Originally posted by: indranigupta
Hi all,
Yesterday's episode was beautiful, heart-touching and if I may say so cinematic poetry.. but that is what I am not going to discuss. There were few things and elements within the show yesterday which I thought required a discussion:
Heya ... it was really beautifully done epi we had with all the right ingredients
a) When Nanu was explaining about his dead daughter as being the best of all his children, among the various reasons that he listed one was that his daughter, Priya used to think using her head rather her heart. Within the context of the situation, it might be a reasonable way to explain that his daughter was practical, pragmatic, a sensible and mature lady unlike her husband, Neeraj. But, what was most interesting is that in the day before yesterday's episode, we had Shravan mouthing that he listened to his heart and his dimaag was kharaab. And we know as viewers he did make a good decision. So, was this line by nau simply an inocuous one or it has more connotations? Which is right? Dil or dimaag? And what does it say about Shravan's own statement? I don't know why I felt that this statement of Nanu has a larger resonance in the context of Shravan and Sumo's relation.
Dil versus Dimag a debate that will never come to any conclusuon,here what I feel happened was Nanu was just being very judgmental and putting all the blame on one person to make himself feel better and that's what we also do very normal very human and grey.Well never thought that deep it could go down in future will shravan at a point with heart and brains fight
b) I believe we have discussed so much about the walk down memory lane (borrowing Sammy's title phrase) that I believe most of us have not been cognizant of the fact that Sumo did not share Nanu's perception about her dad. If nanu considered his son-in-law as good for nothing, Sumo, on the other hand literally evoked a picture of a very understanding and lovable dad. Again whose perception is correct?
For ever child their parents are the best and in Nanu's case he doesn't seem to like the man so till we get complete story of the man we don't know what is the truth and with his story coming out will he too be in the story soon.
c) Related to this what I found interesting is in the earlier segment when Shravan was trying to figure out Khosla and Sumo's mother relation/equation, he was perceptive of that was being said about Sumo's parents yet I found a vulnerable side to him which wanted to reassure Sumo that all is right. Shravan yesterday was playing an astute lawyer rather than the Shravan we have witnessed before this episode. Neither resentful or one with hurt pride here was a man engaged to understand everyone's perception, readings and misreadings about the past. Good Direction by the CVs👏
Shravan without trying always feels for her and seeing her down he too goes down but he is a great lawyer too he knows his job and we all are sure he will do great with job given a hand.
d)But, when he was traversing the memory lane I would have wanted to see more of Shravan's responses, gestures. Sumo's engagement with the past was brilliantly depicted but SHravan was hardly there. Barring of course, the hug scene and the swing one. I loved the swing one more, there was a feel of companionship that simply could not be missed.
It was her story and add him too much would have maybe not that impactful and him being there as a shadow of hers makes it more compelling.I love the swing sceene too so much more impact it had his hesitation to wanting.
d) The next of course, we have spoken before about the house, its arrangement, layout remaining the same even probably for a period of 15-16 years. If that was a mistake on the part of CVs, well, this is a first and a big blooper. But, what if they wanted to underline something else? To show the passage of time and the role of memory as connected with time, loss, pain one can portray it more so by showing it through various changes or through decay. (Finest examples being Wordsworth's Tintern Abbey, Prelude and Virginia Woolf's To the Lighthouse). Sumo could still have explained to Shravan that this is how she used to live, point out those places which had been changed or destroyed over the years. Why did the makers insist on the house and its content having remained the same?
e) Who bought the house? Was it Khosla or someone else? And did the person who bought the house consciously tried to maintain it as it had been during Sumo's parents' lifetime? And did this some other person sell this house to Khosla in the intervening years? And so Khosla found the papers quite recently (one which would answer Sumo's query as to why he didn't turn up in the last 18 years).
f) Related to this is a blooper (definitely a blooper in this case), as to why Shravan being such a shrewd layer fail to find out beforehand as to who had bought the house in the auction?
g) One of the best scenes yesterday, was how like an investigative lawyer, Shravan was simply gauging, understanding comprehending Sumo's past. It is as if he trusts no one but Sumo in this regard peeling off the layers which has contained, shaped the woman she is.
I would request you all to respond to these observations and to postulate your own😛