Karan Johar is anything but gracious in his public attack on Kangana Ranaut
If you thought Karan Johar would let Kangana Ranaut get away with calling him the "flag-bearer of nepotism" on his own show, you couldn't be more wrong! At the LSE SU India Forum over the weekend in London, the Ae Dil Hai Mukhil director minced no words while talking about the episode of Koffee With Karan with Rangoon stars Kangana and Saif Ali Khan.
Karan Johar. File Photo/ANI
In a rant that continued for over two minutes, Karan says, "She was my guest and I had to hear what she had to say. She has a right to have an opinion. When she says flag-bearer of nepotism', I just want to say her, I am glad she knows what it all means. I don't think she has understood the entire meaning of the term. What is nepotism... am I working with my nieces, nephews, daughters, cousins? And what about those 15 filmmakers, who are not from the film industry, who I have launched and who did the movies. That we're not going to talk about! Tarun Mansukhani, Puneet Malhotra, Shakun Batra, Shashank Khaitan... they all come from no film background. You give these people film careers and they have a platform to stand on and that's the reverse of nepotism."
Karan goes on to say that he was gracious enough to" not edit things that Kangana said on the show. "I appreciate that she had a great perspective and point of view and everyone lauded her because she came on my show and gave it off to Karan' according to what everyone said. I cut none of it. I could have edited so much out because its my show. But I said, let the world see that this is her opinion. I gave her the platform."
For Karan to say that he gave Kangana the platform to air her grievances reeks of patriarchy and condescension. Heaven forbid if a strong independent woman doesn't toe the line! She doesn't need his platform' to make her voice heard. Kangana is a three-time National Award-winning actress who has helmed films that have made crores at the box-office.
In the rapid fire round of Koffee with Karan, Kangana had pointed at Karan as the celebrity who gave her the most unnecessary attitude'. "In my biopic, if ever it's made, you will play the stereotypical Bollywood biggie, who is snooty and completely intolerant to outsider. A flag-bearer of nepostim. The movie mafia." Karan went on to make a sweeping apology and gave Kangana the much-coveted hamper to sweeten the apology.
But clearly, that apology meant nothing. At LSE, Karan lashed out, "What does she mean by movie mafia? Does it mean that we don't give her work? No, we do that by choice. I am done with Kangana playing the woman and victim card. I am DONE! You cannot be this victim at every given point of time who has a sad story to tell about how you've been terrorised by the bad world of the industry... leave it." Interestingly, during this rant Karan seems to have forgotten that Kangana starred in Renzil D'Silva's Ungli that was produced by his Dharma productions.
Instead of hitting out at Kangana for being candid on his show, Karan should be thanking her for making Koffee With Karan relevant again. In its fifth season, the show had lost its mojo. What made Koffee With Karan a guilty pleasure was watching Bollywood stars throw shade at each other. Who can forget the episode when Deepika Padukone and Sonam Kapoor ganged up against Ranbir Kapoor. Or when Kareena Kapoor wondered where Priyanka Chopra gets her accent. This season, the snark quotient on the chat show was at an all-time low. Koffee With Karan has turned into yet other publicity vehicle for actors to hawk their latest release.
Kangana and her candor made the show fun again. And, Karan knew that during the taping. At one point in the episode, Karan said, "Kangana has really attacked me on this show and I love that darling". I wonder what changed his mind and prompted this very public attack from the gracious' Karan Johar? Maybe he couldn't handle everyone saying that Kangana gave it off to Karan'.
Guess Who Use The 'Woman Card' Karan Johar Was Talking About A Lot? Men.
A replacement for logic.
- Piyasree DasguptaFeatures Editor, HuffPost India

What exactly is a 'woman card'? Many people, mostly men like Karan Johar, will tell you that it is a dangerous-sounding, legitimate name for a phenomenon they think plagues their lives. It's basically an accusation that women use the fact of their gender to get out of a sticky situation, shirk responsibilities, get ahead in life and who knows, even fly to the moon without a rocket, and summon unicorns for their daily commute.
You've probably heard the phrase being tossed around during agitated lunch-break discussions at work. At a workplace, the 'woman card' is pretty much an euphemism for menstrual pain or cramps. "Yeah, I can't show the 'woman card' na, haha?" you've probably heard a male colleague 'joke', while complaining he can't take 'such leaves' whereas women can. You've learnt to ignore it. The man is least likely to swallow a crocodile alive which will then claw and pull at his abdomen any time soon. Or grow a uterus. He'll never know, but he'll still be sour about the 'woman card'.
