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Originally posted by: shruthiravi
I agree with enchanted and I too love Sudha. I never felt Umang Jain was doing things over the top. Sudha is like that. Childish, dependant, naughty and pampered. Sudha will grow post marriage once out of the shell, when she is forced to see a life which she has not imagined till now.Look at Pammi in yesterday epi. She says she got married early. Before she understood what relation is , she saw a very ugly face of it. Pammi's pain as well as her boldness come from her experiences. Those experiences that were harsh. She keeps love in the physical realm because that is how love must have been delivered to her in her brief marriage.Sudha keeps love in the emotional realm, because that is how she has seen it. Actually that is how most woman see it before those feelings are nipped by harsh realities in marriages where love is treated in the physical realm alone.Pammi I would say have survived through hardships as she says she doesn't want to carry dead relations on her shoulders. But Sudha her problem will be she wont be able to survive through the harsh realities...Actually both woman are not bad or good. They just needed a loving caring person in their life who should have made them understand love exists in emotional as well as physical realm and both versions of it are needed. That's why both are attracted to Chander, because as Pammi says Chander is indeed a rare person.
Originally posted by: shruthiravi
@enchanted period of the story matters a lot. Girls of those era were very much innocent and had no real knowledge about the relation in a marriage. That was quite shielded from them as in those age it was expected ( even now to some extend) that physical aspect of the marriage had to be initiated by a man and in those days masculinity was indeed defined from how much a man can keep a woman under his control.Emotions were considered weakness in a man. That's why for most girls of those days post marriage life was a shock as they couldn't cope with that life, but most of them went through it calling it their fate.Moral high ground and ideals were given over importance over the feelings of heart especially for men.If wife or lover threatened any of these then the woman as well as men forthe society sake paid the price. If you look any classic of those times whether it is Saraswatichandra, Devdas the themes recur.Paro was the victim of Devdas's mistake. In the end neither she nor he lived a life. Kumud suffered for Saras's mistake and Saras was forced to live a life for the sake of his duty.Here I am happy that they have bought a character like Pammi. I guess Pammi is way ahead of her timesas far as her character goes.Ironically we get a Pammi in a 1960 novel and in today's TV we have to deal with Gopi Bahu and Sandhya beendini.
Originally posted by: shruthiravi
@enchanted period of the story matters a lot. Girls of those era were very much innocent and had no real knowledge about the relation in a marriage. That was quite shielded from them as in those age it was expected ( even now to some extend) that physical aspect of the marriage had to be initiated by a man and in those days masculinity was indeed defined from how much a man can keep a woman under his control.
Emotions were considered weakness in a man. That's why for most girls of those days post marriage life was a shock as they couldn't cope with that life, but most of them went through it calling it their fate.Moral high ground and ideals were given over importance over the feelings of heart especially for men.If wife or lover threatened any of these then the woman as well as men for the society sake paid the price. If you look any classic of those times whether it is Saraswatichandra, Devdas the themes recur.Paro was the victim of Devdas's mistake. In the end neither she nor he lived a life. Kumud suffered for Saras's mistake and Saras was forced to live a life for the sake of his duty.Here I am happy that they have bought a character like Pammi. I guess Pammi is way ahead of her times as far as her character goes.Ironically we get a Pammi in a 1960 novel and in today's TV we have to deal with Gopi Bahu and Sandhya beendini.