At a workplace, the 'woman card' is pretty much an euphemism for menstrual pain or cramps.
Or a friend at a party, who after a few drinks, will testily ask, why indeed do we want reserved seats on buses and reserved train compartments, if we seek 'equality'? "That same old woman card, na?" he'll laugh, pleased with the astute observation he has just made. Well, he'll have to be 13 again, grow a pair of boobs, and get them squeezed on a bus, or pinched on a train, or nudged with an elbow at the auto stand to know, why the 'ladies' seat/compartment' is a tiny respite during our daily commute. Really tiny though.
As familiar as I am with the process of ignoring accusations of overspending on this shape-shifting, virtual card, Karan Johar carping about the 'woman card' during an interview with film critic Anupama Chopra made for delicious irony. Here were two Bollywood insiders, discussing to thunderous applause, an outsider who had managed to show one of them the mirror. Kangana Ranaut, in the now infamous episode with Koffee With Karan, had accused Karan Johar of mocking how she spoke English. And in a show, where people are egged on by Johar himself to be flippant and testy about each other, Ranaut cloaked an accusation as a joke and lobbed it at Johar. When Johar asked what she would name her biography, Ranaut answered him, but also added that Johar would play a nepotistic director in it. She finished it with a cheeky laugh.
Here were two Bollywood insiders, discussing to thunderous applause, an outsider who had managed to show one of them the mirror.
Much like how Johar, right at the beginning of the show, while recapping Ranaut's career, said he was very impressed with Gangster but then she made 'certain choices', referring to the string of flops Ranaut has been a part of. "I thought she was lovely in Gangster and after that there were certain choices that I think just happened which is sometimes destiny, sometimes circumstance-related. But it is actually till I saw all that amazing work that you did specially in the Tanu Weds Manu films ... I remember calling you," he said.
The reason why it struck as especially sour to me that every film star who has been on the KWK couch " including the likes of Shah Rukh and Salman " has seen that career low. Johar, in my memory, hasn't ever explicitly commented on the quality of the films any of his guests have acted in. He occasionally asks people if they regret doing a film, with which he hands over the right to diss films to the person who has done them.

It was quite evident that Ranaut and Johar were being tarty to each other and at the end of the day, together, they made for entertaining television.
However, while speaking about this episode with Chopra, Johar said that he is "tired of Kangana playing the woman card, tired of her playing the victim card". And then he proceeded to say that if she is so terrorised and traumatised by Bollywood, she should leave it. The casual arrogance of a man who was served up the the entire industry on a platter by the virtue of his birth aside, his use of the phrase 'woman card', conflating it with the 'victim card', is pretty fascinating.
If I remember right, Ranaut said she would not want to act in a film where her role was lesser than that of her male co-star. The only time the fact of her gender came up in the course of the conversation was with regard to the question who among 'the three Khans' she would like to work with. Of course, Johar made it sound like he was asking which among the following organs one cannot live without " liver, heart or brain " and Ranaut didn't seem like she felt the same way about 'the Khans'. At other times, when Ranaut did spar with Johar, it was on being an artiste, an actor, an outsider, a person who wasn't a part of Johar's inner circle.
The casual arrogance of a man who was served up the the entire industry on a platter by the virtue of his birth aside, his use of the phrase 'woman card', conflating it with the 'victim card', is pretty fascinating.
Yet, like that colleague mourning he can't get leaves and the friend carping about reserved seats, Johar accused Ranaut of brandishing the 'woman card'. I don't know Ranaut personally, I don't have an opinion on who Johar chooses to launch with his money, but it is more than disappointing that instead of countering her allegations with facts, Johar chose to accuse her of using the 'woman card' and 'victim card'.
One telling moment, right at the end of the Koffee With Karan episode, was when Ranaut, surrounded by Shahid Kapur, Johar and Saif Ali Khan accused the filmmaker of trivialising the work actors do. Johar had asked Shahid, "You are newly married. How was it like to do the sensuous passionate scenes with Kangana?". I am not a filmmaker, yet I know that question makes next to no logical sense. When Ranaut commented that Johar was demeaning their art, Kapur jumped to his defence and hollered, "You're in a flippant show." Kangana didn't stop. Yes, she was using a 'card' here " I'd call it 'the self-respect card'.
The 'woman card' as it stands " and as demonstrated by Johar once more " is a word that is rapidly becoming a replacement for logic when arguing about women's issues. And guess who use it frequently? Men.
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